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Movies and television have been competing for the same audience's time and money since TV was invented, but they've also formed a strange symbiosis. There have been a heck of a lot of movies based on TV shows, and a heck of a lot of TV shows based on movies.

Some of those shows based on movies have been major pop culture milestones, like "Buffy the Vampire Slayer," "The Karate Kid," and "Friday Night Lights." And of course a whole lot of been almost completely forgotten, like the sitcoms based on "Dirty Dancing," "Working Girl," and "Animal House."

But one thing these TV shows usually have in common is that they're almost always based on a hit movie. It's not surprising when a blockbuster like "M*A*S*H" or "Honey, I Shrunk the Kids" gets turned into a television series. It's even common for smaller, but critically acclaimed films...

It’s back and Criterion’s got it, so be prepared for sharp-talking insights on Billy Wilder’s nearly flawless, cinema-changing ode to cold-blooded murder, Los Angeles style. Edward G. Robinson wants Fred MacMurray but Barbara Stanwyck has him wrapped around her trigger finger. James M. Cain tapped into our city’s domestic malaise — who doesn’t know somebody they’d like to trade in for some extra cash? What about the extras? The Big C has Noah Isenberg, Imogen Sara Smith, Eddie Muller, Angelica Jade Bastién. Plus, we get the legendary Wilder interviews with Volker Schlöndorff, uncut and völlig ungeklärt. Revolver under the sofa cushion, anyone?

Double Indemnity

4K Ultra-hd + Blu-ray

The Criterion Collection 1126

1944 / B&w / 1:37 Academy / 108 min. / available through The Criterion Collection / Street Date May 31, 2022 / 39.95

Starring: Barbara Stanwyck, Fred MacMurray, Edward G. Robinson, Porter Hall, Tom Powers, Jean Heather, Byron Barr, Richard Gaines, Fortunio Bonanova, Mona Freeman,...

IndieWire turns 25 this year. To mark the occasion, we’re running a series of essays about the future of everything we cover.

Quick: How many films can you find on Netflix from before 1980? Gems can be uncovered there — shout-out to Youssef Chahine’s 1958 Egyptian classic, “Cairo Station” — but the burden is on those cinephiles already interested enough to seek them out.

Lovers of film history aren’t born, they’re made. Discussions with other film fans, nights out at your university rep cinema, and serendipitous discoveries on Turner Classic Movies, certainly help. Many of us owe our parents for exposing us to classic film at an early age. Still, we’ve reached a point where movies from Hollywood’s Golden Age, as well as concurrent world cinema titles, are more accessible than ever, but risk falling further into obscurity.

There was a time when you couldn’t see even towering classics,...

One of the best and most melodic of filmic transpositions from Broadway, James Whale’s beautifully directed movie showcases all-time great performances by Irene Dunne, Paul Robeson, Helen Morgan, Hattie McDaniel, and Charles Winninger. If you didn’t grow up with an awareness of this 1936 show, it’s because it was tossed in a vault and kept from view for more than forty years. Criterion’s new disc is a wonderful surprise that does the movie justice.

Show Boat

Blu-ray

The Criterion Collection 1021

1936 / B&w / 1:37 Academy / 113 min. / available through The Criterion Collection / Street Date March 31, 2020 / 39.95

Starring: Irene Dunne, Allan Jones, Charles Winninger, Paul Robeson, Helen Morgan, Helen Westley, Queenie Smith, Sammy White, Donald Cook, Hattie McDaniel, Arthur Hohl, Charles B. Middleton, J. Farrell MacDonald, Clarence Muse, Eddie “Rochester” Anderson.

Cinematography: John J. Mescall

Original Music: Jerome Kern and Lyrics Oscar Hammerstein II

Written by Oscar Hammerstein II from the...

One of the best and most melodic of filmic transpositions from Broadway, James Whale’s beautifully directed movie showcases all-time great performances by Irene Dunne, Paul Robeson, Helen Morgan, Hattie McDaniel, and Charles Winninger. If you didn’t grow up with an awareness of this 1936 show, it’s because it was tossed in a vault and kept from view for more than forty years. Criterion’s new disc is a wonderful surprise that does the movie justice.

Show Boat

Blu-ray

The Criterion Collection 1021

1936 / B&w / 1:37 Academy / 113 min. / available through The Criterion Collection / Street Date March 31, 2020 / 39.95

Starring: Irene Dunne, Allan Jones, Charles Winninger, Paul Robeson, Helen Morgan, Helen Westley, Queenie Smith, Sammy White, Donald Cook, Hattie McDaniel, Arthur Hohl, Charles B. Middleton, J. Farrell MacDonald, Clarence Muse, Eddie “Rochester” Anderson.

Cinematography: John J. Mescall

Original Music: Jerome Kern and Lyrics Oscar Hammerstein II

Written by Oscar Hammerstein II from the...

Howard Hawk's prelapsarian rom-com, Fig Leaves (1926)Along with the output of Universal, the films of Fox, before the merger with Twentieth Century, have long been among the more mysterious and hard-to-see products of Golden Age Hollywood. When TCM made Warners' pre-Codes readily available to American eyes, these competing studios' outputs remained shut in some vault, unrestored and unavailable. Well, the Museum of Modern Art has liberated some fantastic early Universal films, and now it's the turn of William Fox's lost masterworks to see the light of the projector beam once more in MoMA's "William Fox Presents: Restorations and Rediscoveries from the Fox Film Corporation," May 18 - June 5, 2018.The season showcases little-seen films by John Ford, F.W. Murnau, Raoul Walsh, Howard Hawks and Frank Borzage, five of the starriest names on the studio's roster of directing talent, but also makes a case for genuinely obscure journeyman talents like Sidney Lanfield,...

Bela Lugosi fan alert! This Monogram horror opus is yet another narrative-challenged fumble of unmotivated, incomprehensible characters… but Bela’s great in it, in a central role. He’s a sympathetic, non- maniac this time, if you don’t count his tendency to go into trances and smother random houseguests. Savant’s review has the lowdown on the interesting cast; Tom Weaver’s commentary has the authoritative lowdown on whole show.

Invisible Ghost

Blu-ray

Kl Studio Classics

1941 / B&W / 1:37 flat Academy / 64 min. / Street Date March 21, 2017 / available through Kino Lorber / 24.95

Starring: Bela Lugosi, Polly Ann Young, Clarence Muse, John McGuire, Betty Compson, Ernie Adams, Terry Walker, George Pembroke .

Cinematography: Harvey Gould, Marcel Le Picard

Film Editor: Robert Golden

Original Music: hahahahah, good one.

Written by Helen Martin & Al Martin

Produced by Sam Katzman

Directed by Joseph H. Lewis

Horror movie fans come in two varieties, obsessive and dangerously obsessive. Back...

March 21st is a big day for cult film fans, not to mention all you RoboCop enthusiasts out there, as Tuesday has a variety of horror and sci-fi offerings that you’ll undoubtedly want to add to your home entertainment collections. Scream Factory is releasing a pair of amazing Collector's Edition Blu-rays for RoboCop 2 and RoboCop 3, and Kino Lorber is keeping busy with a trio of HD releases, too: Chamber of Horrors, Invisible Ghost, and A Game of Death.

Other notable titles making their way home on March 21st include Wolf Creek: Season One, Eloise, John Waters’ Multiple Maniacs, and Frankenstein Created Bikers.

Chamber of Horrors (Kino Lorber, Blu-ray & DVD)

Newly Mastered in HD! Chamber of Horrors was based on the classic novel, The Door with Seven Locks by Edgar Wallace (King Kong, The Terror) - it was the second Wallace adaptation brought to the States by Monogram Pictures.

'The Merry Widow' with Maurice Chevalier, Jeanette MacDonald and Minna Gombell under the direction of Ernst Lubitsch. Ernst Lubitsch movies: 'The Merry Widow,' 'Ninotchka' (See previous post: “Ernst Lubitsch Best Films: Passé Subtle 'Touch' in Age of Sledgehammer Filmmaking.”) Initially a project for Ramon Novarro – who for quite some time aspired to become an opera singer and who had a pleasant singing voice – The Merry Widow ultimately starred Maurice Chevalier, the hammiest film performer this side of Bob Hope, Jim Carrey, Adam Sandler – the list goes on and on. Generally speaking, “hammy” isn't my idea of effective film acting. For that reason, I usually find Chevalier a major handicap to his movies, especially during the early talkie era; he upsets their dramatic (or comedic) balance much like Jack Nicholson in Martin Scorsese's The Departed or Jerry Lewis in anything (excepting Scorsese's The King of Comedy...

Depraved convicts ! Crazy Manhattan gin parties! Society dames poaching other women's husbands! A flimflam artist scamming the uptown sophisticates! All these forbidden attractions are here and more -- including Bette Davis's epochal seduction line about impulsive kissing versus good hair care. It's a 9th collection of racy pre-Code wonders. Forbidden Hollywood Volume 9 Big City Blues, Hell's Highway, The Cabin in the Cotton, When Ladies Meet, I Sell Anything DVD-r The Warner Archive Collection 1932-1934 / B&W / 1:37 flat Academy / 63, 62, 78, 85, 70 min. / Street Date October 27, 2015 / available through the WBshop / 40.99 Starring Joan Blondell, Eric Linden, Humphrey Bogart; Richard Dix, Tom Brown; Richard Barthelmess, Bette Davis, Dorothy Jordan, Berton Churchill; Ann Harding, Robert Montgomery, Myrna Loy, Alice Brady, Frank Morgan; Pat O' Brien, Ann Dvorak, Claire Dodd, Roscoe Karns. Cinematography James Van Trees; Edward Cronjager; Barney McGill; Ray June Written by Lillie Hayward, Ward Morehouse, from his play; Samuel Ornitz, Robert Tasker, Rowland Brown...

It was a winner right out of the starting gate, an instant classic that's still a pleasure for the eyes and ears. Carroll Ballard and Caleb Deschanel's marvel of a storybook movie has yet to be surpassed, with a boy-horse story that seems to be taking place in The Garden of Eden. The Black Stallion Blu-ray The Criterion Collection 765 1979 / Color / 1:85 widescreen / 117 min. / Street Date July 14, 2015 / 39.95 Starring Kelly Reno, Mickey Rooney, Teri Garr, Clarence Muse, Hoyt Axton, Michael Higgins, Ed McNamara, Doghmi Larbi, John Karlsen, Leopoldo Trieste, Marne Maitland, Cass-Olé. Cinematography Caleb Deschanel Film Editor Robert Dalva Supervising Sound Editor Alan Splet Original Music Carmine Coppola Written by Melissa Mathison, Jeanne Rosenberg, William D. Wittliff from the novel by Walter Farley Produced by Fred Roos, Tom Sternberg Directed by Carroll Ballard

Reviewed by Glenn Erickson

Francis Coppola divided audiences with his war epic Apocalypse Now, but in the same...

Susan Hayward. Susan Hayward movies: TCM Star of the Month Fiery redhead Susan Hayward it Turner Classic Movies' Star of the Month in Sept. 2015. The five-time Best Actress Oscar nominee – like Ida Lupino, a would-be Bette Davis that only sporadically landed roles to match the verve of her thespian prowess – was initially a minor Warner Bros. contract player who went on to become a Paramount second lead in the early '40s, a Universal leading lady in the late '40s, and a 20th Century Fox star in the early '50s. TCM will be presenting only three Susan Hayward premieres, all from her Fox era. Unfortunately, her Paramount and Universal work – e.g., Among the Living, Sis Hopkins, And Now Tomorrow, The Saxon Charm – which remains mostly unavailable (in quality prints), will remain unavailable this month. Highlights of the evening include: Adam Had Four Sons (1941), a sentimental but surprisingly...

Rex Ingram in 'The Thief of Bagdad' 1940 with tiny Sabu. Actor Rex Ingram movies on TCM: Early black film performer in 'Cabin in the Sky,' 'Anna Lucasta' It's somewhat unusual for two well-known film celebrities, whether past or present, to share the same name.* One such rarity is – or rather, are – the two movie people known as Rex Ingram;† one an Irish-born white director, the other an Illinois-born black actor. Turner Classic Movies' “Summer Under the Stars” continues today, Aug. 11, '15, with a day dedicated to the latter. Right now, TCM is showing Cabin in the Sky (1943), an all-black musical adaptation of the Faust tale that is notable as the first full-fledged feature film directed by another Illinois-born movie person, Vincente Minnelli. Also worth mentioning, the movie marked Lena Horne's first important appearance in a mainstream motion picture.§ A financial disappointment on the...

Eli Wallach and Anne Jackson on the Oscars' Red Carpet Eli Wallach and Anne Jackson at the Academy Awards Eli Wallach and wife Anne Jackson are seen above arriving at the 2011 Academy Awards ceremony, held on Sunday, Feb. 27, at the Kodak Theatre in Hollywood. The 95-year-old Wallach had received an Honorary Oscar at the Governors Awards in November 2010. See also: "Doris Day Inexplicably Snubbed by Academy," "Maureen O'Hara Honorary Oscar," "Honorary Oscars: Mary Pickford, Greta Garbo Among Rare Women Recipients," and "Hayao Miyazaki Getting Honorary Oscar." Delayed film debut The Actors Studio-trained Eli Wallach was to have made his film debut in Fred Zinnemann's Academy Award-winning 1953 blockbuster From Here to Eternity. Ultimately, however, Frank Sinatra – then a has-been following a string of box office duds – was cast for a pittance, getting beaten to a pulp by a pre-stardom Ernest Borgnine. For his bloodied efforts, Sinatra went on...

Cary Grant movies: 'An Affair to Remember' does justice to its title (photo: Cary Grant ca. late 1940s) Cary Grant excelled at playing Cary Grant. This evening, fans of the charming, sophisticated, debonair actor -- not to be confused with the Bristol-born Archibald Leach -- can rejoice, as no less than eight Cary Grant movies are being shown on Turner Classic Movies, including a handful of his most successful and best-remembered star vehicles from the late '30s to the late '50s. (See also: "Cary Grant Classic Movies" and "Cary Grant and Randolph Scott: Gay Lovers?") The evening begins with what may well be Cary Grant's best-known film, An Affair to Remember. This 1957 romantic comedy-melodrama is unusual in that it's an even more successful remake of a previous critical and box-office hit -- the Academy Award-nominated 1939 release Love Affair -- and that it was directed...

Glenda Farrell: Actress has her ‘Summer Under the Stars’ day Scene-stealer Glenda Farrell is Turner Classic Movies’ "Summer Under the Stars" star today, August 29, 2013. A reliable — and very busy — Warner Bros. contract player in the ’30s, the sharp, energetic, fast-talking blonde actress was featured in more than fifty films at the studio from 1931 to 1939. Note: This particular Glenda Farrell has nothing in common with the One Tree Hill character played by Amber Wallace in the television series. The Glenda Farrell / One Tree Hill name connection seems to have been a mere coincidence. (Photo: Glenda Farrell as Torchy Blane in Smart Blonde.) Back to Warners’ Glenda Farrell: TCM is currently showing Torchy Runs for Mayor (1939), one of the seven B movies starring Farrell as intrepid reporter Torchy Blane. Major suspense: Will Torchy win the election? She should. No city would ever go bankrupt with Torchy at the helm. Glenda Farrell...

Hattie McDaniel as Mammy in ‘Gone with the Wind’: TCM schedule on August 20, 2013 (photo: Vivien Leigh and Hattie McDaniel in ‘Gone with the Wind’) See previous post: “Hattie McDaniel: Oscar Winner Makes History.” 3:00 Am Thank Your Lucky Stars (1943). Director: David Butler. Cast: Joan Leslie, Dennis Morgan, Eddie Cantor, Humphrey Bogart, Bette Davis, Olivia de Havilland, Errol Flynn, John Garfield, Ida Lupino, Ann Sheridan, Dinah Shore, Alexis Smith, Jack Carson, Alan Hale, George Tobias, Edward Everett Horton, S.Z. Sakall, Hattie McDaniel, Ruth Donnelly, Don Wilson, Spike Jones, Henry Armetta, Leah Baird, Willie Best, Monte Blue, James Burke, David Butler, Stanley Clements, William Desmond, Ralph Dunn, Frank Faylen, James Flavin, Creighton Hale, Sam Harris, Paul Harvey, Mark Hellinger, Brandon Hurst, Charles Irwin, Noble Johnson, Mike Mazurki, Fred Kelsey, Frank Mayo, Joyce Reynolds, Mary Treen, Doodles Weaver. Bw-127 mins. 5:15 Am Janie (1944). Director: Michael Curtiz. Cast: Joyce Reynolds, Robert Hutton,...

The 12th and last in the series of the Chicago screenings of the L.A. Rebellion touring film series, will take place this Friday June 7, with a screening of a newly restored print of filmmaker Larry Clark’s seminal 1977 feature film, Passing Through.The film deals with a jazz musician, recently released from prison and refusing to play for the powers that be, who control the music industry. Looking for inspiration and a sense of purpose he searches for his musical mentor, Poppy Harris (played by Clarence Muse). The film is a fusion of fiction documentary and concert film with a brilliant score featuring the music of Charlie Parker, John Coltrane and Sun Ra and was called by...

Horror fans today are spoiled. With the vast array of films available on DVD and Blu-ray via storefronts like Best Buy and Fye, online outlets like Amazon and Deep Discount, and rental/streaming services such as Netflix, there are few films that are unattainable. Virtually anything one might hear of is available some way, somewhere. But it wasn't always so...

Back at a time before disc (or VHS for that matter), the only way - and I mean the Only way - to see classic and not so classic genre pictures was on broadcast television. As a kid, I remember getting the local TV Guide and a yellow highlighter and systematically going through the listings, marking each and every show time of movies I'd heard about either from friends or ones that were obliquely mentioned in Forry Ackerman's Famous Monsters of Filmland . I would meticulously go over each entry...

Part of a series by David Cairns on forgotten pre-Code films.

No Christmas movie is complete without the prospect of a suicidal plunge into icy waters... festive!

Yes, 1935 was the year after the Production Code came in. But these are the Daft Days, between Christmas and New Year, when nothing really matters. Besides, this is a film worth writing about, it has a seasonal hook, is full of early thirties atmosphere, social concerns, and a little suggestiveness, and anyway, it's a remarkable fact about pre-Code cinema that virtually none of them take any interest in Christmas.

They do, however, take a good bit of interest in the winter, since winter is something that has to be prepared for if it's to be survived. Thus comedy relief Vince Barnett in The Girl in 419 (1933) spends most of his scenes talking about the fur coat he's going to buy for his sweetie once he's saved enough money,...

Acknowledging Apache Drums (1951) as the forgotten Val Lewton movie, we must also acknowledge that it's not quite as special as Cat People or Isle of the Dead or any of the others in the chiller cycle, but it does bear comparison with the lesser-known Mademoiselle Fifi and it certainly beats the pants off of Youth Runs Wild.

If the conservative nature of the western format reins in some of Lewton's more sophisticated tendencies, it also allows others to stand out in bold relief, and if director Hugo Fregonese is no Jacques Tourneur, nor even a Mark Robson, he's a perfectly amicable journeyman.

Admitting a certain B-movie banality, what's striking is how Lewton is able to continue his preoccupations into what might seem an alien genre, so that Apache Drums resembles, at numerous times, a supernatural/psychological horror movie, in which the horror is dually located in the American Indian "other,...

We at Mubi think that celebrating the films of 2010 should be a celebration of film viewing in 2010.  Since all film and video is "old" one way or another, we present Out of a Past, a small (re-) collection of some of our favorite of 2010's retrospective viewings.

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Always on Sunday (Ken Russell, 1965), pictured above

Always on Sunday is one of Ken Russell's early British television films, most of which were portraits of artists. It was customary for years for Russell's haters to praise these unavailable films and bemoan the director's decline into heavy-handed vulgarity. It turns out that they were half right: the TV work is excellent, and tends to be more muted than the gaudy features that followed, no doubt in part due to BBC censorship. But the critics were wrong to miss the nuances, and genius, of Russell's blockbuster marathons of bad taste and joyous camp, and...