To mark the release of Le Mépris which is available on 4K Uhd, Blu-Ray, DVD & digital, from June 26, we have 2 Blu-Rays to give away!
To mark the 60 th anniversary of one of the most notable examples of the French New Wave, Studiocanal is delighted to announce a brand-new 4K restoration of Le MÉPRIS. Fresh from its inclusion in the Cannes Classic selection at this year’s festival, this landmark in world cinema from cinema’s original enfant terrible; Jean-Luc Godard will be available to own on 4K Uhd for the first time, on Blu-Ray, DVD and Digital on 26 June.
Featuring the style icon Brigitte Bardot as Camille, and legendary French talent Michel Piccoli as Paul, Le MÉPRIS boasts a strong and eclectic supporting cast featuring ‘master of darkness’ Director, Fritz Lang as himself, renowned American actor Jack Palance as Jeremy, and the infamous Giorgia Moll as Francesca. The restoration also...
To mark the 60 th anniversary of one of the most notable examples of the French New Wave, Studiocanal is delighted to announce a brand-new 4K restoration of Le MÉPRIS. Fresh from its inclusion in the Cannes Classic selection at this year’s festival, this landmark in world cinema from cinema’s original enfant terrible; Jean-Luc Godard will be available to own on 4K Uhd for the first time, on Blu-Ray, DVD and Digital on 26 June.
Featuring the style icon Brigitte Bardot as Camille, and legendary French talent Michel Piccoli as Paul, Le MÉPRIS boasts a strong and eclectic supporting cast featuring ‘master of darkness’ Director, Fritz Lang as himself, renowned American actor Jack Palance as Jeremy, and the infamous Giorgia Moll as Francesca. The restoration also...
- 6/25/2023
- by Competitions
- HeyUGuys.co.uk
My favorite tracking shot in film history is not a tracking shot. It's a shot of a tracking shot.
The scene in question opens Jean Luc-Godard's "Contempt," and, visually, consists of little more than a movie camera gliding down a dolly track toward a stationary camera, which serves as the audience's Pov. As the camera moves closer into view, we see that it is shooting, at a 90-degree angle square to our perspective, a young woman (Giorgia Moll) scribbling notations in a book. Eventually, the camera rolls to a stop directly in front of our camera, which is now a low-angle shot of the film's cinematographer, Raoul Coutard, who pans his implement 90-degrees before pointing it downward at the audience. The effect is at once startling and amusing. We have, in essence, locked eyes with the filmmaker.
This may not sound terribly thrilling in writing, but factor in a...
The scene in question opens Jean Luc-Godard's "Contempt," and, visually, consists of little more than a movie camera gliding down a dolly track toward a stationary camera, which serves as the audience's Pov. As the camera moves closer into view, we see that it is shooting, at a 90-degree angle square to our perspective, a young woman (Giorgia Moll) scribbling notations in a book. Eventually, the camera rolls to a stop directly in front of our camera, which is now a low-angle shot of the film's cinematographer, Raoul Coutard, who pans his implement 90-degrees before pointing it downward at the audience. The effect is at once startling and amusing. We have, in essence, locked eyes with the filmmaker.
This may not sound terribly thrilling in writing, but factor in a...
- 9/14/2022
- by Jeremy Smith
- Slash Film
Mubi's retrospective For Ever Godard is showing from November 12, 2017 - January 16, 2018 in the United States.Jean-Luc Godard is a difficult filmmaker to pin down because while his thematic concerns as an artist have remained more or less consistent over the last seven decades, his form is ever-shifting. His filmography is impossible to view in a vacuum, as his work strives to reflect on the constantly evolving cinema culture that surrounds it: Godard always works with the newest filmmaking technologies available, and his films have become increasingly abstracted and opaque as the wider culture of moving images has become increasingly fragmented. Rather than working to maintain an illusion of diegetic truth, Godard’s work as always foreground its status as a manufactured product—of technology, of an industry, of on-set conditions and of an individual’s imagination. Mubi’S Godard retrospective exemplifies the depth and range of Godard’s career as...
- 11/19/2017
- MUBI
There appear to be no rules governing tricky politics in movies — Joseph L. Mankiewicz’s adaptation of Graham Greene’s novel about terrorism in French-held Vietnam completely reverses the author’s message. Does a conspiracy theory about a movie still carry any weight, when our daily political life now plays like one giant conspiracy?
The Quiet American
Blu-ray
Twilight Time
1958 / B&W / 1:66 widescreen / 122 min. / Street Date June 13, 2017 / Available from the Twilight Time Movies Store 29.95
Starring: Audie Murphy, Michael Redgrave, Claude Dauphin, Giorgia Moll,
Bruce Cabot, Fred Sadoff, Kerima, Richard Loo.
Cinematography: Robert Krasker
Film Editor: William Hornbeck
Original Music: Mario Nascimbene
Written by Joseph L. Mankiewicz from a novel by Graham Greene
Produced and Directed by Joseph L. Mankiewicz
Fans of author Graham Greene know him for his political sophistication and his adherence to Catholic themes; he’s found holy values in a razor-wielding Spiv in Brighton Rock and...
The Quiet American
Blu-ray
Twilight Time
1958 / B&W / 1:66 widescreen / 122 min. / Street Date June 13, 2017 / Available from the Twilight Time Movies Store 29.95
Starring: Audie Murphy, Michael Redgrave, Claude Dauphin, Giorgia Moll,
Bruce Cabot, Fred Sadoff, Kerima, Richard Loo.
Cinematography: Robert Krasker
Film Editor: William Hornbeck
Original Music: Mario Nascimbene
Written by Joseph L. Mankiewicz from a novel by Graham Greene
Produced and Directed by Joseph L. Mankiewicz
Fans of author Graham Greene know him for his political sophistication and his adherence to Catholic themes; he’s found holy values in a razor-wielding Spiv in Brighton Rock and...
- 7/18/2017
- by Glenn Erickson
- Trailers from Hell
Jean-Luc Godard in his youthful days. Jean-Luc Godard solution for the Greek debt crisis: 'Therefore' copyright payments A few years ago, Nouvelle Vague filmmaker Jean-Luc Godard, while plugging his Film Socialisme, chipped in with a surefire solution for the seemingly endless – and bottomless – Greek debt crisis. In July 2011, Godard told The Guardian's Fiachra Gibbons: The Greeks gave us logic. We owe them for that. It was Aristotle who came up with the big 'therefore'. As in, 'You don't love me any more, therefore ...' Or, 'I found you in bed with another man, therefore ...' We use this word millions of times, to make our most important decisions. It's about time we started paying for it. If every time we use the word therefore, we have to pay 10 euros to Greece, the crisis will be over in one day, and the Greeks will not have to sell the Parthenon to the Germans.
- 6/30/2015
- by Andre Soares
- Alt Film Guide
Hedy Lamarr: 'Invention' and inventor on Turner Classic Movies (photo: Hedy Lamarr publicity shot ca. early '40s) Two Hedy Lamarr movies released during her heyday in the early '40s — Victor Fleming's Tortilla Flat (1942), co-starring Spencer Tracy and John Garfield, and King Vidor's H.M. Pulham, Esq. (1941), co-starring Robert Young and Ruth Hussey — will be broadcast on Turner Classic Movies on Wednesday, November 12, 2014, at 7 p.m. and 9 p.m. Pt, respectively. Best known as a glamorous Hollywood star (Ziegfeld Girl, White Cargo, Samson and Delilah), the Viennese-born Lamarr (née Hedwig Eva Maria Kiesler), who would have turned 100 on November 9, was also an inventor: she co-developed and patented with composer George Antheil the concept of frequency hopping, currently known as spread-spectrum communications (or "spread-spectrum broadcasting"), which ultimately led to the evolution of wireless technology. (More on the George Antheil and Hedy Lamarr invention further below.) Somewhat ironically,...
- 11/2/2014
- by Andre Soares
- Alt Film Guide
Chicago – I have to admit to a bit of trepidation every time a studio outside of the widely acknowledged masters tries their hand at catalog releases but the Lionsgate/StudioCanal Blu-ray releases of “Contempt,” “The Ladykillers,” and “Ran” are spectacular. Not only do the films look amazing in HD but they’ve been given copious special features. Don’t miss them.
Blu-Ray Rating: 4.5/5.0
What do Jean-Luc Godard’s “Contempt,” Akira Kurosawa’s “Ran,” and Alexander Mackendrick’s “The Ladykillers” have in common? Basically nothing other than loyal followings and, apparently, the same production company that allows them to be released on Blu-ray on the same day. They’re all films well worth adding to any collection of classic titles, especially in packages this lavish and lovingly produced.
Contempt was released on Blu-ray on February 16th, 2010.
Photo credit: Lionsgate Home Video
Four words - “Brigitte Bardot in HD”. For movie lovers who know their classics,...
Blu-Ray Rating: 4.5/5.0
What do Jean-Luc Godard’s “Contempt,” Akira Kurosawa’s “Ran,” and Alexander Mackendrick’s “The Ladykillers” have in common? Basically nothing other than loyal followings and, apparently, the same production company that allows them to be released on Blu-ray on the same day. They’re all films well worth adding to any collection of classic titles, especially in packages this lavish and lovingly produced.
Contempt was released on Blu-ray on February 16th, 2010.
Photo credit: Lionsgate Home Video
Four words - “Brigitte Bardot in HD”. For movie lovers who know their classics,...
- 2/19/2010
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
I can't recall precisely where and when I first saw Jean-Luc Godard's landmark 1964 picture Une femme mariée, but I know it wasn't until well after I had seen Alphaville, which came slightly after Une femme, or Le mepris, which appeared slightly before it—the years 1962 to 1968 represented a rather incredible flurry of activity for the director, seeing the creation/release of fourteen features and, depending on which source you believe, eight or nine shorts. That's practically Fassbinderean output. I imagine a good statistician might be able to prove that it actually outpaces Fassbinder at his most fecund. The more salient point is that each of these films—also among them are Vivre sa vie, Bandé a part, Made In USA, and so on—are remarkably different from each other in perspective, look and tone, and yet all are unmistakably Godardian. Nevertheless, a triple feature comprised of Le mepris, Une femme mariée,...
- 2/16/2010
- MUBI
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