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MyFrenchFilmFestival, the world’s largest online French-language film festival, kicks off today, offering cinephiles, filmmakers and global audiences alike access to 20 French-language shorts and features.

Created by Unifrance 15 years ago, the festival offers a unique platform for French cinema to be enjoyed by viewers from all corners of the globe. The 2025 edition promises to promote creativity, diversity, and thought-provoking storytelling that explores universal and contemporary themes through an eclectic selection of films.

Running Jan. 17 to Feb. 17, MyFrenchFilmFestival’s 15th edition will showcase 20 films, including nine feature films in competition — four of which are debuts — along with nine short films and a special silent animation short designed for younger audiences.

Mfff’s 2025 competition jury is comprised of French-Iranian actor-producer-director Zar Amir; Danish-American actor-director Viggo Mortensen; French actress-director Noémie Merlant; Swedish filmmaker Tarik Saleh; and Russian director Andrey Zvyagintsev. Their expertise will be counted on to select the winner of this year’s Grand Prix,...

Catherine Deneuve will preside over the 50th edition of the Cesar Awards, France’s equivalent to the Oscars.

As part of her honorary role as president of this milestone edition, Deneuve will be delivering the opening speech at the ceremony. The gala event will take place on Feb. 28 at the Olympia concert hall and will be broadcast on French pay TV group Canal+, a media partner of the Cesar Awards.

“Who better than an extraordinary actress to celebrate the 50th anniversary of the Césars? Thanks to exceptional talent, a unique career and timeless grace, Catherine Deneuve embodies the very essence of the seventh art,” said the Académie des Arts et Techniques du Cinéma.

The French star, whose career spans nearly seven decades, has starred in a raft of iconic films directed by some of the world’s most revered filmmakers, from Luis Buñuel (“Belle de jour”) to François Truffaut (“Le Dernier Metro...

There is just something about the courtroom drama. One of the greatest and most treasured settings in cinematic history, breeding compelling stories across the years. There has been something of a revival, especially in French cinema, of late. As following on from the likes of Saint Omer and the Oscar-winning Anatomy of a Fall, comes the equally captivating, and relevant The Goldman Case.

To mark the release we had the pleasure of speaking to three of the film’s shining lights, during our annual January trip to Paris to take part in the wonderful UniFrance event. We chatted to director Cedric Kahn, alongside two of his leading stars, the eponymous protagonist Arieh Worthhalter, and Arthur Harari, the latter of which we of course spoke about Anatomy of a Fall, given he was behind the screenplay, alongside his partner Justine Triet.

Watch the full interview with Arieh Worthalter, Cedric Kahn & Arthur...

The reconstruction of the 1976 trial of voluble and charismatic leftist Pierre Goldman tackles antisemitism and history

French cinema has recently given us some sensationally good courtroom dramas, such as Alice Diop’s Saint Omer and Justine Triet’s Anatomy of a Fall, both of which put ideas as well as individuals on trial; race, gender and class. Now, Cédric Kahn has reconstructed – with some fictional licence – the 1976 trial of revolutionary leftist Pierre Goldman, who had previously been convicted of killing two pharmacists in the course of an armed robbery. After publishing his polemical autobiography Obscure Memories of a Polish Jew Born in France while in prison – which made him a cause célèbre among the fashionable Parisian classes – Goldman secured a retrial on the basis that the investigation was flawed and he had an alibi for the date and time of the killings, though he admitted to earlier robberies.

And it is this chaotic,...

Warner Bros.’ “Beetlejuice Beetlejuice” held the lead at the U.K. and Ireland box office for a second consecutive weekend, earning £4.2 million ($5.6 million) for a cumulative total of £14.4 million ($19 million), according to numbers from Comscore.

Universal’s newcomer “Speak No Evil” secured the second position with a £1.4 million debut, while Studiocanal’s “Lee” entered the chart at number three with £705,643.

The National Theatre’s re-release of filmed play “Prima Facie – Nt Live 2022” landed in fourth place, adding £556,470 to its total of £1.4 million. Universal’s “Despicable Me 4” continues its strong run in fifth place, earning £389,929 in its 10th week for a total of £46.2 million.

Disney’s “Deadpool & Wolverine” follows in sixth, adding £359,588 for a cumulative £56.6 million over eight weeks. Lionsgate U.K.’s new entry “The Critic” debuted at number seven with £353,075. Sony Pictures’ “It Ends With Us” placed eighth, earning £327,196 for a total of £20.8 million, while Disney’s...

He was a street-fighting revolutionary with a taste for flash cars and crisp shirts – a moralising bank-robber who was eventually gunned down in the streets of Paris. As a film recreates this astonishing figure’s notorious trial, we speak to his old acquaintances

Pierre Goldman was many things in his lifetime – and the polar opposite of most of those things, too. A fervent street-fighter from Lyon, who despised the French student protesters of May 1968 for getting bogged down in bourgeois debates, he was also a man of expensive tastes, whose quest for revolution got waylaid by flash cars, posh restaurants and crisp shirts. A great moraliser and a magnetic figure to the left in the 1960s and 70s, Goldman could also be a nihilistic provocateur. Feted by his country’s intelligentsia, he was a captivating writer, while also being a brute of a gangster who held up pharmacies and dairies for fistfuls of cash.

The courtroom erupts as Pierre Goldman takes the stand, shaking his shaggy mane. Towering crowds cheer each provocation toward the scowling officers across the aisle. This is not the American legal drama viewers expect; it’s the tumult of real 1970s France. The Goldman Case from director Cédric Kahn captures it all in piercing detail.

Based on a true 1976 appeal, the film centers on enigmatic activist Pierre Goldman. In a previous trial, he’d admitted armed robberies but denied killing two in a pharmacy heist. Now on retrial, Goldman’s past surfaces. The son of Polish refugees, he fought with revolutionaries abroad before becoming a criminal in Paris. But is he a killer?

Kahn plunges us straight into tense proceedings. Goldman continuously unsettles his attorney with changing demands. The defense chips away at bias in eyewitness testimony, as Goldman sparks outrage against purported racism in the force. Interpreting records and interviews,...

Nature documentary Wilding has signed distribution deals for key territories, with the film crossing the £500,000 mark in the UK-Ireland as the highest-grossing documentary of 2024.

MetFilm Sales has sold the film to France (Jupiter), Italy (Wanted), Germany, Austria, Switzerland (Polyband), Spain (Festival Films), Australia-New Zealand (Madman) and Scandinavia-Baltics (Nonstop Entertainment). All territories are planning theatrical releases from Q4 2024 onwards, while negotiations continue in other key territories.

Wilding crossed £500,000 at the UK-Ireland box office yesterday, having been released on June 14 by MetFilm Distribution. It will continue to play theatrically in the territory across the summer.

Directed by David Allen and produced by Gaby Bastyra,...

Cannes Critics’ Week has appointed French producer Sylvie Pialat as president of the jury for its upcoming edition after Spanish director Rodrigo Sorogoyen, who was originally announced for the role, was forced to cancel for personal reasons.

French director Iris Kaltenbäck has also been been named as a new jury member. Her first film The Rapture premiered to acclaim in Critics’ Week last year. The drama, starring Hafsia Herzi as a midwife who passes off her best friend’s newborn child as her own, won the Prix Sacd.

Previously announced members of the jury include Rwandan actress Eliane Umuhire (Augure by Baloji, My New Friends, Haven of Grace), Belgian cinematographer Virginie Surdej (The Blue Caftan, Our Mothers, Casablanca Beats), and Canadian film critic and journalist Ben Croll.

Producer Pialat spent the first part of her cinema career collaborating with her husband Maurice Pialat, co-writing the screenplays for a number of...

Veteran French distributor Rezo Films is closing its doors after more than 32 years and nearly 400 films after struggling to stay afloat in an increasingly competitive distribution landscape.

Founded in 1992 by Jean-Michel Rey and Nadia Lassoujade, Rezo Films helped to launch the careers of several French auteurs including Abdellatif Kechiche, Pascal Bonitzer, Catherine Corsini, Xavier Dolan, Gaspar Noé, Stéphane Brizé and Jeremy Clapin.

Several of those films performed well for arthouse titles in the territory including Clapin’s debut feature I Lost My Body in 2019, Brizé’s Mademoiselle Chambon in 2009, and Kechiche’s Games Of Love And Chance (L’Esquive) with 373,618 tickets...

Anatomy Of A Fall was named best French film of the year at the 49th annual César awards, among six prizes for Justine Triet’s film during an evening dominated by female solidarity that saw actress Judith Godrèche set the tone with a #MeToo-motivated speech.

Scroll down for full list of winners

Anatomy Of A Fall also earned prizes for best director for Triet, best actress for Sandra Hüller, best original screenplay for Triet and Arthur Harari, best supporting actor for Swann Arlaud and best editing for Laurent Senechal.

Triet’s best director prize made her the first female filmmaker...

The César Awards are always the biggest night of the year for French cinema, but the massive award season impact of “Anatomy of a Fall” ensured that this year’s event took on additional importance for Oscar watchers around the globe. When the 49th César Awards took place in Paris on Friday night, all eyes were on Justine Triet and her Palme d’Or-winning film.

Predictably, “Anatomy of a Fall” swept many of the night’s biggest categories. In addition to winning the top prize of Best Film, Triet was honored with Best Director and shared Best Screenplay with her partner Arthur Harari. Stars Sandra Hüller and Swann Arlaud also won Best Actress and Best Supporting Actor, respectively.

The night’s other big winner was Thomas Cailley’s “The Animal Kingdom,” which won awards for Cinematography, Visual Effects, Costume Design, and Sound.

Keep reading for a complete list of winners from the 2024 César Awards.

The 49th Cesar Awards, France’s top film honors, have been handed out in Paris, with Justine Triet‘s Oscar contender Anatomy of a Fall emerging as the big winner.

The French courtroom drama — which is competing at the Oscars in five categories — earned the best film prize, best actress for Sandra Hüller, best director for Triet, best original screenplay shared between Triet and co-writer Arthur Harari, and Swann Arlaud took home the best supporting actor trophy.

Hüller won in the best actress category over Oscar winner Marion Cotillard, nominated for Little Girl Blue; Lea Drucker, up for Last Summer; Hafsia Herzi, nominated for The Rapture; and Belgian actress Virginie Efira, nominated for her work in Just the Two of Us.

The other big winner on the night was The Animal Kingdom, French director Thomas Cailley’s follow-up to 2014’s Love at First Fight. Cailley picked up the best cinematography...

Gilles Bourdos’ Cross Away, starring Vincent Lindon, a French remake of Steven Knight’s 2013 film Locke that starred Tom Hardy, is being launched at the EFM by Newen Connect.

Lindon plays the head of a construction company who takes a series of telephone calls in his car during one long night. The voices of his wife, his mistress, his boss and his co-worker and will be played by Micha Lescot, Pascale Arbillot, Gregory Gadebois, Brigitte Catillon and Cédric Kahn. Curiosa Films is producing.

Also in post for Newen is Marie-Hélène Roux’s second feature Mending Lives about real-life Congolese doctors Denis Mukwege,...

Alanté Kavaité’s third film The Islanders, about a woman taking care of a group of elderly people on a remote island off the coast of France, has been acquired by Elle Driver, which will start selling the film at the EFM.

The Islanders is now in post. It stars Nadia Tereszkiewicz with Dali Bensallah, Daphné Pataki and veteran talents Miou-Miou and Patrick Chesnais. Tereszkiewicz won the Cesar breakout award in 2023 for roles in Forever Young and The Red Island. Bensallah’s credits include Athena.

Kavaité’s credits include the coming-of-age story The Summer Of Sangaile, for which she won...

Thomas Cailley’s sci-fi thriller The Animal Kingdom and Justin Triet’s Oscar-nominated courtroom drama Anatomy Of A Fall rose to the top of the nominations at France’s Cesar awards.

The Animal Kingdom, a supernatural twist on a father-son drama that first premiered at Cannes’ Un Certain Regard, has been nominated for 12 awards including best film and will vie in that category against the five-time Academy-award nominated, Palme d’Or-winning Anatomy Of A Fall with 11 nominations, alongside Cédric Kahn’s The Goldman Case, Jeanne Herry’s All Your Faces and Jean-Baptiste Durand’s Junkyard Dogs.

Cailley, Triet, Kahn and...

Justine Triet’s Oscar-nominated Anatomy of a Fall and Thomas Cailley’s fantasy drama The Animal Kingdom are the front runners for this year’s Cesar Awards, France’s equivalent to the Academy Awards. In nominations announced Wednesday, Anatomy picked up 11 Cesar noms and The Animal Kingdom 12. Both were nominated in the best film and best director categories.

Also nominated for best film are Jean-Baptiste Durand’s Junkyard Dog, All Your Faces from director Jeanne Herry and Cédric Kahn’s The Goldman Case.

France’s official Academy Award contender, Anh Hung Tran’s foodie period drama The Taste of Things, which missed out on an Oscar nom on Tuesday, picked up three Ceasar nominations, but none in the main categories.

German actress Sandra Hüller, a best actress nominee at this year’s Oscars for her starring turn in Anatomy of a Fall, is also up for the Cesar for best actress,...

Thomas Cailley’s fantasy drama The Animal Kingdom topped the nominations for France’s César Awards, which were announced in Paris on Wednesday.

The drama picked up 12 nominations with Justine Triet’s Oscar hopeful Anatomy Of A Fall coming in second with 11 nominations, followed by Jeanne Herry’s All Your Faces, which nine, and The Goldman Case, with eight.

Set in a world where human beings start transmuting into animals, The Animal Kingdom world premiered as the opening film of Cannes Un Certain Regard in 2023 and went on to make $8.5M at the box office last fall.

The Animal Kingdom and Anatomy of a Fall are competing in eight categories spanning Best Film, Director, Original Screenplay, Male Revelation, Editing, Sound, Cinematography and Production Design.

The high nomination count for Herry’s ensemble drama All Your Faces was thanks to the fact it dominated the Supporting Actress category with separate nominations for cast members Leila Bekhti,...

Thomas Cailley’s supernatural drama “The Animal Kingdom” and Justine Triet’s Palme d’Or winner “Anatomy of a Fall” are leading the race at the 49th Cesar Awards with 12 and 11 nominations, respectively.

Triet’s movie, which just garnered an impressive five Oscar nominations, and “The Animal Kingdom,” which opened at Cannes’ Un Certain Regard and won a prize, will vie for top Cesar awards including best director and film.

“The Animal Kingdom” is an ambitious film that marks a departure from France’s cinema tradition of social realism. It’s both a creature-filled dystopia and a father-and-son drama, weaving some contemporary concerns over the future of mankind. It’s produced by Pierre Guyard at Nord Ouest Films and co-produced by Artemis.

“Anatomy of a Fall,” meanwhile stars Sandra Hüller — the German actor nominated for Cesar, Oscar and BAFTA awards — as a novelist who is put on trial following the...

French film promotional organization Unifrance put talent in the spotlight at this year’s Rendez-Vous in Paris, where the 10 actors and filmmakers selected as 2024’s Talents to Watch were fêted with flutes of champagne at France’s Ministry of Culture before being introduced to the international press at a dedicated event.

For more than a decade, the 10 to Watch program has pinpointed the creative talents breathing modernity and vitality into contemporary French cinema. Think of a Gallic artist that’s made international waves over the past decade, and chances are they made this list. Here are the voices taking the industry forward in the years to come.

Sofia Alaoui

Sofia Alaoui

Franco-Moroccan filmmaker Sofia Alaoui will build on the rugged eeriness of her 2023 Sundance jury prize winner “Animalia” with “Tarfaya” – a slow-burn thriller that mines Morocco’s sweeping landscapes for ambient unease.

The upcoming film will follow Meryam, a 40-something...

Justine Triet’s Anatomy Of A Fall was named best film of the year at France’s Lumiere Awards on Monday evening.

Triet and co-writer Arthur Harari also took home the best screenplay award and lead Sandra Hüller earned the prize for best actress at the 29th edition of the awards, considered to be France’s version of the Golden Globes and voted on by international correspondents from 36 countries.

The courtroom drama about a woman on trial for her husband’s death in the French Alps was nominated in six categories, but Lumiere voters spread their votes across the board...

Justine Triet’s Oscar contender Anatomy of a Fall was the big winner at the 29th Lumiere Awards, France’s equivalent of the Golden Globes, picking up three trophies, including best film and best actress for star Sandra Hüller.

Triet missed out on the best director trophy, losing to Thomas Cailley for his supernatural family drama The Animal Kingdom but picked up the best screenplay honor for Anatomy of a Fall, sharing it with co-writer Arthur Harari. The mystery thriller premiered in Cannes last year, where it won the Palme d’Or. Anatomy of a Fall won two Golden Globes, for best foreign-language film and best screenplay, and is nominated for seven BAFTAs, including best film.

Arieh Worthalter won best actor for his starring role in Cédric Kahn’s courtroom drama The Goldman Case. Iris Kaltenbäck took best first film for her debut The Rapture. Best documentary honors went to...

Justine Triet’s Anatomy Of A Fall continued its prize-winning run on Monday at France’s 29th Lumière Awards clinching Best Film and Best Screenplay, while its German star Sandra Hüller won Best Actress.

The Lumières fete the best films, performances and technical achievements of French cinema across 13 categories.

The French equivalent of the Golden Globes, they are voted on by the Académie des Lumières which is made up of France-based international journalists representing 36 countries.

In other key prizes, Thomas Cailley won Best Director for Cannes 2023 Un Certain Regard opener The Animal Kingdom, while Arieh Worthalter won Best Actor for his performance in Cédric Khan’s Cannes Directors’ Fortnight opener The Goldman Case.

Triet’s Cannes Palme d’Or winner Anatomy of a Fall, which was nominated in six Lumière categories, is on an award-winning streak.

The movie swept the board at the European Film Awards in Berlin last December...

Justine Triet’s Palme d’Or winning “Anatomy of a Fall” picked up top accolades at the 29th Lumiere Awards, France’s equivalent to the Golden Globes, at a ceremony held Monday at the Forum des Images in Paris.

While Triet lost the best director nod to Thomas Cailley for his supernatural family drama “The Animal Kingdom,” “Anatomy of a Fall” won best film, actress for Sandra Huller, and screenplay for Triet and Arthur Harari. The movie is nominated for seven BAFTA awards, and won two Golden Globes (for screenplay and foreign-language film) earlier this month. While on stage to receive the best screenplay award, Triet and her partner Harari delivered the ceremony’s highlight, debating whether they’re collaborate again on a project. Triet admitted that the writing process had been complicated and said, “I don’t think he’s accept to work again with me but one time was already great.

Orange Studio has boarded true-crime-tinged psychological thriller “An Ordinary Case” and will launch sales at this week’s Unifrance Rendez-Vous in Paris. Top-lined, co-written and directed by French cinema stalwart Daniel Auteuil, this pulled-from-the-headlines drama also boasts “Borgen” and “Westworld” star Sidse Babett Knudsen alongside acclaimed actor Grégory Gadebois (“An Officer and a Spy”).

Auteuil adapted the feature from the work of Jean-Yves Moyart – a jurist-turned-blogger-turned-bestselling author who wrote of his experiences in the French legal system – and will star as Jean Monier, a disillusioned lawyer defending a man accused of murdering his wife. While all signs point to the accused’s guilt, Monier remains steadfast in his presumption of innocence. What begins as an ordinary case turns out to be anything but.

Following in the footsteps of Alice Diop’s Venice and César winner “Saint Omer,” of Cédric Kahn’s Cannes-acclaimed “The Goldman Case,” and of Justine Triet’s...

No reasonably intelligent person imagines an artist’s statement about the horrors in Gaza would, in fact, end those horrors, but there are always limits to what one can take and hopes for what one could do. It might even be said that, as observers of the world and human behavior, filmmakers are especially inclined to recoil. When I interviewed Pedro Costa last month he spoke, unprompted, of a situation that’s only grown worse: “It’s very clear that we cannot stand images anymore. I can’t. I can’t. The images of the world for me [Exhales] I can’t. I turn my eyes, and I’m sure you do the same. It’s unbearable.” When I spoke with Anthony Dod Mantle a couple of weeks later it, again, emerged––vis-a-vis The Zone of Interest, whose own cinematographer alluded to it the next day. It’s difficult being a person in the world,...

France’s awards season has officially kicked off with Justine Triet’s “Anatomy of a Fall” landing six nominations at the Lumières Awards, including best film and director.

The courtroom drama, which won the Palme d’Or at Cannes, is the season’s frontrunner. The Lumières are voted on by Paris-based correspondents working for foreign outlets across 36 countries.

Sandra Huller, who stars in the film as a German novelist put on trial after her French husband dies mysteriously, is nominated for best actress, while Milo Machado Graner, who plays her astute, low-vision son, is nominated for best male newcomer.

“Anatomy of Fall” has been on a roll, garnering a raft of international prizes at the European Film Awards, Gothams, as well as Los Angeles and the New York Film Critics Circle Awards, along with four Golden Globe nominations for best film, screenplay, actress and foreign film. The movie that was...

Naturally, all focus and the most nominations would go to Justine Triet’s Anatomy Of A Fall (it leads in six categories) but this did not take away from Cedric Kahn’s The Goldman Case and the real dark horse for this gala (but the future Cesars as well) Thomas Cailley’s The Animal Kingdom landing their share with five nominations. Catherine Breillat’s Palme d’Or comp title Last Summer grabbed four nominations and two films two watch out for would be Critics’ Week fave Iris Kaltenback’s The Rapture and one of our top film discoveries this year in Giacomo Abbruzzese’s Berlinale comp title Disco Boy.…...

Justine Triet’s Anatomy Of A Fall is the frontrunner for France’s Lumiere awards, the country’s answer to the Golden Globes, with 6 nominations, including for best film and best director.

The courtroom drama, starring Sandra Hüller as a writer who may have murdered her husband, won the Palme d’Or in Cannes this year and swept the European Film Awards on the weekend, taking 5 trophies, including best film. Anatomy of Fall, a Neon release in the U.S., has been nominated for 4 Golden Globes.

Tran Anh Hung’s foodie period drama The Taste of Things, which was picked over Anatomy of a Fall as France’s country’s official Oscar contender in the best international feature category, received just one Lumiere nom, for best cinematography.

Another French courtroom drama, Cedric Kahn’s The Goldman Case, picked up 5 Lumiere noms, tying with Thomas Cailley’s sci-fi tale The Animal Kingdom.

The Lumieres are voted on by international correspondents from 36 countries.

Justine Triet’s Palme d’Or winning Anatomy Of A Fall leads the nominations for France’s Lumiere awards, nominated in six categories, including best film and best director.

Cedric Kahn’s courtroom drama The Goldman Case and Thomas Cailley’s The Animal Kingdom, have each received five nominations.

All three films have been nominated in the best film category alongside Catherine Breillat’s Last Summer that earned four nominations and Clément Cogitore’s Son of Ramses with three.

The filmmakers of all five of those titles have also been nominated for best director.

Only days after it won the Jean Vigo prize, Dominique Marchais‘ La Rivière will face off against the likes of Justine Triet‘s Anatomie d’une chute, Catherine Breillat‘s L’Été dernier and Mona Achache‘s Little Girl Blue for the annual Louis-Delluc prize. Other contenders include the Quinzaine preemed Cédric Kahn‘s Le Procès Goldman and Pierre Creton‘s Un Prince, Berlinale titles Claire Simon‘s Notre Corps and Patric Chiha‘s La Bête dans la jungle and Un Certain Regard opener Thomas Cailley‘s Le Règne animal. Among the five finalists for Best Debut, we find a trio of Critics’ Week items in Stephan Castang‘s Vincent doit mourir, Iris Kaltenbäck‘s Le ravissement and Simon Rieth‘s Nos cérémonies.…...

Victor Erice’s “Close Your Eyes” won best film at the 17th edition of Leffest Lisboa Film Festival, which announced awards Saturday night.

Marking Erice’s first feature film since his 1992 docudrama “The Quince Tree Sun” and garnering almost universal positive reviews – Variety called it “an aching ode to film, time and memory” – following its world premiere at Cannes, “Close Your Eyes” has screened at Toronto, Busan, BFI London and New York.

During Leffest, in a session moderated by Paulo Branco, 83-year old Erice took part in a conversation with preeminent 64-year old Portuguese helmer, Pedro Costa, whose short “The Daughters of Fire,” was a Cannes Special Screening and also had its Portuguese premiere at the fest.

Erice remarked during the event, one fest highlight, that both he and Costa are working in the shadow of two great filmmakers – “Don Luis Buñuel” and “Don Manoel de Oliveira” – and he added...

Courtroom drama had UK premiere at BFI London Film Festival.

MetFilm Distribution has acquired UK-Ireland rights to Cedric Kahn’s courtroom drama The Goldman Case.

The French feature was a box office hit in its home country, recently crossing 327,000 admissions following a September release through Ad Vitam.

It premiered as the opening film of Directors’ Fortnight at Cannes this year; and had a UK premiere at the BFI London Film Festival in October.

The Goldman Case follows the 1975 trial of Pierre Goldman, a left-wing activist facing a life sentence who accepts charges of robbery but denies involvement in two murders.

Festival has programmed 75 films from 36 countries.

The Marrakech International Film Festival has unveiled the full line-up for its 20th edition, which runs from November 24-December 2.

The festival is opening with Richard Linklater’s action comedy Hit Man, starring Glen Powell, and is screening 75 films in total from 36 countries.

Marrakech’s official competition, which comprises first and second feature films, includes Ramata-Toulaye Sy’s Cannes Competition title Banel & Adama, Lina Soualem’s Venice Giornate degli Autori documentary Bye Bye Tiberias and Moroccan director Kamal Lazraq’s feature debut Hounds, which premiered in Un Certain Regard at Cannes.

Scroll down for full line-up

Johnny Barrington,...

Richard Linklater’s action comedy “Hit Man” is set to open the Marrakech International Film Festival, which has announced its lineup of more than 70 films mixing known titles and fresh fare.

The fest is forging ahead with its 20th edition, which will run Nov. 24- Dec.2 in the ancient Moroccan city despite the Israel-Hamas conflict that has caused cancellations of several other fests in the region, as well as the earthquake that hit the country in September.

“Hit Man,” for which organizers declined to specify whether talent will attend, will screen as part of Marrakech’s red carpet gala screenings. Italian director Matteo Garrone is expected to make the trek for the gala of his Venice prizewinning immigration drama “Io Capitano” and Michel Franco will be coming to present another Venice prizewinner, “Memory,” starring Jessica Chastain, who is presiding over the fest’s main jury.

Also expected on hand for...

The 20th edition of the Marrakech International Film Festival has announced its selection, opening with Richard Linklater’s comedy Hit Man.

The event, running from November 24 to December 24, will unfold two months after the devastating earthquake in the nearby Atlas Mountains in September, which killed more than 2,000 people.

The management team has decided to push on with the event to support Marrakech, which suffered very little damage and relies heavily on tourism for its livelihood.

Hit Man will play as part of the festival’s six picture red carpet Gala selection which also includes Matteo Garrone’s Italian Oscar entry Me Captain and Michel Franco’s Memory.

Previously announced high-profile guests due to attend this year include Martin Scorsese, who will act as a mentor to emerging filmmakers attending the industry-focused Atlas Workshops, and Jessica Chastain as president of the jury.

She will be joined by Iranian actress and director Zar Amir,...

AFM slate also includes a blend of local drama, comedy and thriller titles.

Orange Studio will kick off sales at AFM for Like A Prince, the debut feature from actor Ali Marhyar about a star boxer attempting a career comeback in a French chateau after a bar fight gone wrong.

Like A Prince stars Ahmed Sylla as the titular athlete who is sentenced to community service at the prestigious Château de Chambord following a bar fight that injures him and threatens his career. There, amidst horses, strange bosses and knight-inspired stunts, he meets a foster child with a knack for...

China’s Pingyao International Film Festival has announced the line-up for its seventh edition (October 11-18), which will open with Wei Shujun’s Only The River Flows and close with the world premiere of Fei Yu’s Football On The Roof.

Wei’s 1990s-set noir thriller, which premiered in Un Certain Regard at this year’s Cannes film festival, is also one of 11 titles competing in Pingyao’s Hidden Dragons competition for emerging Chinese filmmakers. Football On The Roof tells the story of a female soccer team fighting against the odds in the remote mountains of Yunnan province.

The Hidden Dragons line-up also includes Geng Zihan’s A Song Sung Blue, which premiered in Cannes Directors Fortnight, along with world premieres including Hao Feihuan’s Records Without Words, Li Binbin’s The Night Rain South Township and Yang Pingdao’s A Romantic Fragment (see full line-up below).

Pingyao has also...

The Oldenburg Film Festival has picked two iconoclast filmmakers to honor for its 30th anniversary edition: French actor/director Isild Le Besco and Canadian producer Jen Gatien. Both women have carved out unique paths in independent cinema, defying conventions and expectations.

Le Besco has worked in front of the camera since she was eight, and by her early 20s was already a face of French auteur cinema, with two César nominations — for her performances in Benoît Jacquot’s Sade (2000) and Cédric Kahn’s Roberto Succo (2001) and a best actress honor in Venice for Jacquot’s L’Intouchable (2006).

Her directorial debut, 2004’s Demi-Tarif (Half-Price), the story of three young siblings, Romeo (Kolia Litscher), Launa (Lila Salet), and the youngest, Leo (Cindy David), left on their own in a rundown Paris apartment, was an unmediated look into the world of childhood and drew praise from the likes of Mia Hansen-Løve, whose review,...

Like writers penning their memoirs, making movies about making movies is a rite of passage for many a director. Fellini famously did it with 8 ½, Truffaut with Day for Night, Godard with Contempt and Fassbinder with Beware of a Holy Whore. More recently, Tarantino gave us Once Upon a Time in Hollywood, Spielberg The Fabelmans, Michel Hazavanicius made Final Cut and Damien Chazelle, Babylon.

Almost all behind-the-scenes movies share the same theme: Filmmaking is tough, high-stress work that weighs heavily on everyone involved, especially the directors themselves. That’s certainly one of the main takeaways from Cédric Kahn’s very French variation on the subject, Making Of, which premiered out of competition in Venice.

Kahn is both an actor (he played the douchey Gallic lover in Pawel Pawikowski’s Cold War) and talented director, with a series of strong features under his belt that include hard-hitting thrillers like L’Ennui,...

The Working Class Goes to the Back Lot: Kahn Prosaically Processes a Director’s Strife

What should cinema be and who should it be made for? It’s a familiar, increasingly dire dilemma plaguing proponents of a craft who must contend with their own commodification even before the inception of a project. The economics of cinema is certainly nothing new, considering it’s been the reality of a communal based medium tied to profitability as the only means of sustainability, and countless films have depicted the often fraught conflict between content vs. risk assessment vs. revenue. For his latest film (and second release of 2023), Cédric Kahn attempts to expiate some demons with Making Of, the tale of a celebrated if declining director who struggles to complete a film about factory workers battling their masters in ways which mirrors the production’s own dilemma when a pair of sophomoric producers back...

Further Cannes titles to be selected include ’Firebrand’ and ’The Old Oak’.

The first titles in the running for the 2023 European Film Awards have been revealed by the European Academy, including Cannes premieres Anatomy Of A Fall, How To Have Sex, The Old Oak and Firebrand.

Anatomy Of A Fall won the Palme D’Or for French director Justine Triet at Cannes. The Hitchcockian mystery thriller is about a woman, played by Sandra Hüller, accused of murder when her husband dies of suspicious causes. Marie-Ange Luciani and David Thion produce.

How To Have Sex won the top Un Certain Regard...

The European Film Academy has fired the starting gun in the race for the European Film Awards. It has recommended 19 films to its members who will then select the nominees from this list, as well as some additional titles from the summer festivals, which will be announced next month.

Among the selected films are Cannes Film Festival’s Palme d’Or winner “Anatomy of a Fall,” and the winner of its Jury Prize, “Fallen Leaves,” along with fellow Palme d’Or contenders “Kidnapped,” “Firebrand,” “La Chimera” and “The Old Oak.”

Other titles include “How to Have Sex,” which won the Un Certain Regard Award in Cannes, “The Animal Kingdom,” which also played in Un Certain Regard, Cannes Directors’ Fortnight titles “Blackbird Blackbird Blackberry” and “The Goldman Case,” and “Close Your Eyes,” which played in the Cannes Premiere section.

Also selected are “Afire,” which won the Grand Jury Prize at the Berlinale,...

Cannes Competition titles Anatomy Of A Fall, The Old Oak, and La Chimera are among the first set of titles recommended for nominations at this year’s European Film Awards.

Overall, 19 titles have been selected for the first stage of nominations by the European Film Academy Board. The selection includes films from seventeen countries. In the coming weeks, the 4,600 members of the European Film Academy will watch and vote for the selected films. The winners will be announced at the European Film Awards ceremony in Berlin on December 9.

Films eligible for the European Film Awards must be deemed European features, and have had their first official screening between June 1, 2022, and May 31, 2023. Eligible films must also have a European director. The rules state that if the director is not European, “provided they have a European refugee or similar status or have lived in Europe and worked in the European film industry...

La BêteCOMPETITIONComandante (Edoardo De Angelis)The Promised Land (Nikolaj Arcel)Dogman (Luc Besson) La Bête (Bertrand Bonello) Hors-Saison (Stéphane Brizé) Enea (Pietro Castellitto) Maestro (Bradley Cooper)Priscilla (Sofia Coppola)Finalmente L’Alba (Saverio Costanzo)Lubo (Giorgio Diritti) Origin (Ava DuVernay) The Killer (David Fincher)Memory (Michel Franco)Io capitano (Matteo Garrone)Evil Does Not Exist (Ryûsuke Hamaguchi)The Green Border (Agnieszka Holland)The Theory of Everything (Timm Kröger)Poor Things (Yorgos Lanthimos)El conde (Pablo Larrain)Ferrari (Michael Mann)Adagio (Stefano Sollima)Woman OfHolly (Fien Troch)Out Of COMPETITIONFictionSociety of the Snow (J.A. Bayona)Coup de Chance (Woody Allen)The Wonderful Story of Henry Sugar (Wes Anderson)The Penitent (Luca Barbareschi)L’Ordine Del Tempo (Liliana Cavani)Vivants (Alix Delaporte)Welcome to Paradise (Leonardo di Constanzo)Daaaaaali! (Quentin Dupieux)The Caine Mutiny Court-Martial (William Friedkin)Making of (Cedric Kahn)Aggro Dr1ft (Harmony Korine)Hitman (Richard Linklater)The Palace (Roman Polanski...

The Venice Film Festival sails on in Italy — even with much of Hollywood at a standstill.

The annual cinema celebration hosted by La Biennale di Venezia and directed by Alberto Barbera runs from August 30 through September 9. Despite already having lost Luca Guadagnino’s “Challengers” from its opening night slot due to its SAG-AFTRA talent including star Zendaya being unable to accompany the world premiere due to strike work stoppage orders, Venice has plenty of movie goodness in store for its 80th edition.

Competition highlights include Bradley Cooper’s “Maestro,” Sofia Coppola’s “Priscilla,” David Fincher’s “The Killer,” Michael Mann’s “Ferrari,” Yorgos Lanthimos’ “Poor Things,” Ava DuVernay’s “Origin,” Luc Besson’s “Dogman,” Michel Franco’s “Memory,” Pablo Larrain’s “El Conde,” and many more. Out of competition, Venice will screen new films from Harmony Korine, Richard Linklater, Woody Allen, Wes Anderson, Roman Polanski, and William Friedkin.

Two movies whose directors are likely to draw protests, Woody Allen’s French-language “Coup de Chance” and Roman Polanski’s “The Palace,” will make their world premieres at the 2023 Venice International Film Festival, Venice artistic director Alberto Barbera and La Biennale di Venezia president Roberto Cicutto announced at a Tuesday morning press conference.

Both films will screen out of competition, though they’ll likely draw an inordinate amount of attention at a festival that has assembled a robust lineup of major filmmakers even as it struggles with the effects of the SAG-AFTRA and WGA strikes.

Films booked for the Venice main competition include Bradley Cooper’s Leonard Bernstein biopic “Maestro”; Yorgos Lanthimos’ sci-fi drama “Poor Things”; Sofia Coppola’s Priscilla Presley film “Priscilla”; Michael Mann’s auto-racing film “Ferrari”; Ava DuVernay’s “Origin,” with Aunjanue Ellis-Taylor, Niecy Nash-Betts and Vera Farmiga; and David Fincher’s “The Killer,” with Michael Fassbender.

On the heels of yesterday’s TIFF announcement, the first major fall festival of the season––Venice International Film Festival––is unveiling its lineup. Taking place August 30-September 9, the competition jury this year is chaired by Damien Chazelle.

Highlights include new films from David Fincher, Michael Mann, Wes Anderson, Ryusuke Hamaguchi, Sofia Coppola, Bradley Cooper, Bertrand Bonello, Frederick Wiseman, Roman Polanski, William Friedkin, Ava DuVernay, Harmony Korine, Richard Linklater, Woody Allen, and more.

Competition

Adagio; dir. Stefano Sollima

The Beast; dir. Bertrand Bonello

Io Capitano; dir. Matteo Garrone

Comandante; dir. Edoardo de Angelis

El Conde; dir. Pablo Larraín

Die Theorie von Allem; dir. Timm Kröger

Dogman; dir. Luc Besson

Enea; dir. Pietro Castellitto

Evil Does Not Exist; dir. Ryusuke Hamaguchi

Ferrari; dir. Michael Mann

Finalmente L’Alba; dir. Saverio Costanzo

Green Border; dir. Agnieszka Holland

Holly; dir. Fien Troch

Hors-Saison; dir. Stéphane Brizé

The Killer; dir. David Fincher

Lubo; dir. Giorgio Diritti

The Promised Land; dir.

Includes films from David Fincher, Sofia Coppola, Ava DuVernay, Yorgos Lanthimos, Bradley Cooper and Ryusuke Hamaguchi.

Venice Film Festival announced the programme for its 80th edition, including a 23-strong Competition with new films from David Fincher, Sofia Coppola, Ava DuVernay, Yorgos Lanthimos, Bradley Cooper and Ryusuke Hamaguchi.

Scroll down for full line-up

The selection was announced by festival president Roberto Cicutto and artistic director Alberto Barbera. The SAG-AFTRA strike in the US has had a “quite modest” impact on the selection according to Barbera, who was forced to pull Luca Guadagnino’s Challengers as the opening film over the weekend due to the strike.

This year’s selection will be announced at 11:00 Cest (10:00 BST) by Roberto Cicutto and Alberto Barbera.

The line-up for the 80th Venice International Film Festival (August 30-September 9) will be revealed this morning at 11:00 Cest (10:00 BST) by festival president Roberto Cicutto and artistic director Alberto Barbera

The press conference will be live-streamed below, and this page will be updated with the films as they are announced.

Luca Guadagnino’s Challengers was originally set to open the festival but was pulled by MGM amid the actors’ strike. It was replaced by Edoardo De Angelis’ Comandante.

The closing film...