When writer-director Rebecca Miller was playing back her latest film “She Came to Me,” she felt it was missing a compelling song. The National’s singer-turned-composer Bryce Dessner was sitting next to her when the thought entered: Bruce Springsteen would be perfect.
Dessner was drawing inspiration from Marisa Tomei’s character Katrina, who he describes as “a muse and this gutsy character. She’s a miraculous, amazing and powerful woman. She just felt like she could be a character from a Springsteen song,” he says.
Miller, who used the Springsteen hit “Dancing in the Dark” in her 2015 film “Maggie’s Plan,” loved the idea of Springsteen writing the end credits song. “It was an absurd idea, but it just came to me,” Dessner tells Variety. “What would normally feel insurmountable to most people is not the thing that occurs to Rebecca first, but she said, ‘Oh, that’s interesting.'”
“She Came to Me” follows Steven,...
Dessner was drawing inspiration from Marisa Tomei’s character Katrina, who he describes as “a muse and this gutsy character. She’s a miraculous, amazing and powerful woman. She just felt like she could be a character from a Springsteen song,” he says.
Miller, who used the Springsteen hit “Dancing in the Dark” in her 2015 film “Maggie’s Plan,” loved the idea of Springsteen writing the end credits song. “It was an absurd idea, but it just came to me,” Dessner tells Variety. “What would normally feel insurmountable to most people is not the thing that occurs to Rebecca first, but she said, ‘Oh, that’s interesting.'”
“She Came to Me” follows Steven,...
- 10/6/2023
- by Jazz Tangcay
- Variety Film + TV
The National’s Bryce Dessner has detailed his new soundtrack for the upcoming absurdist comedy She Came to Me starring Peter Dinklage. Out September 29th via Warner Classics and Unigram, the album features an original song from Bruce Springsteen and Patti Scialfa called “Addicted to Romance.”
According to a press release, She Came to Me director Rebecca Miller said the soundtrack came from an “intimate process” of collaboration with Dessner, who boarded the film during its earliest stages. This was especially important since the album had to incorporate two on-screen operas from the movie. Conducted by André de Ridder, the score features contributions from French pianist Katia Labèque and vocals from Greer Grimsley, Alicia Hall Moran, Isabel Leonard, and Emmett O’Hanlon.
In a statement, Dessner described the film as “one of the most rewarding and creative experiences I have had” and said it allowed him to “make the music that I wanted to make,...
According to a press release, She Came to Me director Rebecca Miller said the soundtrack came from an “intimate process” of collaboration with Dessner, who boarded the film during its earliest stages. This was especially important since the album had to incorporate two on-screen operas from the movie. Conducted by André de Ridder, the score features contributions from French pianist Katia Labèque and vocals from Greer Grimsley, Alicia Hall Moran, Isabel Leonard, and Emmett O’Hanlon.
In a statement, Dessner described the film as “one of the most rewarding and creative experiences I have had” and said it allowed him to “make the music that I wanted to make,...
- 9/1/2023
- by Eddie Fu
- Consequence - Music
You’ve seen Phantom Thread, perhaps multiple times. You’ve been playing Jonny Greenwood’s score on repeat. And now you’re wondering what to do until the Blu-ray arrives this April. Well, Paul Thomas Anderson has you covered. In special screenings around the country, you might have heard a few songs play before the film begins, and now Tiff has revealed those were hand-selected by the director for a special pre-viewing playlist.
They’ve now revealed the full list of songs, clocking in at 23 and ranging from Beyoncé to Bruce Springsteen to Rihanna to Neil Young to Carly Simon and far beyond. Of course, there’s also some Bernard Herrmann thrown in for good measure. Ahead of 70mm screenings at the Tiff Bell Lightbox starting Friday, they’ve collected the tracks into a Spotify list, which can be listened to below, followed by a round-up of recent extensive Phantom Thread talks with its creators.
They’ve now revealed the full list of songs, clocking in at 23 and ranging from Beyoncé to Bruce Springsteen to Rihanna to Neil Young to Carly Simon and far beyond. Of course, there’s also some Bernard Herrmann thrown in for good measure. Ahead of 70mm screenings at the Tiff Bell Lightbox starting Friday, they’ve collected the tracks into a Spotify list, which can be listened to below, followed by a round-up of recent extensive Phantom Thread talks with its creators.
- 2/28/2018
- by Jordan Raup
- The Film Stage
Paul Thomas Anderson is here to help you set the mood before your “Phantom Thread” viewing. While Jonny Greenwood’s Oscar-nominated score is well worth numerous streams, the director has curated his own mixtape of 23 songs he suggests you listen to before watching his romance drama. Anderson shared the playlist with Tiff., All 70mm screenings of “Phantom Thread” at the Tiff Bell Lightbox theater will play the songs before showtime.
The mixtape is pretty incredible on its own, featuring hits from Beyoncé, Rihanna, Carly Simon, Neil Young, and more, but it’s even better for those who have seen “Phantom Thread” and understand the relationship between Daniel Day-Lewis’ Reynolds Woodcock and Vicky Krieps’ Alma. Rihanna’s “Stay” is especially appropriate for the two lovers.
The full “Phantom Thread” playlist is below, courtesy of Tiff. The film is up for six Oscars at the Academy Awards, including Best Picture and Best Director.
The mixtape is pretty incredible on its own, featuring hits from Beyoncé, Rihanna, Carly Simon, Neil Young, and more, but it’s even better for those who have seen “Phantom Thread” and understand the relationship between Daniel Day-Lewis’ Reynolds Woodcock and Vicky Krieps’ Alma. Rihanna’s “Stay” is especially appropriate for the two lovers.
The full “Phantom Thread” playlist is below, courtesy of Tiff. The film is up for six Oscars at the Academy Awards, including Best Picture and Best Director.
- 2/27/2018
- by Zack Sharf
- Indiewire
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