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The 1966 "Batman" TV series -- one of the best TV shows of all time -- wasn't shy about including shameless cameos. Early in the show's run, the producers invented an organic conceit that would allow famous people to literally poke their heads in for a moment to deliver a few lines of dialogue. While Batman (Adam West) and Robin (Burt Ward) were scaling the side of a building -- something they did often -- a celebrity guest would open a window to see who might be making noise on their outside wall. The series featured peek-ins from Sammy Davis, Jr., Jerry Lewis, Art Linkletter, Don Ho, and Dick Clark. 

Other notable stars also provided peek-ins, but many appeared in character, playing their roles from other hip TV shows at the time. Ted Cassidy, for instance, appeared as Lurch from "The Addams Family." Werner Klemperer had a cameo as Colonel Klink from "Hogan's Heroes.

Jeff Garlin, the former star of ABC’s The Goldbergs whose controversial real-life departure from the show saw his character killed off on the sitcom last night, says he suffers from bipolar disorder, a diagnosis he revealed for the first time in a brief Instagram post today.

“Bipolar is a motherfucker,” Garlin writes. “Sometimes it’s just too much to deal with. I’m doing the best I can. This the first time that I’ve opened up about this.”

Garlin left The Goldbergs last December following Hr investigations into misconduct allegations. Although the killing off of his character Murray Goldberg was disclosed last month by showrunner Alex Barnow, the episode that included the explanation for Murray’s absence aired as the season 10 premiere last night.

In the episode, the character Adam Goldberg said in an opening voiceover that “Just a few months ago, out of nowhere, we lost my dad.

Jeff Garlin, former star of ABC’s “The Goldbergs,” has opened up about his mental health on Instagram, revealing he has bipolar disorder.

“Bipolar is a motherf–ker,” he wrote next to a photograph of Stafford Repp as Chief O’Hara in the television series “Batman.”

“Sometimes it’s just too much to deal with. I’m doing the best I can. This the first time that I’ve opened up about this,” Garlin added.

The actor’s post came on the eve of the Season 10 premiere of ABC comedy “The Goldbergs,” which finally wrote his character out. ABC had previously announced the show would kill the character off, but the details were left vague when the show premiered Wednesday night.

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‘The Goldbergs’ Will Kill Off Jeff Garlin’s Character Following His Exit After Hr Investigation

“Just a few months ago, out of nowhere, we lost my dad,...

Kino’s Noir boxes offer interesting noir-adjacent crime and mystery pix. This seventh return to the well of darkness brings up the organized crime ‘meller’ Chicago Confidential with Brian Keith and the more ambitious The Boss, starring John Payne and written by Dalton Trumbo. The third show The Fearmakers is a real oddity. Starring Dana Andrews and directed by Jacques Tourneur, it’s a political conspiracy tale about manipulating opinions with fraudulent polls. It sounds a lot like the fractured state of modern America, 65 years later. With commentaries by Jason A. Ney and Alan K. Rode.

Film Noir the Dark Side of Cinema VII

The Boss, Chicago Confidential, The Fearmakers

Blu-ray

Kl Studio Classics

1956-1958 / B&w / Street Date June 7, 2022 / 249 min. / available through Kino Lorber / 49.95

Starring: John Payne, Gloria McGehee, Brian Keith, Beverly Garland, Dana Andrews, Marilee Earle.

Directed by Byron Haskin, Sidney Salkow, Jacques Tourneur

Kino treads the dark...

With its recent release on HBO Max, The Batman continues to reshape the public’s perception of what a superhero movie can be. But it’s hardly the first time that the Dark Knight appeared on screen. In fact, outside of some serials of questionable quality in the 1940s, Batman’s feature film debut came with 1966’s Batman: The Movie.

For some viewers, there could not be a larger disparity between the pop art of the 60s movie and the gothic look of Matt Reeves’s film. But the Corridor Crew on YouTube found a way. A recently-posted video recreates The Batman’s first trailer, digitally replacing actors from the 2022 film with their 1966 counterparts. Instead of Robert Pattinson solving the clues of Paul Dano’s Riddler, we watch Adam West stare down Frank Gorshin. Now, it’s the 1955 Ford Lincoln Futura Batmobile instead of a ’69 Charger chasing down Burgess Meredith’s Penguin,...

Although only one of these 1950s B&w thrillers falls within a mile of a hard definition of film noir, all give us glamorous actresses in interesting roles. Claudette Colbert takes her turn at playing a nun, Merle Oberon tries a femme fatale role on for size and Hedy Lamarr does very well for herself as a man-hungry movie star. Kino gives all three excellent transfers, and one comes with an appropriately gossipy audio commentary.

Film Noir the Dark Side of Cinema II

Thunder on the Hill, The Price of Fear, The Female Animal

Blu-ray

Kl Studio Classics

1951-58 / B&w / 1:37 Academy, 1:85 widescreen / 84,79,82 min. / Street Date May 12, 2020 / available through Kino Lorber / 49.95

Starring: Claudette Colbert, Ann Blyth, Robert Douglas, Anne Crawford, Connie Gilchrist, Gladys Cooper, Michael Pate, Phillip Friend; Merle Oberon, Lex Barker, Charles Drake, Gia Scala, Warren Stevens, Phillip Pine, Konstantin Shayne, Stafford Repp; Hedy Lamarr, Jane Powell,...

“It’s under the Big ‘W’!” A smart cop show goes all ‘Dragnet’ on a trio of criminal cases in the good old City of the Angels. To figure out who gunned down a top detective, rough tough FBI agent Broderick Crawford must get to the bottom of three separate dramas, each involving a beautiful woman. The producers know how to get attention for their show — the climactic shootout takes place under the Hollywood Sign.

Down 3 Dark Streets

Blu-ray

ClassicFlix

1954 / B&W / 1:75 widescreen / 86 min. / Street Date April 24, 2018 / 29.99

Starring: Broderick Crawford, Ruth Roman, Martha Hyer, Marisa Pavan, Max Showalter, Kenneth Tobey, Gene Reynolds, William Johnstone, Harlan Warde, Jay Adler, Claude Akins, Suzanne Alexander, Joe Bassett, Michael Fox, John Indrisano, Milton Parsons, Stafford Repp, William Schallert, Charles Tannen.

Cinematography: Joseph Biroc

Film Editor: Grant Whytock

Production Design: Edward (Ted) Haworth

Original Music: Paul Sawtell

Written by Bernard C. Schoenfeld, ‘The Gordons...

What? Doctors aren’t perfect? And some practicing doctors are incompetent? Stanley Kramer’s All-Star medical soap opera takes two unlikely students (Robert Mitchum and Frank Sinatra) through med school and confronts them with a number of pat dramatic complications. But the movie belongs to top-billed Olivia de Havilland, who lends a touch of class to the entire iffy enterprise.

Not as a Stranger

Blu-ray

Kl Studio Classics

1955 / B&W / 1:85 widescreen / 135 min. / Street Date January 9, 2018 / available through Kino Lorber / 29.95

Starring: Olivia de Havilland, Robert Mitchum, Frank Sinatra, Gloria Grahame, Broderick Crawford, Charles Bickford, Myron McCormick, Lon Chaney Jr., Jesse White, Harry Morgan, Lee Marvin, Virginia Christine, Whit Bissell, Jack Raine, Mae Clarke, John Dierkes, King Donovan, Franklyn Farnum, Paul Guilfoile, Nancy Kulp, Harry Lauter, Juanita Moore, Jerry Paris, Stafford Repp, Carl Switzer, Will Wright.

Cinematography: Franz Planer

Film Editor: Fred Knutson

Original Music: George Antheil

Written by Edna and Edward Anhalt,...

It’s a powerful plea against the death penalty, but also an Oscar bid for a fiery actress. And don’t forget the cool jazz music score. On top of this Robert Wise adds a formerly- taboo sequence, a realistic depiction of an execution in the gas chamber. Of such things were gritty, hard-hitting reputations made.

I Want to Live!

Blu-ray

Twilight Time

1958 / B&W / 1:85 widescreen / 121 min. / Street Date November 15, 2016 / Available from the Twilight Time Movies Store 29.95

Starring Susan Hayward, Simon Oakland, Theodore Bikel, Virginia Vincent, Wesley Lau, Philip Coolidge.

Cinematography Lionel Lindon

Original Music Johnny Mandel

Written by Nelson Gidding, Don M. Mankiewicz

Produced by Walter Wanger (for Joseph Mankiewicz)

Directed by Robert Wise

Reviewed by Glenn Erickson

Robert Wise’s I Want to Live! from 1958 is a Can of Worms movie… start discussing its subject matter, and opinions immediately become a stumbling block. So I’ll...

Dirty cops were a movie vogue in 1954, and Edmond O'Brien scores as a real dastard in this overachieving United Artists thriller. Dreamboat starlet Marla English is the reason O'Brien's detective kills for cash, and then keeps killing to stay ahead of his colleagues. And all to buy a crummy house in the suburbs -- this man needs career counseling. Shield for Murder Blu-ray Kl Studio Classics 1954 / B&W / 1:75 widescreen / 82 min. / Street Date June 21, 2016 / available through Kino Lorber / 29.95 Starring Edmond O'Brien, Marla English, John Agar, Emile Meyer, Carolyn Jones, Claude Akins, Herbert Butterfield, Hugh Sanders, William Schallert, Robert Bray, Richard Deacon, David Hughes, Gregg Martell, Stafford Repp, Vito Scotti. Cinematography Gordon Avil Film Editor John F. Schreyer Original Music Paul Dunlap Written by Richard Alan Simmons, John C. Higgins from the novel by William P. McGivern <Produced by Aubrey Schenck, (Howard W. Koch) Directed by Edmond O'Brien, Howard W. Koch

Reviewed by Glenn Erickson

Here's the kind of '50s movie we love, an ambitious, modest crime picture that for its time had an edge. In the 1950s our country was as blind to the true extent of police corruption as it was to organized crime. Movies about bad cops adhered to the 'bad apple' concept: it's only crooked individuals that we need to watch out for, never the institutions around them. Thanks to films noir, crooked cops were no longer a film rarity, even though the Production Code made movies like The Asphalt Jungle insert compensatory scenes paying lip service to the status quo: an imperfect police force is better than none. United Artists in the 1950s helped star talent make the jump to independent production, with the prime success stories being Burt Lancaster and Kirk Douglas. But the distribution company also funded proven producers capable of putting out smaller bread 'n' butter movies that could prosper if costs were kept down. Edward Small, Victor Saville, Levy-Gardner-Laven. Aubrey Schenck and Howard C. Koch produced as a team, and for 1954's Shield for Murder Koch co-directed, sharing credit with the film's star, Edmond O'Brien. The show is a smart production all the way, a modestly budgeted 'B' with 'A' ambitions. O'Brien was an industry go-getter trying to channel his considerable talent in new directions. His leading man days were fading but he was in demand for parts in major films like The Barefoot Contessa. The producers took care with their story too. Writers Richard Alan Simmons and John C. Higgins had solid crime movie credits. Author William P. McGivern wrote the novel behind Fritz Lang's The Big Heat as well as Rogue Cop and Odds Against Tomorrow. All of McGivern's stories involve crooked policemen or police corruption. Shield for Murder doesn't tiptoe around its subject matter. Dirty cop Detective Lt. Barney Nolan (O'Brien) kills a hoodlum in an alley to steal $25,000 of mob money. His precinct boss Captain Gunnarson (Emile Meyer) accepts Barney's version of events and the Asst. D.A. (William Schallert) takes the shooting as an open and shut case. Crime reporter Cabot (Herbert Butterfield) has his doubts, and lectures the squad room about the abuse of police power. Barney manages to placate mob boss Packy Reed (Hugh Sanders), but two hoods continue to shadow him. Barney's plan for the money was to buy a new house and escape the rat race with his girlfriend, nightclub cashier Patty Winters (Marla English). But a problem surfaces in the elderly deaf mute Ernst Sternmueller (David Hughes), a witness to the shooting. Barney realizes that his only way forward is to kill the old man before he can tell all to Det. Mark Brewster (John Agar), Barney's closest friend. Once again one of society's Good Guys takes a bite of the forbidden apple and tries to buck the system. Shield for Murder posits an logical but twisted course of action for a weary defender of the law who wants out. Barney long ago gave up trying to do anything about the crooks he can't touch. The fat cat Packy Reed makes the big money, and all Barney wants is his share. Barney's vision of The American Dream is just the middle-class ideal, the desirable Patty Winters and a modest tract home. He's picked it out - it sits partway up a hill in a new Los Angeles development, just finished and already furnished. Then the unexpected witness shows up and everything begins to unravel; Barney loses control one step at a time. He beats a mob thug (Claude Akins) half to death in front of witnesses. When his pal Mark Brewster figures out the truth, Barney has to use a lot of his money to arrange a getaway. More mob trouble leads to a shoot-out in a high school gym. The idea may have been for the star O'Brien to coach actors John Agar and Marla English to better performances. Agar is slightly more natural than usual, but still not very good. The gorgeous Ms. English remains sweet and inexpressive. After several unbilled bits, the woman often compared to Elizabeth Taylor was given "introducing" billing on the Shield for Murder billing block. Her best-known role would be as The She-Creature two years later, after which she dropped out to get married. Co-director O'Brien also allows Emile Meyer to go over the top in a scene or two. But the young Carolyn Jones is a standout as a blonde bargirl, more or less expanding on her small part as a human ashtray in the previous year's The Big Heat. Edmond O'Brien is occasionally a little to hyper, but he's excellent at showing stress as the trap closes around the overreaching Barney Nolan. Other United Artists budget crime pictures seem a little tight with the outdoors action -- Vice Squad, Witness to Murder, Without Warning -- but O'Brien and Koch's camera luxuriates in night shoots on the Los Angeles streets. This is one of those Blu-rays that Los Angelenos will want to freeze frame, to try to read the street signs. There is also little downtime wasted in sidebar plot detours. The gunfight in the school gym, next to an Olympic swimming pool, is an action highlight. The show has one enduring sequence. With the force closing in, Barney rushes back to the unfinished house he plans to buy, to recover the loot he's buried next to its foundation. Anybody who lived in Southern California in the '50s and '60s was aware of the massive suburban sprawl underway, a building boom that went on for decades. In 1953 the La Puente hills were so rural they barely served by roads; the movie The War of the Worlds considered it a good place to use a nuclear bomb against invading Martians. By 1975 the unending suburbs had spread from Los Angeles, almost all the way to Pomona. Barney dashes through a new housing development on terraced plots, boxy little houses separated from each other by only a few feet of dirt. There's no landscaping yet. Even in 1954 $25,000 wasn't that much money, so Barney Nolan has sold himself pretty cheaply. Two more latter-day crime pictures would end with ominous metaphors about the oblivion of The American Dream. In 1964's remake of The Killers the cash Lee Marvin kills for only buys him a patch of green lawn in a choice Hollywood Hills neighborhood. The L.A.P.D. puts Marvin out of his misery, and then closes in on another crooked detective in the aptly titled 1965 thriller The Money Trap. The final scene in that movie is priceless: his dreams smashed, crooked cop Glenn Ford sits by his designer swimming pool and waits to be arrested. Considering how well things worked out for Los Angeles police officers, Edmond O'Brien's Barney Nolan seems especially foolish. If Barney had stuck it out for a couple of years, the new deal for the L.A.P.D. would have been much better than a measly 25 grand. By 1958 he'd have his twenty years in. After a retirement beer bash he'd be out on the road pulling a shiny new boat to the Colorado River, like all the other hardworking cops and firemen enjoying their generous pensions. Policemen also had little trouble getting house loans. The joke was that an L.A.P.D. cop might go bad, but none of them could be bribed. O'Brien directed one more feature, took more TV work and settled into character parts for Jack Webb, Frank Tashlin, John Ford, John Frankenheimer and finally Sam Peckinpah in The Wild Bunch, where he was almost unrecognizable. Howard W. Koch slowed down as a director but became a busy producer, working with Frank Sinatra for several years. He eventually co-produced Airplane! The Kl Studio Classics Blu-ray of Shield for Murder is a good-looking B&W scan, framed at a confirmed-as-correct 1:75 aspect ratio. The picture is sharp and detailed, and the sound is in fine shape. The package art duplicates the film's original no-class sell: "Dame-Hungry Killer-Cop Runs Berserk! The first scene also contains one of the more frequently noticed camera flubs in film noir -- a really big boom shadow on a nighttime alley wall. Kino's presentation comes with trailers for this movie, Hidden Fear and He Ran All the Way. On a scale of Excellent, Good, Fair, and Poor, Shield for Murder Blu-ray rates: Movie: Good Video: Very Good Sound: Excellent Supplements: Trailers for Shield for Murder, Hidden Fear, He Ran All the Way Deaf and Hearing Impaired Friendly? N0; Subtitles: None Packaging: Keep case Reviewed: June 7, 2016 (5115murd)

Visit DVD Savant's Main Column Page Glenn Erickson answers most reader mail: dvdsavant@mindspring.com

Text © Copyright 2016 Glenn Erickson...

First-time director Richard Wilson's B&W '50s western is different. Robert Mitchum is on-task as a town tamer with believable problems, both in exterminating gunslingers Claude Akins and Leo Gordon, and with making peace with his estranged wife, Jan Sterling. That's not to mention Mitchum's attraction for pacifist Karen Sharpe, and ditzy showgirl Barbara Lawrence. And don't forget an incredibly young Angie Dickinson. Man with the Gun Blu-ray Kl Studio Classics 1955 / B&W / 1:85 widescreen / 83 min. / Deadly Peacemaker / Street Date September 25, 2015 / available through Kino Lorber / 29.95 Starring Robert Mitchum, Jan Sterling, Karen Sharpe, Henry Hull, Emile Meyer, John Lupton, Barbara Lawrence, Ted de Corsia, Leo Gordon, James Westerfield, Jay Adler, Claude Akins, Joe Barry, Norma Calderón, Angie Dickinson, Mara McAfee, Maidie Norman, Robert Osterloh, Maudie Prickett, Stafford Repp. Cinematography Lee Garmes Film Editor Gene Milford Original Music Alex North Written by N.B. Stone Jr., Richard Wilson Produced by Samuel Goldwyn Jr....

On ‘Cinderella’ and feminism; How Branagh and Weitz altered the glass slipper

We find ourselves in a time and place where the voice of feminism has never been louder. Issues like Gamer Gate, sexism in Cosplay, a woman’s right to an opinion on fantasy, comics, or horror, as well as a myriad of issues outside the realm of pop culture like slut shaming, and blame for being raped flood news outlets on a daily basis. As a result, there’s been a constant cry for change from men and women alike, internationally. We’re seeing stronger representations of women in cinema, and on television. 2013’s Frozen offered a very necessary shift to the Disney Princess dynamic, suggesting that one saves oneself, that love is genderless, and that the kind of love that saves need not strictly be romantic… read the full article.

SXSW 2015: ‘The Overnight’ is an insightful,...

Plunder Road

Written by Steven Ritch

Directed by Hubert Cornfield

U.S.A., 1957

It is a wet, late night. Raindrops fall down on the sleepy Utah countryside like a hail of bullets on a battlefield. Five men in two trucks drive silently to a mysterious location, each wrestling internally with the rising tension befitting a major heist scheme. They are Eddie (Gene Raymond), Commando (Wayne Morris), Skeets (Elisha Cook Jr.), Roly (Stafford Repp) and Frankie (Steven Ritch, who also serves as screenwriter). Amidst the impressive storm they successfully halt a speeding train, blow up the outside wall to one of its cars and make away from a hefty sum of gold bullion. This is but the first part of their plan, for now the group must traverse police roadblocks along the way to the City of Angels, all while under the guise of various types of truck drivers (liquid chemical transportation,...

We’ve seen quite a bit of geek art inspired by Norman Rockwell’s Saturday Evening post covers. But a couple of months ago, Ruiz Burgos released one of the biggest and best collections of Rockwell-inspired art for a series he seems keen on continuing. His latest piece stays within the DC universe and features Catwoman being busted in the middle of a jewelry heist. I’m about 90% sure that Burgos modeled Selina Kyle on Audrey Hepburn in Breakfast at Tiffany’s. And I’m 100% sure he modeled the Police Officer on Stafford Repp, who played Chief O'Hara on the ‘60s Batman series. The extra assuredness comes from the fact that you can see the name O’Hara underneath his badge.

I hope Burgos takes on some Marvel characters in the future. He's done a fantastic job with all of the DC heroes and villains so far.

H/T: Xombiedirge...

Warner Bros. Home Entertainment will officially unveil the details of its highly-anticipated November 2014 release of "Batman: The Complete Television Series" at a Comic-Con International panel -- featuring special guests Adam West, Burt Ward and Julie Newmar -- on Thursday, July 24 from 6:00-7:00pm in Hall H. Starring Adam West, Burt Ward, Cesar Romero, Burgess Meredith, Frank Gorshin, John Astin, Julie Newmar, Eartha Kitt, Alan Napier, Neil Hamilton, Stafford Repp, Madge Blake and Yvonne Craig with special guest appearances by George Sanders, Otto Preminger, Victor Buono, David Wayne, Eli Wallach, Cliff Robertson, Carolyn Jones, Milton Berle and Vincent Price, 1960s series was known for its comic camp, upbeat theme music and overt moral lessons geared towards children. The actors...