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And now for yet another documentary feature set in the world of art. Nope, we’re not following another globe-trotting photo-journalist. This is in the world of music, rock n’ roll, to be precise. We’re heading back over fifty years, when the Beatles ruled the pop charts. Seems that another quartet were becoming pop icons beside the “fab four”. As the years have passed, both groups have been whittled down to duos. I’m referring to The Who, but this film’s title doesn’t profile anybody at the footlights, smashing up their instruments. No, it’s about the unlikely pair behind the pandemonium. They might sound like an old vaudeville team to rival Bud and Lou, but those rock standards might never have become a part of our lives without Lambert & Stamp.

In swinging mod, mad London of the early 1960’s, two fledging film makers had a unique...

She won Oscars for her Scarlett O'Hara and Blanche DuBois, yet Vivien Leigh – born 100 years ago this month – was always subject to Hollywood's impossible demands on its female stars

Every great Hollywood star is both an actor and the embodiment of a myth. Film transforms them, turning their selves, their presence, their talents, into an individual archetypal narrative, one seen both in their movies but also in the public knowledge of their private lives: wounded Monroe; malleable Audrey Hepburn; James Stewart, the irascible, increasingly neurotic all-American guy. Vivien Leigh is one of Britain's few genuine women "movie stars"; her myth is memorable and dark, her life a rise and fall story, centred on the consequences of what was then called her "manic depression" – around her vulnerability, her promiscuity, her ageing. Her films themselves similarly want to tell us stories about suffering and resilience, about surviving and about being punished for doing so.