- Born
- Died
- Birth nameJames Harford Nicholson
- Nickname
- Jim
- James H. Nicholson was a longtime theater owner and exhibitor and worked as a promo man for Realart Pictures prior to 1954, when he founded American Releasing Corp., Two years later, he decided he wanted to expand globally and, with lawyer Samuel Z. Arkoff, formed American International Pictures. The company turned out hundreds of movies over the next 35 years. AIP discovered an audience that was being ignored by mainstream Hollywood--teenagers--and in its early years, it turned out movies about monsters, hot rods and rock'n'roll, and the drive-ins filled with kids. In the 1960s, AIP turned out a string of zany, inexpensive but highly profitable "Beach Party" movies full of sand, songs, surf and (tame) sex. In 1964, 48-year-old Nicholson divorced his wife Sylvia and married 24-year-old actress Susan Hart. When the biker craze hit, AIP was there with The Wild Angels (1966). Nicholson continued to make AIP movies until June 1972, when he resigned as AIP's president and immediately formed a new company, Academy Pictures Corp., headquartered at the brand new Luckman Building, 9200 Sunset Blvd. He soon announced a six-picture deal with 20th Century Fox, who had sought him out. The six pictures included "The Legend of Hell House," "Dirty Mary Crazy Larry," "The Blackfather," "Street People" and "The Thousand Year Old Man," the latter based on a Nicholson original. (The sixth title, unannounced, was to have been "Death Race," on which he had collaborated with his good friend Robert Thom. Nicholson re-titled it "Death Race 2000.") In December 1972, two of those movies were "in the can" when Nicholson died of lung cancer that had metastasized. "Dirty Mary Crazy Larry," budgeted at $1,000,000, reaped $28,000,000, 20th's largest grossing film of that year; it has been reported that its huge profits enabled 20th to make "Star Wars." In the meantime, the floundering AIP became a subsidiary of Filmways, with Filmways' head Richard Bloch now calling the shots. When Arkoff left Filmways in 1980, he attempted to follow in Nicholson's footsteps, basing his new distribution company Arkoff International Picture (notice the identical initials, AIP) at 9200 Sunset. It was responsible for just one theatrical release, the sex- and nudity-filled "Hellhole" (1985).- IMDb Mini Biography By: kdhaisch@aol.com and A. Nonymous
- SpousesSusan Hart(August 1966 - December 10, 1972) (his death, 1 child)Sylvia Ann Svoboda(July 14, 1940 - February 1, 1966) (divorced, 3 children)
- Children
- ParentsPercival Harford NicholsonEsther Leduc
- RelativesJoi Holmes(Grandchild)Jill Sobel Messick(Grandchild)
- AIP vice-president Samuel Z. Arkoff credits Nicholson with being the idea man at the company. He would come up with a great title and a campaign would be built around it. When that was all settled, they would get around to actually making the film.
- When he divorced his first wife Sylvia, her settlement included a portion of his stock in American-International Pictures. This reduced his status as an equal partner with Samuel Z. Arkoff.
- Before teaming up with Samuel Z. Arkoff, Nicholson was the sales manager at Realart Pictures. Realart was a company that bought the distribution rights to older films from other studios for a set period of time and re-released them.
- Grandfather of Joi Holmes.
- [on Roger Corman's Edgar Allan Poe adaptations] Poe writes the first reel or the last reel. Roger does the rest.
- Each time our monster got his desserts, he had actually enacted a modern version of the medieval morality play. We had filmed "Everyman."
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