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When putting together a list of the 25 Best Alfred Hitchcock Movies, it’s like plunging into a spectacular alternate universe of wit, verve, and style. The director of “Rear Window,” “Vertigo,” “North by Northwest,” and “Psycho” has a body of work so deep there are endless ways you can parse it: Maybe you could focus on his obsession with mothers, his approach to time, or the way food and painting pop up throughout his films.

But on a basic level, you also run into a challenge with Hitchcock you face with few other filmmakers, full-stop: The Master of Suspense is one of the rare directors to have a filmography with both the volume and the quality to credibly field a Top 25. With what other filmmakers can you do that? John Ford, certainly (Ford had the most films in our recent list of the 100 Greatest Westerns). Godard or Fassbinder perhaps? They...

After making what many people cite as the greatest film ever made, “Citizen Kane” (1941), multi-talented actor, writer, director and producer Orson Welles struggled to live up to the success he achieved when he was just 26 years old. Yet seen today, many of the films he made afterwards have attained a similar acclaim. Let’s take a look back at all 13 of his completed feature films as a director, ranked worst to best.

Born in 1915, Welles first came to prominence as a stage director, mounting groundbreaking productions of “Macbeth,” “Dr. Faustus,” and “The Cradle Will Rock” before forming his own repertory company, The Mercury Theater. In addition to Welles, the Mercury Theater Players included Joseph Cotten, Ray Collins, Agnes Moorhead, Everett Sloane, George Coulouris, Norman Lloyd, Martin Gabel and Paul Stewart, many of whom would go onto appear in the director’s films.

It was the Mercury Theater’s transition into...

When "Alfred Hitchcock Presents" first premiered on CBS in October 1955, the episodic half-hour anthology series immediately gained immense popularity. Hosted by Hitchcock himself, every episode opened with the director's silhouette and Charles Gounod's "Funeral March of a Marionette" playing in the background, which became a cultural landmark in itself. As Hitchcock believed that the show's half-hour format did not do justice to the intricate anthology tales of suspense and terror, the episodic duration was subsequently extended when the show was revamped and retitled to "The Alfred Hitchcock Hour," which ran from 1962 to 1965.

Per John McCarty and Brian Kelleher's "Alfred Hitchcock Presents: An Illustrated Guide to the Ten-year Television Career of the Master of Suspense," NBC (where the show ended up airing alternatively), after witnessing the success of Hitchcock's show, started planning a brand new mystery/suspense anthology that was set to run from 1957 through 1958. This unofficial spin-off was titled "Suspicion,...

Filmmaker William Friedkin forever changed horror with 1973’s The Exorcist, which earned him an Academy Award nomination for Best Director. He returned to the genre again in 1980 with the Giallo-like thriller Cruising and fearlessly got weird with gory folk horror The Guardian in 1990. Fearless perfectly encapsulates Friedkin’s style and his approach to life; he was never afraid to speak his mind or direct productions too peculiar or niche for mainstream audiences. The not-so-easily defined psychological thriller Bug, and its mixed initial reception, speaks to this.

That likely stemmed from Friedkin’s upbringing and his early career start in nonfiction. Bridging his path from his earlier work in commercials and documentaries to his seminal horror effort was television. It was a single episode of a popular anthology series from a horror master that kickstarted Friedkin’s career in fiction, and Friedkin never seemed to forget it.

While the acclaimed director continued to trailblaze in film,...

Billy Friedkin, who died today at 87, remains a uniquely unforgettable figure to his friends and colleagues — an eternal contradiction, both cantankerous yet kindly, argumentative yet thoughtful. He was a brilliant creator of popular entertainment but, to his close friends, also was brooding and cerebral.

Typically in his final days, Friedkin was looking forward to visiting Venice for the festival screening of his newest movie, a remake of The Caine Mutiny Court-Martial for Showtime. At the same time, he was prepping an opera that he would direct in Florence.

Friedkin loved talking about film and filmmakers but was equally comfortable discussing the literary works of Marcel Proust, the revered French novelist, or the intricacies of Mozart. His 1991 marriage to Sherry Lansing, one time Paramount studio chief, created a power couple of vast influence in film, music and philanthropy (she was a former studio chief at Paramount and is chairman of Universal Music...

[Spoiler alert! The below contains extensive details about the finales of both series.]

For the past few years, “Star Wars” definitively had the upper hand over “Star Trek” in the streaming wars. Times change, though: The viewership totals may still be on the side of “Star Wars,” but when it comes to quality there’s no question “Star Trek” has now moved ahead of its rival space franchise.

With the exception of “Andor,” Disney+’s takes on that galaxy far, far away have grown increasingly limp — from the candy-colored nonsense of “The Book of Boba Fett,” to the from nowhere-to-nowhere storytelling of “Obi-Wan Kenobi,” to the astonishingly incoherent Season 3 of “The Mandalorian.” I’ve written before about the creative vacuum that was “Picard” Seasons 1 and 2, but, by any standard, “Star Trek: Discovery” Season 4, the first season of “Strange New Worlds,” and the final season of “Picard” are outclassing everything Lucasfilm is producing that doesn’t star Diego Luna.

This past week, the divergence was particularly striking.

Michelle Yeoh is more in demand than ever following her Best Actress Oscar win for “Everything Everywhere All at Once,” but she hasn’t forgotten her friends in the 23rd century.

The actress is beaming up to be part of “Star Trek” once again for a “Star Trek: Discovery” spinoff movie event for Paramount+, titled “Section 31.” Yeoh was part of the recurring cast of “Discovery” since the show launched in 2017, first playing the benevolent Capt. Philippa Georgiou, then spending far more time onscreen as her evil Mirror Universe twin, Empress Georgiou of the Terran Empire.

Empress Georgiou was transported into “our” universe, which, with the Federation and its emphasis on exploration, is as far different from the conquest-minded fascist Terran Empire as anything could be. Except that there’s a secret faction within Starfleet Intelligence called Section 31 which has always embraced an “ends justify the means” approach to preserving the...

Michael J Fox, Diane Warren, Euzhan Palcy and Peter Weir were honoured at the Academy of Motion Pictures Arts and Sciences Governors Awards. Last year’s awards had been postponed due to Covid and instead took place just two days before the Oscars in March, reports Variety.

Among other attendees were Cher, Tom Hanks, Ron Howard, Olivia Wilde, Florence Pugh, Jordan Peele, Jonathan Majors, Jessica Chastain, Viola Davis, Austin Butler, Aldis Hodge, Gabrielle Union, Jeremy Pope, Glen Powell, Angela Bassett, Margot Robbie and Jean Smart.

Viola Davis introduced Palcy, whose film ‘A Dry White Season’ earned Marlon Brando his final Oscar nomination.

‘Back to the Future’ star Fox was feted with the Jean Hersholt Humanitarian Award, an Oscar statuette given “to an individual in the motion picture arts and sciences whose humanitarian efforts have brought credit to the industry.”

Woody Harrelson introduced Fox with a rousing speech. “He didn’t...

The Academy of Motion Pictures Arts and Sciences Governors Awards were back to their usual spot on the calendar Saturday night, as Hollywood turned out to honor Michael J. Fox, Diane Warren, Euzhan Palcy and Peter Weir at the Fairmont Century Plaza.

Last year’s awards had been postponed due to Covid and instead took place just two day’s before the Oscars in March.

Just about everyone with a film in the Oscar race was there to pay respect to the quartet, from Paul Dano and Michelle Williams of “The Fablemans” to Jennifer Lawrence and Brian Tyree Henry of “Causeway” and Laura Dern of “The Son.”

Among other attendees were Cher, Tom Hanks, Ron Howard, Olivia Wilde, Florence Pugh, Jordan Peele, Jonathan Majors, Jessica Chastain, Viola Davis, Austin Butler, Aldis Hodge, Gabrielle Union, Jeremy Pope, Glen Powell, Angela Bassett, Margot Robbie and Jean Smart.

“Back to the Future” star...

This post contains spoilers for the season finale of "Star Trek: Lower Decks."

At the end of last week's episode of "Star Trek: Lower Decks," called "Trusted Sources," Ensign Mariner (Tawney Newsome) infuriates Captain Freeman (Dawnn Lewis) and Mariner has to leave the ship in disgrace. Luckily, she seems to have had a second career already lined up: Tomb Raider. Mariner moves onto the ship of sexy maverick archaeologist Petra Aberdeen (Georgia King) and the two immediately go about plundering ancient, abandoned temples looking for statues and tchotchkes they can distribute to museums. 

In the following episode, "The Stars at Night," Mariner begins to sense something is suspicious about Petra's setup. Most notably, Petra becomes cagey and evasive whenever Mariner asks her about who is financing her operation. In a cute nod to Trek's post-capitalist utopia, Petra mocks Mariner for not knowing anything about what things cost. Eventually, Mariner uses...

Before “ER,” “Chicago Hope” and “The Good Doctor,” there was a great little medical drama called “St. Elsewhere.” Today, it’s not unusual to have topics like rape, abortion, domestic abuse, breast cancer discussed. But 40 years ago, such issues were taboo. Much as “Hill St. Blues” revolutionized police dramas in the early 1980s, “St. Elsewhere” pushed boundaries and opened discussions about issues that affected viewers everywhere.

“St. Elsewhere” refers to hospitals who take in the patients no other hospital wants to deal with; the fictitious St. Eligius is such an institution in Boston, a teaching hospital with more budget issues than personnel. But within the crumbling walls is a staff of doctors and nurses who struggle to provide the best care possible for the string of often difficult to diagnose, difficult to understand and difficult to tolerate patients who come through the doors, while balancing their personal lives and own...

Trailblazing medical drama series “St. Elsewhere” celebrates its 40th anniversary on October 26. Gold Derby recently gathered together 10 cast members of the NBC program for a special reunion. All episodes from the six-season original run are now available for streaming on Hulu.

The series never had the greatest of overall ratings but was saved time and again by the Peacock network due to its Emmy wins and nominations, plus excellent demographics among the 18-49 viewers who advertisers coveted. The show was set at the fictional Boston hospital St. Eligius (nicknamed St. Elsewhere because its rundown conditions), tackling topical medical subjects with unexpected deaths among the patients and staff members throughout the six seasons airing 1982-1988.

SEEEmmys Best Drama Series gallery: Every winner in Emmy Awards history

“St. Elsewhere” was nominated at the Emmy Awards for all six seasons as Best Drama Series but lost to “Hill Street Blues” twice, “Cagney and Lacey” twice,...

Who will be included for the special “In Memoriam” segment for Sunday night’s Oscars 2022 ceremony? For almost all other Academy Awards productions since the 1990s, producers typically select 40-50 people from the various branches. The 2021 segment had close to 100 people in a particularly fast-paced three minutes that was not very well-received since many of them were only on screen for a second or two.

SEECelebrity Deaths 2022: In Memoriam Gallery

Previous Oscar winners from acting categories passing away since last year’s late April ceremony are Olympia Dukakis, William Hurt and Sidney Poitier. Past acting nominees include Ned Beatty, Sally Kellerman and Dean Stockwell.

Almost all of the dozens on the list below were Academy members, previous nominees/winners or both.

Louie Anderson (actor)

Ed Asner (actor)

Ned Beatty (actor)

Marilyn Bergman (composer)

Val Bisoglio (actor)

Robert Blalack (visual effects)

Peter Bogdanovich (director)

David Brenner (editor)

Leslie Bricusse (composer...

Sunday’s SAG Awards ceremony will return to its normal two-hour live format on TNT and TBS. One of the highlights each year is the special In Memoriam segment. It’s been a particularly rough year with over 100 deaths of prominent actors and actresses who were likely members of SAG/AFTRA. Show producers typically are able to include approximately 40-50 people in a tribute. The 2021 segment saluted 55 people because they had responsibility for 14 months instead of 12.

Among that group will certainly be previous SAG president Ed Asner, who was also a life achievement award recipient. That honorary award was also presented to Sidney Poitier and Betty White, who both died this past year.

SEECelebrity Deaths 2022: In Memoriam Gallery

Who else might be featured in the 2022 tribute? Look for Oscar winner Olympia Dukakis, Oscar nominees Ned Beatty, Peter Bogdanovich and Dean Stockwell, plus Emmy champs Louie Anderson, Michael Constantine, Charles Grodin,...

Lewis Milestone directed this poetic, optimistic ode to the American infantryman, a ‘lone patrol’ saga that emphasizes its soldiers’ hopes and fears. The lineup of fresh, eager acting talent is remarkable: Dana Andrews, Richard Conte, George Tyne, John Ireland, Lloyd Bridges, Sterling Holloway, Norman Lloyd, Herbert Rudley, Richard Benedict, Huntz Hall, James Cardwell, Steve Brodie. Voiceovers and ‘ballads’ give a six-mile beachhead incursion the tone of a spiritual rumination. A beautiful full film restoration brings the image back to prime quality. The controversial filmmakers and the unusual production circumstances are covered in Alan K. Rode’s commentary.

A Walk in the Sun

Blu-ray + DVD

Kit Parker Films / Mvd Visual

1945 / B&w / 1:37 Academy / 117 min. / Street Date January 18, 2022 / The Definitive Restoration / Available from Amazon / 29.95

Starring: Dana Andrews, Richard Conte, George Tyne, John Ireland, Lloyd Bridges, Sterling Holloway, Norman Lloyd, Herbert Rudley, Richard Benedict, Huntz Hall, James Cardwell, Steve Brodie, Matt Willis,...

“The line must be drawn he-uh!”

Twenty-five years after Patrick Stewart’s Jean-Luc Picard most emphatically said those words, that moment from the film “Star Trek: First Contact” has become a full-on meme. Multiple clips of it on YouTube have hundreds of thousands of views each. It’s become one of the defining moments for the character. It also means a lot to its director.

“That still holds up as one of my favorite things I’ve ever, ever been involved in as a director,” Jonathan Frakes said.

Frakes, known to fans as Picard’s “Number One,” Commander Riker, has had a very successful career as an actor — and undoubtedly that’s what keeps the fans coming to meet him at “Star Trek” conventions. But he’s had as prolific a career behind the camera, as director of “First Contact” and the follow-up film “Star Trek: Insurrection,” and all over...

The former head of the ACLU discusses some of the movies – and sports legends – that made him.

Show Notes: Movies Referenced In This Episode

Mighty Ira (2020)

The Jackie Robinson Story (1950)

42 (2013)

Shane (1953)

Panic In The Streets (1950)

Last Year At Marienbad (1962)

The Seventh Seal (1957)

La Strada (1954)

Wild Strawberries (1957) – Allan Arkush’s trailer commentary

The Virgin Spring (1960) – Glenn Erickson’s Blu-ray review

The Last House On The Left (1972) – Darren Bousman’s trailer commentary

A Walk In The Sun (1945) – Glenn Erickson’s review

Paths Of Glory (1957) – George Hickenlooper’s trailer commentary, John Landis’s trailer commentary

All Quiet On The Western Front (1930) – Ed Neumeier’s trailer commentary

Lonely Are The Brave (1962)

Casablanca (1942) – John Landis’s trailer commentary

On The Waterfront (1954) – John Badham’s trailer commentary

12 Angry Men (1957)

Inherit The Wind (1960)

Judgment At Nuremberg (1961)

Witness For The Prosecution (1957)

Anatomy of a Murder (1959)

The Verdict (1982)

Twelve Angry Men teleplay (1954)

The Front (1976)

Judgment At Nuremberg teleplay...

Producers of the 73rd annual Primetime Emmy Awards ceremony honored almost all of the expected people who died this past year. Who was not featured during the emotional In Memoriam segment Sunday night on CBS? Prominent performers and character actors such as Frank Bonner, Sean Connery, Michael Constantine, Abby Dalton, James Hampton, Bruce Kirby, Norman Lloyd, Helen Reddy and Jane Withers were not part of the 49 people included.

While over 100 celebrated television people died since last year’s event in mid-September of 2020, the segment generally only makes room for less than 50. Among those featured Sunday night: TV Academy Hall of Fame members actor Ed Asner, production designer Roy Christopher, actress Cloris Leachman, writer/producer William Link and actress Cicely Tyson. Current nominee Michael K. Williams (“Lovecraft Country”) and “Saturday Night Live” veteran Norm Macdonald sadly passed away this month as well.

SEECelebrity Deaths 2021: In Memoriam Gallery

The 49 people featured...

Producers of this Sunday’s Primetime Emmy Awards ceremony have some difficult decisions to make about who to honor during the emotional In Memoriam segment. Cedric the Entertainer will host the 2021 Emmys for CBS at 8:00 p.m. Et; 5:00 p.m. Pt. A total of 34 presenters have been announced so far.

Our list below includes almost 100 people who made a strong contribution to television and have died since mid-September of 2020. Only about 40-45 of these people will probably be in the video segment. Certain to be featured will be TV Academy Hall of Fame members actor Ed Asner, production designer Roy Christopher, actress Cloris Leachman, writer/producer William Link and actress Cicely Tyson. Current nominee Michael K. Williams (“Lovecraft Country”) sadly passed away this month as well.

SEECelebrity Deaths 2021: In Memoriam Gallery

Ed Asner (actor)

Dana Baratta (writer/producer)

Anne Beatts (writer)

Ned Beatty (actor)

William Blinn (writer)

Frank Bonner (actor)

Perry Botkin,...

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Having helped shape modern cinema, Alfred Hitchcock is revered as one of the most prolific directors in history and this year, his birthday falls on Friday the 13th.

That date couldn’t be more fitting for the Master of Suspense. Hitchcock released over 50 films in his 60-year career amassing a catalog of classics such as “Rear Window,” “Psycho,” “The Birds,” “Marnie,” “North by Northwest,” “Vertigo,” “The Man Who Knew Too Much,” and “Rebecca.”

Although he never won a Best Director Oscar, Hitchcock cemented his place as a cinematic genius. Beyond the virtuosic camera techniques that gave audiences unique points of view and ways of identifying with his characters (even when they’re doing...

Cinema Retro has received the following press release from Turner Classic Movies:

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Turner Classic Movies (TCM) will celebrate the life and career of iconic actor, producer and director Norman Lloyd with a programming tribute on Monday, June 14. Lloyd, who passed away on May 11 at the age of 106, was known for playing the saboteur himself in Hitchcock’s Saboteur (1942) and was part of original company of Orson Welles’ Mercury Theater. His eight-decade career saw him work in all media including Broadway, television, film, and radio, with stints as director and producer. He attended the TCM Classic Cruise in 2011 and 2013 and attended all but one TCM Classic Film Festival in Hollywood.

The following is the complete schedule for TCM's on-air tribute to Norman Lloyd:

TCM Remembers Norman Lloyd – Monday, June 14

8:00 p.m. Saboteur (1942) – A young man accused of sabotage goes on the lam to prove his innocence.

Norman Lloyd, who starred in Alfred Hitchcock’s Saboteur and portrayed Dr. Daniel Auschlander on NBC’s St. Elsewhere, died on Tuesday at his home in Los Angeles, as Variety reports. Lloyd’s friend, producer Dean Hargrove, confirmed his death to Variety. He was 106.

The Hollywood veteran’s eight-decade career spanned theater, radio, film and TV, where he served in a variety of roles including director and producer. While his own name may not be widely recognized, he was deeply respected within industry circles and worked with some of the...

American actor was best known for his roles as the villain in Hitchcock’s Saboteur and as the kindly Dr Daniel Auschlander on TV’s St Elsewhere

Norman Lloyd, whose distinguished stage and screen career that put him in the company of Orson Welles, Alfred Hitchcock, Charlie Chaplin and other greats, has died. He was 106.

Lloyd manager, Marion Rosenberg, said the actor died Tuesday at his home in the Brentwood neighbourhood of Los Angeles.

He was a man who was full of stories and full of life. That’s how “St. Elsewhere” showrunner Tom Fontana remembered his dear friend Norman Lloyd, the legendary actor who died Tuesday at the age of 106.

Lloyd, who died at his home in Los Angeles, was a raconteur who loved to regale listeners with amusing anecdotes about his decades in the industry. For years, whenever Fontana would visit Los Angeles, he made a point of having dinner with his former star.

“He was one of the great storytellers I’ve ever known,” Fontana told Variety. “He just had great stories about Chaplin and (Orson) Welles and Bertolt Brecht and Charles Laughton. He worked with everybody.”

Lloyd was a cornerstone of “St. Elsewhere” in the role of the wise physician Dr. Donald Auschlander, who battled cancer from the 1982 pilot episode on. Originally, the character was to have died in episode...

Actor known for Alfred Hitchcock films and “St. Elsewhere” died at 106

Hollywood is in awe of the legendary career of Norman Lloyd, who died this week at age 106 after having worked with everyone from Orson Welles to Judd Apatow to Charlie Chaplin to Alfred Hitchcock.

Karl Malden once referred to Lloyd as “the history of our business,” and it shows in his enormous filmography, in which he worked as an actor, director and producer, not only continuing to work well past age 100 but being willing to share stories and histories with other film fans at screenings of classic films all across town.

“What a career. From Welles to Apatow. #Rip Norman Lloyd,” actor Ben Stiller said in reacting to Lloyd’s death.

“Look up mensch in the dictionary. There’s a picture of Norman Lloyd,” Brent Spiner added.

Lloyd was perhaps best known as Dr. Daniel Auschlander on the long-running ’80s series “St. Elsewhere,...

Actor, director, and producer Norman Lloyd passed away Monday, May 10 at the age of 106. The actor, a regular staple in the classic film community, was a jack-of-all trades with a career going back to the golden year of 1939. Lloyd’s most notable credits include Alfred Hitchcock’s “Saboteur” and “Spellbound,” the television series “St. Elsewhere,” Martin Scorsese’s “The Age of Innocence,” and Amy Schumer’s “Trainwreck” which he starred in at the age of 100.

Lloyd was born Norman Perlmutter in Jersey City, New Jersey on November 8, 1914. Lloyd started working the vaudeville circuit in New York at age nine. When he graduated high school, he started attending classes at NYU but dropped out quickly. He worked his way up through repertory theater companies before starring on Broadway in 1935.

The budding star soon met Orson Welles, and when Welles launched his famed Mercury Theatre troupe, Lloyd was one of the first members.

Norman Lloyd was the last one standing. For a long time, it looked like an extended, slow-motion foot-race between Norman and Olivia de Havilland as to who would be the final significant figure from Hollywood’s golden age to pass from Earth to the eternal cinematic firmament. But Olivia left us in July of last year at 104, and now Norman, two years older, has joined all the others who helped make Hollywood what it was. The parade has now definitively, conclusively, gone by.

In a life bracketed by two pandemics, the Spanish flu of 1918-20 and the ongoing Covid onslaught, this Jersey and Brooklyn boy born into modest circumstances first strode onto the New York stage in 1932, was the last surviving member of Orson Welles’ and John Houseman’s Mercury Theater and made his startling film debut in 1942 as the villain who fell from the top of the Statue of...

Norman Lloyd, the Emmy-nominated character actor who worked with Orson Welles and Alfred Hitchcock before landing major roles in 1980s hits like “Dead Poets Society” and “St. Elsewhere,” has died. He was 106.

A family friend confirmed the news to Deadline.

The New Jersey native, born Norman Perlmutter, got his start in the New York theater scene of the 1930s, much of it federally subsidized through the Federal Theatre Project. He became a charter member of Orson Welles and John Housman’s Mercury Theatre, where he played the prophetic Cinna the Poet in an acclaimed 1937 production of Shakespeare’s “Julius Caesar.”

Lloyd first broke out on the big screen playing a Nazi spy in Hitchcock’s 1942 thriller “Saboteur,” then returned as a psychiatric patient in 1945’s “Spellbound” with Ingrid Bergman and Gregory Peck. Hitchcock later hired Lloyd as a director and associate producer on his 1950s anthology TV series “Alfred Hitchcock Presents.

Actor, producer and director Norman Lloyd, best known for his title role in Hitchcock’s “Saboteur” and as Dr. Daniel Auschlander on NBC’s “St. Elsewhere” and famously associated with Orson Welles’ Mercury Theater, died Tuesday at his home in Los Angeles. He was 106.

His friend, producer Dean Hargrove, confirmed his death and said “His third act was really the best time of his life,” referring to the many historical Hollywood retrospectives and events Lloyd had participated in over the past few decades. Lloyd often said his secret to his long and mostly illness-free life was “avoiding disagreeable people,” Hargrove recounted.

Lloyd was hand-picked by Alfred Hitchcock to play the title character and villain in 1942’s “Saboteur,” and it was his character who tumbled to his death from the top of the Statue of Liberty in the pic’s iconic conclusion.

But the hard-working multihyphenate gained his highest profile only...

With each year, our connection to the Golden Age of Hollywood grows dimmer as the performers and creators of that era pas on, and I'm saddened to report that we've lost another one of the greats. Norman Lloyd, who appeared in a number of classic films including Alfred Hitchcock's Saboteur, died yesterday at the age of 106. Driven by his mother's love of theater,…...

Norman Lloyd, the Emmy-nominated veteran actor, producer and director whose career ranged from Orson Welles’ Mercury Theatre, Alfred Hitchcock’s Saboteur and acting with Charlie Chaplin in Limelight to St. Elsewhere, Dead Poets Society and The Practice, died May 10 in his sleep at his Los Angeles home. He was 106. A family friend confirmed the news to Deadline.

During one of the famous Lloyd birthday celebrations, Karl Malden said, “Norman Lloyd is the history of our business.”

Blessed with a commanding voice, Lloyd’s acting career dates back to Orson Welles’ Mercury Theatre troupe, of which he was the last surviving member. He was part of its first production — 1937 a modern-dress adaptation of Shakespeare’s Julius Caesar on Broadway titled Caesar.

He originally was cast in Welles’ epic Citizen Kane and accompanied the director to Hollywood. When the filmmaker ran into his proverbial budget problems, Lloyd quit the project and returned to New York,...

Norman Lloyd, the actor, producer and director whose collaborations with Orson Welles, Alfred Hitchcock, Charlie Chaplin, Bertolt Brecht and Jean Renoir made him a legend — albeit an off-the-radar one — in Hollywood, died Tuesday morning. He was 106.

Lloyd died in his home in Los Angeles, his son, Michael, told The Hollywood Reporter.

Lloyd portrayed the villain who plummets from the Statue of Liberty at the climax of Hitchcock’s Saboteur (1942) and appeared as the crusty Dr. Daniel Auschlander on NBC’s acclaimed 1980s hospital drama St. Elsewhere.

His first love was the theater, and he was asked by Welles and John Houseman to join their legendary Mercury Theatre in the ...

Norman Lloyd, the actor, producer and director whose collaborations with Orson Welles, Alfred Hitchcock, Charlie Chaplin, Bertolt Brecht and Jean Renoir made him a legend — albeit an off-the-radar one — in Hollywood, died Tuesday morning. He was 106.

Lloyd died in his home in Los Angeles, his son, Michael, told The Hollywood Reporter.

Lloyd portrayed the villain who plummets from the Statue of Liberty at the climax of Hitchcock’s Saboteur (1942) and appeared as the crusty Dr. Daniel Auschlander on NBC’s acclaimed 1980s hospital drama St. Elsewhere.

His first love was the theater, and he was asked by Welles and John Houseman to join their legendary Mercury Theatre in the ...

Steve McQueen’s “Small Axe,” an anthology of five films set in Black areas of London over a period of decades, has been named the best film of 2020 by the Los Angeles Film Critics Association, which announced its annual winners on Sunday.

It is the first time that the Lafca has honored a group of films rather than a single film with its best picture award. McQueen’s anthology, which includes “Lovers Rock,” “Mangrove” and “Red, White and Blue,” is currently playing on Amazon Prime, and neither the individual films nor the series are qualifying for the Oscars or guild awards as motion pictures.

“Small Axe” will be in the running for Emmys and guild awards in the television categories as a limited series. Strangely, Lafca voters treated the anthology as individual movies in the music category, where they singled out “Lovers Rock” for a runner-up citation, but then lumped...

Moments ago, the Los Angeles Film Critics Association finished unveiling their 2020 awards on Twitter. As always, some of their choices were a bit out of left field, but also far less so than in years past. Consider it a side effect of the year being so unique, since a broader range of movies are being considered. The top prize went to Steve McQueen’s Small Axe, while other films and performances cited included Carey Mulligan and Promising Young Woman in Best Actress (Emerald Fennell also took Best Screenplay for her work writing the flick), Chloe Zhao for Nomadland in Best Director, as well as Chadwick Boseman and Ma Rainey’s Black Bottom in Best Actor. Read on for all of the winners… Here now are the results of the Lafca voting for 2020: Best Picture Winner: “Small Axe” Runner Up: “Nomadland” Best Director Winner: Chloe Zhao – “Nomadland” Runner Up: Steve...

Members of the Los Angeles Film Critics Association (Lafca) are gathering Sunday to vote for their annual year’s best in movies. The group will begin deliberating over winners in 14 categories, honoring a winner and a runner-up.

Lafca named Steve McQueen’s Small Axe as Best Picture with Chloe Zhao’s Nomadland as the runner-up. The two films switched places with the Best Director category going to Zhao while McQueen was the runner up.

Last year, the Los Angeles critics tapped eventual Best Picture winner Parasite as its choice for Best Picture. That film’s director Bong Joon Ho won Best Director.

Other big winners included Promising Young Woman’s Carey Mulligan nabbing the Best Actress award while the late Chadwick Boseman earned Best Actor for his role in Ma Rainey’s Black Bottom.

The organization gave the New Generation Award to Radha Blank, the director, writer and star of The 40-Year-Old Version.

The voting for the Los Angeles Film Critics Association’s (Lafca) best films and best performances of 2020 took place virtually on Sunday. The awards were announced via the group’s Twitter account. The top prizes went to Steve McQueen’s Amazon Prime Video anthology film series “Small Axe” for Best Picture, plus Best Director Chloé Zhao, Best Actor Chadwick Boseman (“Ma Rainey’s Black Bottom”), and Best Actress Carey Mulligan (“Promising Young Woman”). See the full list below.

The Lafca vote arrives on the heels of Friday’s New York Film Critics Circle announcements, which crowned Kelly Reichardt’s “First Cow” as the best film of the year, and Chloé Zhao as the best director of the year for “Nomadland.”

These awards are a chance for voters to shine a light on under-appreciated gems, or throw support behind films already gaining steam in a long awards season ahead. With the Oscars...

The Los Angeles Film Critics Association (Lafca), one of the most important critics groups in the awards season, announced their favorites films and performances, following Boston and New York last week. They managed to shake things up considerably with Prime Video’s “Small Axe,” a collection of five films directed by Oscar-winner Steve McQueen (who was the runner up in best director), won two big awards including best picture and cinematography (Shabier Kirchner).

The only individual citation for one of the films was for “Lovers Rock,” whose composer Mica Levi was the runner up in best music. Amazon Studios has submitted “Small Axe” to the Golden Globes and Screen Actors Guild awards in the limited series categories. The plans have been to submit the series for the Emmys next year.

Other winners included Chloé Zhao winning once again for “Nomadland” in the directing category. She is the first Asian woman...

Beanpole named best foreign language film, MInari’s Yuh-Jung You wins best supporting actress.

Steve McQueen’s Small Axe anthology, which has not been submitted for Oscar consideration, was named best picture by the Los Angeles Film Critics Association (Lafca) on Sunday (December 20).

Nomadland’s Chloé Zhao earned her second best director prize from a major critics group in three days, and the late Chadwick Boseman was named best actor for Ma Rainey’s Black Bottom.

Carey Mulligan won best actress for Promising Young Woman, MInari’s Yuh-Jung You was named best supporting actress for Minari, Beanpole best foreign language film,...

For many dozens of Norman Lloyd’s closest friends, one of the most highly anticipated events of every year has long been the great character actor Norman Lloyd’s birthday party on November 6. The countdown to 100 was a much-relished slow-motion occasion, but Norman has long since put that milestone in the rear-view mirror. Still vigorous, mentally alert and blessed with a booming voice that could doubtless still be heard from the back row of a large theater’s second balcony, Norman a few days ago turned 106. Olivia de Havilland long ran a close second to Norman in Hollywood’s longevity department but, with her death last July, Norman has the field all to himself. It will certainly be a while until any Hollywood figure now in their 90s will threaten the actor’s record.

Although Norman continues to receive visitors at his cozy, tree-enshrouded home on the Westside, the usual boisterous November 6 gathering at a generous neighbor’s place was clearly not possible this year. Instead, over the weekend he presided over a crowded Zoom affair to accommodate the many guests he normally encounters in person. Then on Monday, my son Nick and I were joined by Los Angeles Film Critics Association president Claudia Puig and her husband Jerry Taylor to present Norman with a special new Legacy Award, recognizing Norman’s exceptional contributions to film and the arts over a nearly nine-decade career. Among the highlights encompassing his 1930s stage work with the likes of Pierre Fresnay, Elia Kazan, Joseph Losey, Orson Welles, John Houseman and Aaron Copland; his film debut as the villain who fell from the Statue of Liberty in Alfred Hitchcock’s Saboteur; and his extensive subsequent work in film, theater and television (most famously in for his long run as Dr. Auschlander in St. Elsewhere) decades afterwards (his final film appearance—to date—came in Judd Apatow’s Trainwreck in 2015).

As is his custom during these socially dismal days, Norman receives visitors while sitting at a table in his breakfast room, which opens upon an outdoor patio where his guests can sit. One is required to speak loudly and clearly — something Norman does as a matter of habit, having been well trained to pitch his voice to the back of the most cavernous theaters. He also inspires one to match him in the unfashionable art of precise enunciation, at which he excelled on Monday as he enthused about Joe Biden’s victory.

But most of Norman’s thoughts and comments focused on another Brit-made-good, Charlie Chaplin. Norman recalled how he was taken to Chaplin’s home one day in the early 1940s to play tennis and was soon not only a regular on Chaplin’s court but also an actor in Limelight. Norman boomed out memories of the one Hollywood figure he considered a true genius for a good 20 minutes, many of them centering upon tennis (they were evidently very well matched).

If you listen to the brief accompanying snippet, you’ll get a sense of Norman’s continued dedication to theatrical enunciation and diction.

On Nov. 8, Norman Lloyd will celebrate his 106th birthday, which is just one more accomplishment for a man whose nearly-100-year career is filled with amazing milestones. Lloyd worked as an actor, director and/or producer in theater, the early days of radio, film and TV. He wasn’t a household name, but he has always been well known and respected within the industry — not only for his work, but for the people he worked with. That list includes Alfred Hitchcock, Orson Welles, Charlie Chaplin, Buster Keaton, Elia Kazan, Jean Renoir, Robin Williams, Martin Scorsese, Denzel Washington, Mark Harmon, Cameron Diaz, Judd Apatow and Amy Schumer.

As his contemporary Karl Malden summed up in 2007, “He is the history of our industry.”

Lloyd was born Norman Perlmutter Nov. 8, 1914, in Jersey City, N.J. He took singing and dancing lessons and was a paid professional by the age of 9. He performed with...

The Los Angeles Film Critics Association has announced director-screenwriter Hou Hsiao-Hsien and songwriter Harry Belafonte as recipients of this year’s career achievement awards, and Norman Lloyd as the recipient of its legacy award.

“In light of the challenges that 2020 has presented, we are particularly thrilled to be expressing our profound admiration this year for our esteemed honorees,” said Lafca president Claudia Puig. “In addition to our two brilliant career achievement winners, it’s an honor to create an award worthy of an inspirational figure in time for his 106th birthday.”

A leading figure in Taiwanese cinema, Hsiao-Hsien has received several international prizes, including the Golden Lion at 1989’s Venice International Film Festival for “A City of Sadness,” and selected best director for “The Assassin” at the Cannes Film Festival in 2015. He has written and directed a slew of films, including “A Time to Live and a Time to Die,...

Rhonda Fleming died last Wednesday in Santa Monica, California. The 97-year-old actress, who had left a successful 15-year career as a leading lady in studio films 60 years ago, was correctly noted in her obituaries as “the Queen of Technicolor” because of her flaming red hair, as well as her significant presence as a film noir actress, particularly in Jacques Tourneur’s masterpiece “Out of the Past” (1947).

Her films included a number of now-acclaimed auteurist titles like Budd Boetticher’s “The Killer Is Loose,” Allan Dwan’s “Slightly Scarlet” and “Tennessee’s Partner,” and Fritz Lang’s “While the City Sleeps,” to go along with more mainstream titles like “The Spiral Staircase” and “The Gunfight at O.K. Corral.”

Unlike actresses like Ingrid Bergman, Grace Kelly, Tippi Hedren, and others who made multiple films with Alfred Hitchcock, Fleming is less identified with the master. But he provided her with her breakout role in 1945’s “Spellbound.

“You’re an unprincipled man,” the old rancher tells his reckless, short-tempered son. “You live just for yourself.” The younger one has just proposed quickly selling their large herd of diseased cattle before word gets out about the animals’ sickness, a despicable notion that takes his father aback. “It doesn’t take long to kill things,” the patriarch admonishes him. “Not like it does to grow.”

Not about to let his wild, narcissistic kid off the hook quite yet, the straight-talking old-timer further upbraids his selfish offspring for his penchant for lying in order to avoid consequences. “Little by little the look of the country changes because of the men we admire,” says the wizened man, who can now see nothing good lying beyond the horizon, beginning with his impatient progeny.

The scene is from Hud, the 1963 modern Western in which Paul Newman excelled as a short-tempered cad with little...

If anyone in Hollywood knows what it takes to get through epidemics, it’s Norman Lloyd. This protean actor was 3 in New York when the Spanish flu erupted in February 1918 and infected some 500 million people, about one-third of the world’s population. It came in four waves, and finally subsided in April 1920.

Norman has no particular memories of that plague, as he was kept indoors by his parents. And indoors he remains now, at the cozy, quiet, tree-enshrouded house on the far west side of Los Angeles that he’s owned since 1948. His wife Peggy died in 2011, but he has no shortage of friends (his annual November birthday party attracts up to 100 people) and keeps to a regular schedule under the supervision of a nurse and assistant who look after his daily needs. And, no, he isn’t working anymore; the last film he acted in was Judd Apatow’s Trainwreck five years ago.

We thought it was time to update this list after a recent sad passing as well as more celebratory news: this weekend Bernie Koeppel from The Love Boat turned 87, Marisa Pavan turned 88, Olympia Dukakis turned 89, and Gena Rowlands turned 90. Happy birthday to all of them. Anyway here's the list. Lots of great rental ideas herein...

200 Oldest Living Screen Stars

105 years young

Norman Lloyd (11/08/14) 

Most recently seen in the supporting cast of Trainwreck. He started as a Hitchcock player and later became a Hitchcock producer ("Alfred Hitchcock Presents") which led to a long producing career on TV (two Emmy nods). Other acting roles: Dead Poet's Society, The Flame and the Arrow, Wise Guy and St Elsewhere.

103 years young

Olivia de Havilland (7/1/1916) 

This centenarian is the oldest bonafide Movie Star alive and had already won Best Actress twice by the time she was 33 for To Each His Own (1946) and The Heiress (1949). Olivia's...

The other day I spoke with my great old friend Norman Lloyd, and I do mean great and I do mean old. As an actor, Norman's credentials stretch back to the Federal Theatre days of the mid-1930s — he's the last surviving member of Orson Welles' legendary 1937 Mercury Theatre production of Julius Caesar — and he made his Hollywood debut as the villain who falls to his death from the top of the Statue of Liberty in Alfred Hitchcock's 1942 Saboteur. His most recent screen appearance was in Judd Apatow and Amy Schumer's Trainwreck; Norman always ...

The other day I spoke with my great old friend Norman Lloyd, and I do mean great and I do mean old. As an actor, Norman's credentials stretch back to the Federal Theatre days of the mid-1930s — he's the last surviving member of Orson Welles' legendary 1937 Mercury Theatre production of Julius Caesar — and he made his Hollywood debut as the villain who falls to his death from the top of the Statue of Liberty in Alfred Hitchcock's 1942 Saboteur. His most recent screen appearance was in Judd Apatow and Amy Schumer's Trainwreck; Norman always ...

THR checked in with probably the one person in Hollywood who was alive during the last great global epidemic — the Spanish flu — to see how 105-year-old Norman Lloyd is holding up.

"Like everyone else, I’m captive in my own house," the star of Alfred Hitchcock’s Saboteur and NBC’s St. Elsewhere said over the phone. "But there’s nothing I need at the moment." Lloyd, who was 4 years old (and in New Jersey) when the 1918 pandemic hit, now lives in Brentwood.

This story first appeared in the March 26 issue of The Hollywood Reporter ...

THR checked in with probably the one person in Hollywood who was alive during the last great global epidemic — the Spanish flu — to see how 105-year-old Norman Lloyd is holding up.

"Like everyone else, I’m captive in my own house," the star of Alfred Hitchcock’s Saboteur and NBC’s St. Elsewhere said over the phone. "But there’s nothing I need at the moment." Lloyd, who was 4 years old (and in New Jersey) when the 1918 pandemic hit, now lives in Brentwood.

This story first appeared in the March 26 issue of The Hollywood Reporter ...