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Featuring a number of iconic Hong Kong actors, including protagonist Michelle Yeoh, Sammo Hung, Michael Lam and Richard Ng, “The Stunt Woman” has a very interesting premise, of following the life of a female stunt woman, in an semi-biographical path considering that Yeoh also worked in that capacity, but in the end, fails as a whole. That Yeoh was injured seriously during a stunt involving jumping off a bridge probably was one of the reasons for this, since the production had to be rushed afterwards, but the main issue here seems to be the writing and the direction. Let us take things from the beginning though.

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Ah Ham, a young woman from Mainland China with expertise in kung fu and film acting, gets a job for a Hong Kong film company as a stuntwoman in action films with a unit headed by Tung,...

Four years after the second installment to arguably Jackie Chan’ most popular franchise, the actor would reprise his role as police inspector Chan Ka-Kui in “Police Story 3: Supercop” (or just “Supercop” in some areas). Perhaps due to his busy schedule in front and behind the camera, working on other projects such as the equally successful “Armour of God”-films, Stanley Tong took over directing duties from Chan, who would still be a producer for the project. This collaboration turned out to be quite fruitful for both them, setting the foundation for features such as “Rumble in the Bronx”, which would give the actor the breakthrough with US-American markets after years of trying. Although the previous entries into the franchise had already set quite a high level when it came to action set pieces, “Supercop” would see Chan in the middle of some of the most ambitious and costly action scenes of his career,...

Taipei, Taiwan -- Lights, camera, laughs.

Tens of millions of film fanatics are entering theaters around Asia during the long Lunar New Year holiday, but Hollywood can't count on them to boost the box office for its mostly serious Oscar nominees. Even with the Academy Awards buzz at a peak barely two weeks before the ceremony, patrons are opting for lighter fare.

"Viewers are mostly drawn to action films, films with special effects, comedies or easy-to-follow `popcorn' movies," said Ross Lee, a manager with Vieshow Cinemas, which owns one of Taiwan's largest theater chains. "In Taiwan the big hits are traditionally disaster films like "2012."

Lee and others say that with Chinese movie-goers using the New Year holiday to escape their daily grinds, they generally give the cold shoulder to weightier movies, like this year's leading nominee "Lincoln" or last year's best picture "The Artist."

"`Lincoln' is an American film," said...