- Managing director of Helsingborgs stadsteater (Helsingborg City Theatre) 1923-1925.
- Regular guest lecturer in drama and oral presentation (1925-1954) at Kvinnliga Medborgarskolan (i.E "The Women's Citizen School") in Fogelstad, Sweden (a school that was run by the Swedish feminist pioneer group for womens emancipation, the so-called "Fogelstad group", including writer Elin Wägner, Elisabeth Tamm, artist Siri Derkert, a.o). Was also a member of the schools elected council of 22 women.
- Tutor in the performing arts at the Opera School, the Royal Dramatic Theatre School and the Royal Academy of Music (1931-1946).
- One of Lundequist's trade marks on stage was her eloquent organ voice and Lundequist originally intended to become an opera singer; she applied for the opera class at The Academy of Music (the old Music Conservatory) but there was no room for her in the class that year so the manager of the school kindly offered her a place in the drama class instead!
- Was a huge fan of opera. Had her own box at the Swedish Royal Opera, which she frequently visited throughout her life.
- When she retired from stage with her last performance in 1949 (at age 78) she ended a 60 year long professional stage career (with debut 1889). However, she actually did her very last role the same year she died, in 1959 (at age 88), as the grandmother in the provocative but socially important TV theatre play "Maria Angelica" (a new-written play about a young teenage girls's right to her own sexuality; and a play that also raises the dark subjects of rape and incest) that aired in Swedish Television in 1961, two years after Lundequist's passing.
- Grandmother of Sonja Kristina.
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