Tilda Swinton and Julianne Moore in ‘The Room Next Door’ (Photo Credit: Sony Classics)
The 2024 Venice Film Festival winners were announced on September 7th, with Oscar-winner Pedro Almodóvar (Talk to Her) earning the Golden Lion for Best Film for The Room Next Door. Almodóvar took home the coveted prize for this first English-language film, and he dedicated the win to his family. “It is my first movie in English but the spirit is Spanish,” said the acclaimed filmmaker.
Academy Award-winner Nicole Kidman was named Best Actress for her starring role in director Halina Reijn’s Babygirl. Kidman wasn’t able to attend the ceremony, and Reijn read a statement accepting the award. “Today, I arrived in Venice to find out shortly after that my brave and beautiful mother Janelle Ann Kidman has just passed. I’m in shock and I have to go to my family. But this award is for her.
The 2024 Venice Film Festival winners were announced on September 7th, with Oscar-winner Pedro Almodóvar (Talk to Her) earning the Golden Lion for Best Film for The Room Next Door. Almodóvar took home the coveted prize for this first English-language film, and he dedicated the win to his family. “It is my first movie in English but the spirit is Spanish,” said the acclaimed filmmaker.
Academy Award-winner Nicole Kidman was named Best Actress for her starring role in director Halina Reijn’s Babygirl. Kidman wasn’t able to attend the ceremony, and Reijn read a statement accepting the award. “Today, I arrived in Venice to find out shortly after that my brave and beautiful mother Janelle Ann Kidman has just passed. I’m in shock and I have to go to my family. But this award is for her.
- 9/8/2024
- by Rebecca Murray
- Showbiz Junkies
US filmmaker Debra Granik will chair the Horizons jury of the Venice Film Festival (August 28-September 7), joined by filmmakers Ali Asgari from Iran, Soudade Kaadan from Syria, Christos Nikou from Greece, Gabor Reisz from Hungary, Valia Santella from Italy and Tuva Novotny from Sweden.
The Horizons section will open with the world premiere of Valerio Mastandrea’s Nonostante, about a man whose life as a long-term patient is disrupted by the arrival of a new companion on his ward.
Mastandrea stars with Dolores Fonzi in the film produced by Viola Prestieri and Valeria Golino for Ht Film, Francesco Tato and Oscar Glioti for Damocle,...
The Horizons section will open with the world premiere of Valerio Mastandrea’s Nonostante, about a man whose life as a long-term patient is disrupted by the arrival of a new companion on his ward.
Mastandrea stars with Dolores Fonzi in the film produced by Viola Prestieri and Valeria Golino for Ht Film, Francesco Tato and Oscar Glioti for Damocle,...
- 7/22/2024
- ScreenDaily
Oscar-nominated U.S. director Debra Granik (“Winter’s Bone”) will preside over the jury of the Venice Film Festival’s Horizons (Orizzonti) section dedicated to more cutting-edge works.
Granik will be joined on the Horizons jury by Iranian writer, director and producer Ali Asgari (“Terrestrial Verses”); Syrian film director and screenwriter Soudade Kaadan (“The Day I Lost My Shadow”); Greek director, screenwriter and producer Christos Nikou (“Apples”); Swedish actress and director Tuva Novotny (“Britt-Marie Was Here”); Hungarian filmmaker Gábor Reisz (“Explanation for Everything”); and Italian screenwriter and director Valia Santella (“I Can See It in Your Eyes”).
“Winter’s Bone” won the Grand Jury Prize at Sundance 2010 and was nominated for four Oscars, including best picture and best adapted Screenplay for Granik and co-writer Anne Rosellini. Her first film, “Down to the Bone,” won Granik the best director prize at Sundance in 2004. In 2015, Granik completed the feature doc “Stray Dog.” Her 2018 film,...
Granik will be joined on the Horizons jury by Iranian writer, director and producer Ali Asgari (“Terrestrial Verses”); Syrian film director and screenwriter Soudade Kaadan (“The Day I Lost My Shadow”); Greek director, screenwriter and producer Christos Nikou (“Apples”); Swedish actress and director Tuva Novotny (“Britt-Marie Was Here”); Hungarian filmmaker Gábor Reisz (“Explanation for Everything”); and Italian screenwriter and director Valia Santella (“I Can See It in Your Eyes”).
“Winter’s Bone” won the Grand Jury Prize at Sundance 2010 and was nominated for four Oscars, including best picture and best adapted Screenplay for Granik and co-writer Anne Rosellini. Her first film, “Down to the Bone,” won Granik the best director prize at Sundance in 2004. In 2015, Granik completed the feature doc “Stray Dog.” Her 2018 film,...
- 7/20/2024
- by Nick Vivarelli
- Variety Film + TV
Matteo Garrone’s refugee drama Io Capitano, an Oscar nominee this year for Italy in the best international feature category, was the big winner of this year’s 2024 David Di Donatello Awards, Italy’s equivalent to the Oscars, winning best film and director for Garrone.
Io Capitano also picked up prizes for best cinematography, editing, sound, and visual effects.
Paola Cortellesi’s There’s Still Tomorrow, a black-and-white feminist dramedy that became the top-grossing film in Italy last year, won Cortellesi the Donatello honors for best actress, directorial debut, and original script for the screenplay she co-wrote with Furio Andreotti and Giulia Calenda.
“I want to thank those who gave me the opportunity to write this role as I wanted it,” she said, accepting her actress honor.
Cortellesi’s film, a dramedy about an abused woman in post-wwii Rome that manages to combine serious social drama with situational comedy, sight gags and even a musical number,...
Io Capitano also picked up prizes for best cinematography, editing, sound, and visual effects.
Paola Cortellesi’s There’s Still Tomorrow, a black-and-white feminist dramedy that became the top-grossing film in Italy last year, won Cortellesi the Donatello honors for best actress, directorial debut, and original script for the screenplay she co-wrote with Furio Andreotti and Giulia Calenda.
“I want to thank those who gave me the opportunity to write this role as I wanted it,” she said, accepting her actress honor.
Cortellesi’s film, a dramedy about an abused woman in post-wwii Rome that manages to combine serious social drama with situational comedy, sight gags and even a musical number,...
- 5/3/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Nanni Moretti returns to the film-within-a-film format with a fitfully funny new comedy that, this time, offers two films-within-a-film (plus a surreal dream sequence). It is, frankly, a relief after 2021’s terrible, soapy melodrama Three Floors, and, at a crisp 96 minutes, so much easier to swallow. In some ways a companion piece to 2015’s Mia Madre, it finds the director putting all his neuroses back on show, pontificating on everything from movie violence to streaming platforms and why wearing slippers onscreen is a fashion no-no that can only be pulled off by Aretha Franklin in The Blues Brothers.
As is usual in Moretti’s self-reflexive pieces, the main film being made within the film is the kind of film that no director would ever make and that no modern audience would ever pay to see. Set in 1956, it sees Hungary’s Budavari Circus arriving in Rome’s Quarticciolo area, escaping the Soviet invasion of Budapest.
As is usual in Moretti’s self-reflexive pieces, the main film being made within the film is the kind of film that no director would ever make and that no modern audience would ever pay to see. Set in 1956, it sees Hungary’s Budavari Circus arriving in Rome’s Quarticciolo area, escaping the Soviet invasion of Budapest.
- 5/25/2023
- by Damon Wise
- Deadline Film + TV
Remember Titane? The day after Julia Ducournau’s Palme d’Or, a couple of summers ago in Cannes, Nanni Moretti took to Instagram and shared a selfie. The picture found him alone, staring––nay, glaring––at the camera, a halo of mercilessly grey hair framing his face, under-eye bags swollen. No filter. Moretti had traveled to Cannes for the premiere of his Three Floors, about which the less said the better, and waking up to the news that his film had lost to one where a Cadillac got a woman pregnant made him, per the selfie’s caption, “age overnight.” But the look embalmed on the ‘gram wasn’t that of a man trying to poke fun at his own mortality. It was the embittered frown of an artist who’d suddenly woken up to the fact that the world he once knew was changing, and would continue doing so...
- 5/24/2023
- by Leonardo Goi
- The Film Stage
Italian actor and director Valeria Golino is set to make her debut as a TV series director with “The Art of Joy,” an erotically charged female empowerment drama set in early 20th-century Sicily and produced by Sky Studios.
Golino’s high-end period skein about a Sicilian young woman named Modesta, born into an impoverished family in early 1900 and driven by a strong belief that she’s destined for a better life, was announced during a Sky Italy presentation in Rome where the pay-tv operator unveiled its upcoming lineup of 60 Italian originals – series and films – for 2022, most of which have been already announced.
The presentation’s standout, revealed for the first time, is “The Art of Joy,” which is based on an epic, and highly erotic, feminist novel by the late Italian author and actor Goliarda Sapienza.
“Art of Joy” has been a longtime passion project for Golino, who was very...
Golino’s high-end period skein about a Sicilian young woman named Modesta, born into an impoverished family in early 1900 and driven by a strong belief that she’s destined for a better life, was announced during a Sky Italy presentation in Rome where the pay-tv operator unveiled its upcoming lineup of 60 Italian originals – series and films – for 2022, most of which have been already announced.
The presentation’s standout, revealed for the first time, is “The Art of Joy,” which is based on an epic, and highly erotic, feminist novel by the late Italian author and actor Goliarda Sapienza.
“Art of Joy” has been a longtime passion project for Golino, who was very...
- 7/14/2022
- by Nick Vivarelli
- Variety Film + TV
Paris-based company Kinology has secured international sales to “Il Sol Dell’Avvenire,” from Italian auteur and Cannes regular Nanni Moretti. Pic is currently shooting in Rome.
The deal between Kinology and Domenico Procacci’s Fandango, which is producing in tandem with Moretti’s Sacher shingle and Rai Cinema, marks the first time Kinology has handled a Moretti pic.
Kinology, which is headed by Grégoire Melin, will be launching pre-sales on “Il Sol” in Cannes.
Moretti’s latest work has been described by the director as both an unconventional comedy and a period piece set in Rome between the 1950s and the 1970s amid the city’s circus world, but also involving the world of cinema.
Though that is quite vague, what’s clear is that Moretti seems keen to shift gears, moving into lighter fare following his ensemble melodrama “Three Floors,” which was in Cannes last year.
Last week in Rome,...
The deal between Kinology and Domenico Procacci’s Fandango, which is producing in tandem with Moretti’s Sacher shingle and Rai Cinema, marks the first time Kinology has handled a Moretti pic.
Kinology, which is headed by Grégoire Melin, will be launching pre-sales on “Il Sol” in Cannes.
Moretti’s latest work has been described by the director as both an unconventional comedy and a period piece set in Rome between the 1950s and the 1970s amid the city’s circus world, but also involving the world of cinema.
Though that is quite vague, what’s clear is that Moretti seems keen to shift gears, moving into lighter fare following his ensemble melodrama “Three Floors,” which was in Cannes last year.
Last week in Rome,...
- 5/17/2022
- by Nick Vivarelli
- Variety Film + TV
The David di Donatello Awards were held in Rome on Tuesday evening, the first time Italy’s equivalent to the Oscar has had a fully in-person ceremony in the pandemic era. Taking top honors was Paolo Sorrentino’s The Hand Of God which scooped Best Film and Director as well as Best Supporting Actress for Teresa Saponangelo and a tie for Best Cinematography. In the latter category, The Hand Of God shared the win with Freaks Out, a fantasy drama that likewise debuted in Venice.
Sorrentino’s autobiographical drama launched on the Lido last September where it won the Grand Jury Prize. A Netflix title, it went on to myriad festival and critics prizes and was also nominated for an Oscar as Best International Feature.
Freaks Out, directed by Gabriele Mainetti, also picked up prizes for Producer, Production Design, Hair and Makeup. Other titles to figure in the David di...
Sorrentino’s autobiographical drama launched on the Lido last September where it won the Grand Jury Prize. A Netflix title, it went on to myriad festival and critics prizes and was also nominated for an Oscar as Best International Feature.
Freaks Out, directed by Gabriele Mainetti, also picked up prizes for Producer, Production Design, Hair and Makeup. Other titles to figure in the David di...
- 5/4/2022
- by Nancy Tartaglione
- Deadline Film + TV
Paolo Sorrentino’s Oscar-nominated autobiographical drama “The Hand of God” took top honors at Italy’s 67th David di Donatello Awards, winning best picture, director, supporting actress and tying for the best cinematography statuette.
Sorrentino’s Naples-set film about the personal tragedy and other vicissitudes that drove him to become a top notch film director had been the frontrunner along with young helmer Gabriele Mainetti’s second feature, the elegant effects-laden historical fantasy “Freaks Out.”
“Freaks Out” won six prizes, including for its producer, Andrea Occhipinti, as well as cinematographer, set design, and effects.
The cinematography prize, which was a tie, was split between “Hand of God” Dp Daria D’Antonio, marking the first time this David goes to a woman, and Michele Attanasio for “Freaks Out.”
The Davids were held as a fully in-person ceremony at Rome’s Cinecittà studios just as the famed facilities undergo a radical renewal being...
Sorrentino’s Naples-set film about the personal tragedy and other vicissitudes that drove him to become a top notch film director had been the frontrunner along with young helmer Gabriele Mainetti’s second feature, the elegant effects-laden historical fantasy “Freaks Out.”
“Freaks Out” won six prizes, including for its producer, Andrea Occhipinti, as well as cinematographer, set design, and effects.
The cinematography prize, which was a tie, was split between “Hand of God” Dp Daria D’Antonio, marking the first time this David goes to a woman, and Michele Attanasio for “Freaks Out.”
The Davids were held as a fully in-person ceremony at Rome’s Cinecittà studios just as the famed facilities undergo a radical renewal being...
- 5/3/2022
- by Nick Vivarelli
- Variety Film + TV
In spite of a disastrous box office situation, the Italian film industry is staying buoyant thanks to increased exports, a friendly rapport with streaming giants and support from the government of Prime Minister Mario Draghi that is pumping money into a revamp of Rome’s Cinecittà Studios.
“Production never stopped and ailing movie theaters have been able to get subsidies,” says Francesco Rutelli, the former Rome mayor who heads Italy’s motion picture association, Anica. The org recently broadened its member base to include executives from Amazon Prime Video, Disney and ViacomCBS, after Netflix had joined.
This move — which is unique in Europe — indicates the level of friendly dialogue between film producers and streaming platforms in Italy, best encapsulated by Paolo Sorrentino’s “The Hand of God,” Italy’s international Oscar nominee. Sorrentino’s Netflix original film was released theatrically in November across the country before dropping on the platform...
“Production never stopped and ailing movie theaters have been able to get subsidies,” says Francesco Rutelli, the former Rome mayor who heads Italy’s motion picture association, Anica. The org recently broadened its member base to include executives from Amazon Prime Video, Disney and ViacomCBS, after Netflix had joined.
This move — which is unique in Europe — indicates the level of friendly dialogue between film producers and streaming platforms in Italy, best encapsulated by Paolo Sorrentino’s “The Hand of God,” Italy’s international Oscar nominee. Sorrentino’s Netflix original film was released theatrically in November across the country before dropping on the platform...
- 2/13/2022
- by Nick Vivarelli
- Variety Film + TV
Nanni Moretti is set to start shooting unconventional comedy “Il Sol Dell’Avvenire” in March. Pic will star French actor-director Mathieu Amalric and feature a cast comprising Polish multi-hyphenate Jerzy Stuhr.
Stuhr appeared in Moretti’s “We Have a Pope” and “The Caiman.” He will star in “Il Sol Dell’Avvenire” — which translates as “The Sun of the Future” — alongside Moretti regulars including Margherita Buy (“Three Floors”), Silvio Orlando (“The Caiman”) and Moretti himself.
Details of Moretti’s new film, revealed by the director in an interview with local trade publication Italian Cinema, have been confirmed by Fandango, which is producing in tandem with Moretti’s own Sacher shingle and Rai Cinema.
While the veteran auteur is keeping plot details under wraps, he has said that it’s a period piece set in Rome between the 1950s and the 1970s amid the city’s circus world, but will also involve the world of cinema.
Stuhr appeared in Moretti’s “We Have a Pope” and “The Caiman.” He will star in “Il Sol Dell’Avvenire” — which translates as “The Sun of the Future” — alongside Moretti regulars including Margherita Buy (“Three Floors”), Silvio Orlando (“The Caiman”) and Moretti himself.
Details of Moretti’s new film, revealed by the director in an interview with local trade publication Italian Cinema, have been confirmed by Fandango, which is producing in tandem with Moretti’s own Sacher shingle and Rai Cinema.
While the veteran auteur is keeping plot details under wraps, he has said that it’s a period piece set in Rome between the 1950s and the 1970s amid the city’s circus world, but will also involve the world of cinema.
- 2/13/2022
- by Nick Vivarelli
- Variety Film + TV
Despite Italy having been among countries hardest hit by the pandemic, film production almost never stopped. So there is a backlog of new titles ready to hit global festivals and markets starting from Cannes, as well as newer projects.
Below is a compendium of hot Cinema Italiano titles in various stages of production.
“Bones and All”
Luca Guadagnino started shooting this U.S.-set film in May, marking his first collaboration with Timothée Chalamet since “Call Me by Your Name.” Pic is adapted from the eponymous novel by Camille DeAngelis and tells the story of first love between Maren, a young woman learning how to survive on the margins of society, and Lee, a disenfranchised drifter, as they meet and join forces for a road trip through Ronald Reagan’s America.
“La Chimera”
Alice Rohrwacher will soon shoot her fourth feature revolving around the black market of stolen archaeological artifacts.
Below is a compendium of hot Cinema Italiano titles in various stages of production.
“Bones and All”
Luca Guadagnino started shooting this U.S.-set film in May, marking his first collaboration with Timothée Chalamet since “Call Me by Your Name.” Pic is adapted from the eponymous novel by Camille DeAngelis and tells the story of first love between Maren, a young woman learning how to survive on the margins of society, and Lee, a disenfranchised drifter, as they meet and join forces for a road trip through Ronald Reagan’s America.
“La Chimera”
Alice Rohrwacher will soon shoot her fourth feature revolving around the black market of stolen archaeological artifacts.
- 7/9/2021
- by Nick Vivarelli
- Variety Film + TV
Tre Piani
Italian auteur Nanni Moretti should be set to unveil his thirteenth narrative feature in 2021, Tre Piani, co-written by Federica Pontremoli and Valia Santella. As usual, Moretti is part of the cast, joined by a formidable ensemble including Riccardo Scamarcio, Margherita Buy, Alba Rohrwacher, Adriano Giannini, Elena Lietti, Denise Tantucci, Alessandro Sperduti, Anna Bonaiuto, Paolo Graziosi, Tommaso Ragno and Stefano Dionisi. The project is lensed by Dp Michele D’Attanasio.
Moretti won the Palme d’Or in 2001 for The Son’s Room. He competed in 1978 with Ecco Bombo, 1994 with Dear Diary (winning Best Director), 1998 with Aprile, 2006 with The Caiman, 2011 with We Have a Pope and in 2015 with Mia Madre (winning the Ecumenical Jury Prize).…...
Italian auteur Nanni Moretti should be set to unveil his thirteenth narrative feature in 2021, Tre Piani, co-written by Federica Pontremoli and Valia Santella. As usual, Moretti is part of the cast, joined by a formidable ensemble including Riccardo Scamarcio, Margherita Buy, Alba Rohrwacher, Adriano Giannini, Elena Lietti, Denise Tantucci, Alessandro Sperduti, Anna Bonaiuto, Paolo Graziosi, Tommaso Ragno and Stefano Dionisi. The project is lensed by Dp Michele D’Attanasio.
Moretti won the Palme d’Or in 2001 for The Son’s Room. He competed in 1978 with Ecco Bombo, 1994 with Dear Diary (winning Best Director), 1998 with Aprile, 2006 with The Caiman, 2011 with We Have a Pope and in 2015 with Mia Madre (winning the Ecumenical Jury Prize).…...
- 1/1/2021
- by Nicholas Bell
- IONCINEMA.com
Toni Servillo and Silvio Orlando are set to lead a cast together for the very first time in the Italian director’s third feature film, shot in a former prison in Sassari. Filming began on 12 November, in Sassari’s former San Sebastiano prison, on Leonardo Di Costanzo’s third feature film Dall’interno. Written by Di Costanzo alongside Bruno Oliviero and Valia Santella, the title will see Silvio Orlando and Toni Servillo play starring roles together, for the very first time, flanked by professional actors such as Fabrizio Ferracane (Silver Ribbon for The Traitor) and Salvatore Striano (Caesar Must Die), and joined by a cast composed of entirely new faces, uncovered by the director and trained over months of rehearsals and workshops. The synopsis shared by the production company is succinct, to say the least: in a prison in the process of decommission, a handful of officers and the last remaining inmates await.
- 11/16/2020
- Cineuropa - The Best of European Cinema
The ceremony was run from an empty studio with winners acknowledging awards via video-link.
Marco Bellocchio’s mafia drama The Traitor swept Italy’s top David di Donatello awards on Friday evening (May 8), winning six prizes including best film, director and lead actor.
The biopic, which premiered in Competition at the 2019 Cannes Film Festival, captures the life of Tommaso Buscetta, the late infamous mafia turncoat who began his organised crime career in Sicily and died in Florida incognito under the Us witness protection programme in 2000.
It marked the first time Bellocchio has won best film at the awards although he...
Marco Bellocchio’s mafia drama The Traitor swept Italy’s top David di Donatello awards on Friday evening (May 8), winning six prizes including best film, director and lead actor.
The biopic, which premiered in Competition at the 2019 Cannes Film Festival, captures the life of Tommaso Buscetta, the late infamous mafia turncoat who began his organised crime career in Sicily and died in Florida incognito under the Us witness protection programme in 2000.
It marked the first time Bellocchio has won best film at the awards although he...
- 5/11/2020
- by 14¦Screen staff¦0¦
- ScreenDaily
Marco Bellocchio’s mafia movie The Traitor topped last night’s David di Donatello Awards, Italy’s national film awards, scooping six prizes including Best Film.
The movie also won Director for Bellocchio, Screenplay, Actor for Pierfrancesco Favino, Supporting Actor for Luigi Lo Cascio, and Best Editing. It premiered at Cannes last year before going on to gross a healthy $5.3M in Italy via local outfit 01 Distribution. Sony Pictures Classics released in the U.S., taking $294,783.
There was no physical ceremony this year due to the ongoing lockdown but host network Rai instead put on a virtual ceremony, with winners appearing via video link.
As reported by Republica, Italian president Sergio Mattarella sent in a message of support for the Italian film industry during the coronavirus crisis. “To my great regret, this year, for the well-known reason of health , it was not possible to organize the presentation ceremony of the David di Donatellos,...
The movie also won Director for Bellocchio, Screenplay, Actor for Pierfrancesco Favino, Supporting Actor for Luigi Lo Cascio, and Best Editing. It premiered at Cannes last year before going on to gross a healthy $5.3M in Italy via local outfit 01 Distribution. Sony Pictures Classics released in the U.S., taking $294,783.
There was no physical ceremony this year due to the ongoing lockdown but host network Rai instead put on a virtual ceremony, with winners appearing via video link.
As reported by Republica, Italian president Sergio Mattarella sent in a message of support for the Italian film industry during the coronavirus crisis. “To my great regret, this year, for the well-known reason of health , it was not possible to organize the presentation ceremony of the David di Donatellos,...
- 5/9/2020
- by Tom Grater
- Deadline Film + TV
Marco Bellocchio’s elegant mob drama “The Traitor,” about the first high-ranking member of Cosa Nostra to break the Sicilian Mafia’s oath of silence, was the big winner at Italy’s 65th David di Donatello Awards, the country’s equivalent of the Oscars.
“The Traitor” scored six statuettes including best picture, director, and actor honors.
The prizes were announced – but not physically given out – during a no-frills ceremony conducted in primetime on pubcaster Rai by star host Carlo Conti in an empty studio with talents appearing in live web platform link-ups. The event served as a collective rebirth rite just when local coronavirus lockdown restrictions slowly begin to lift.
“My wish is for the Italian film community to start working again,” Bellocchio, who is a revered veteran auteur, said speaking from his home, before adding: “I’m 80, and I also hope to make a few more movies.”
“The Traitor,...
“The Traitor” scored six statuettes including best picture, director, and actor honors.
The prizes were announced – but not physically given out – during a no-frills ceremony conducted in primetime on pubcaster Rai by star host Carlo Conti in an empty studio with talents appearing in live web platform link-ups. The event served as a collective rebirth rite just when local coronavirus lockdown restrictions slowly begin to lift.
“My wish is for the Italian film community to start working again,” Bellocchio, who is a revered veteran auteur, said speaking from his home, before adding: “I’m 80, and I also hope to make a few more movies.”
“The Traitor,...
- 5/8/2020
- by Nick Vivarelli
- Variety Film + TV
Marco Bellocchio with Pierfrancesco Favino on The Traitor (Il Traditore): “The whole world is really tied together by the moon.”
Marco Bellocchio’s The Traitor (Il Traditore), co-written with Valia Santella, Ludovica Rampoldi, Francesco Piccolo, and Francesco La Licata, shot by Vladan Radovic is a film of breathtaking beauty with costumes by Daria Calvelli. Pierfrancesco Favino gives a career-defining performance in his portrayal of real-life Mafia boss Tommaso Buscetta.
Judge Falcone (Fausto Russo Alesi) with Tommaso Buscetta (Pierfrancesco Favino)
There is nothing alluring about the lifestyle of his family, when Marco Bellocchio takes it on, because the director never lets us forget the threat of violence, lurking around every corner, in every scene. A count-up warns of assassinations to come and music soothes and heightens, in a way only Bellocchio knows how to combine.
Buscetta, after his extradition from exile in Brazil in the Eighties, and the murderous rampage by rivalling factions of.
Marco Bellocchio’s The Traitor (Il Traditore), co-written with Valia Santella, Ludovica Rampoldi, Francesco Piccolo, and Francesco La Licata, shot by Vladan Radovic is a film of breathtaking beauty with costumes by Daria Calvelli. Pierfrancesco Favino gives a career-defining performance in his portrayal of real-life Mafia boss Tommaso Buscetta.
Judge Falcone (Fausto Russo Alesi) with Tommaso Buscetta (Pierfrancesco Favino)
There is nothing alluring about the lifestyle of his family, when Marco Bellocchio takes it on, because the director never lets us forget the threat of violence, lurking around every corner, in every scene. A count-up warns of assassinations to come and music soothes and heightens, in a way only Bellocchio knows how to combine.
Buscetta, after his extradition from exile in Brazil in the Eighties, and the murderous rampage by rivalling factions of.
- 1/17/2020
- by Anne-Katrin Titze
- eyeforfilm.co.uk
The Traitor director Marco Bellocchio on Francis Ford Coppola and Martin Scorsese: “Unlike the great tradition of American Mafia movies and their use of imagery, here all characters are true characters and events that actually happened that we then manipulated or re-elaborated.” Photo: Anne-Katrin Titze
Marco Bellocchio’s The Traitor (Il Traditore), co-written with Valia Santella, Ludovica Rampoldi, Francesco Piccolo, and Francesco La Licata, produced by Simone Gattoni and Giuseppe Caschetto, and starring Pierfrancesco Favino as Tommaso Buscetta, received four European Film Award nominations. Best Film, Best Director (won by Yorgos Lanthimos), Best Screenwriter (won by Céline Sciamma for Portrait Of A Lady On Fire), and Best Actor (won by Antonio Banderas in Pedro Almodóvar’s Pain And Glory).
Alba Rohrwacher (in Dormant Beauty) on Marco Bellocchio: “I can say he is one of my masters. He taught me a lot.”
Before The Wonders: Alice and Alba Rohrwacher retrospective...
Marco Bellocchio’s The Traitor (Il Traditore), co-written with Valia Santella, Ludovica Rampoldi, Francesco Piccolo, and Francesco La Licata, produced by Simone Gattoni and Giuseppe Caschetto, and starring Pierfrancesco Favino as Tommaso Buscetta, received four European Film Award nominations. Best Film, Best Director (won by Yorgos Lanthimos), Best Screenwriter (won by Céline Sciamma for Portrait Of A Lady On Fire), and Best Actor (won by Antonio Banderas in Pedro Almodóvar’s Pain And Glory).
Alba Rohrwacher (in Dormant Beauty) on Marco Bellocchio: “I can say he is one of my masters. He taught me a lot.”
Before The Wonders: Alice and Alba Rohrwacher retrospective...
- 12/9/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Now in their 32nd year, the European Film Awards unfold Saturday in Berlin, and here’s where you can live-stream the ceremony. With some titles controversial (Roman Polanski’s “An Officer and a Spy”) and others at least a year old for those of us stateside (“The Favourite”), this year’s ceremony is sure to be a fun romp.
Leading the pack is director “An Officer and a Spy,” the Dreyfus affair drama that picked up a top prize at Venice back in September, tied for four nominations alongside Pedro Almodóvar’s self-reflective “Pain and Glory,” Marco Bellocchio’s “The Traitor,” and Yorgos Lanthimos’ “Favourite.” While released in the fall of 2018 in the United States, the latter film’s international release window made it eligible for the European Film Awards this year. “The Favourite” won star Olivia Colman, who plays a gout-stricken Queen Anne, a Best Actress Academy Award earlier...
Leading the pack is director “An Officer and a Spy,” the Dreyfus affair drama that picked up a top prize at Venice back in September, tied for four nominations alongside Pedro Almodóvar’s self-reflective “Pain and Glory,” Marco Bellocchio’s “The Traitor,” and Yorgos Lanthimos’ “Favourite.” While released in the fall of 2018 in the United States, the latter film’s international release window made it eligible for the European Film Awards this year. “The Favourite” won star Olivia Colman, who plays a gout-stricken Queen Anne, a Best Actress Academy Award earlier...
- 12/7/2019
- by Ryan Lattanzio
- Indiewire
Marco Bellocchio’s “The Traitor,” Roman Polanski’s “An Officer and a Spy” and Pedro Almodóvar’s “Pain and Glory” lead the race for the 32nd European Film Awards with four nominations apiece in the major categories. The awards, voted on by more than 3,600 members of the European Film Academy, will be presented at the awards ceremony on Dec. 7 in Berlin.
Céline Sciamma’s “Portrait of a Lady on Fire” and Yorgos Lanthimos’ “The Favourite” followed with three nominations in the top categories each, while Ladj Ly’s “Les Misérables” and Nora Fingscheidt’s “System Crasher” were both short-listed in two major categories.
“The Favourite” picked up an additional nomination in the comedy category, while “Les Misérables” received a further nomination in the Discovery section for newcomers.
A single nomination each went to “A White, White Day,” “And Then We Danced,” “Beanpole,” “Gundermann” and “Queen of Hearts.”
Competing for best documentary are “For Sama,...
Céline Sciamma’s “Portrait of a Lady on Fire” and Yorgos Lanthimos’ “The Favourite” followed with three nominations in the top categories each, while Ladj Ly’s “Les Misérables” and Nora Fingscheidt’s “System Crasher” were both short-listed in two major categories.
“The Favourite” picked up an additional nomination in the comedy category, while “Les Misérables” received a further nomination in the Discovery section for newcomers.
A single nomination each went to “A White, White Day,” “And Then We Danced,” “Beanpole,” “Gundermann” and “Queen of Hearts.”
Competing for best documentary are “For Sama,...
- 11/9/2019
- by Leo Barraclough and Jamie Lang
- Variety Film + TV
The movie awards season is full speed ahead, and today, the European Film Awards unveiled their nominations for the best films of 2019. Leading the pack is director Roman Polanski’s “An Officer and a Spy,” the Dreyfus affair drama that picked up a top prize at Venice back in September, tied for four nominations alongside Pedro Almodóvar’s self-reflective “Pain and Glory,” Marco Bellocchio’s “The Traitor,” and Yorgos Lanthimos’ “The Favourite.” While released in the fall of 2018 in the United States, the latter film’s international release window made it eligible for the European Film Awards this year. “The Favourite” won star Olivia Colman, who plays a gout-stricken Queen Anne, a Best Actress Academy Award earlier this year — the movie’s only win from 10 nominations.
Also picking up heat among the nominees is Céline Sciamma’s “Portrait of a Lady on Fire,” which Neon opens stateside in December. Sciamma...
Also picking up heat among the nominees is Céline Sciamma’s “Portrait of a Lady on Fire,” which Neon opens stateside in December. Sciamma...
- 11/9/2019
- by Ryan Lattanzio
- Indiewire
Only a few days after Roman Polanski was accused of a 1975 rape by a French actress, the director has become one of the leading nominees for the 2019 European Film Awards for his film “An Officer and a Spy.”
The drama about the Dreyfus affair in 19th century France landed four nominations, tying it with Yorgos Lanthimos’ “The Favourite,” Pedro Almodovar’s “Pain and Glory,” and Marco Bellocchio’s “The Traitor” for the most Efa nominations.
Those four films were all nominated in the European Film category, along with “Les Miserables” and “System Crasher.” Polanski was also nominated for European director, along with Almodovar, Bellocchio, Lanthimos and Celine Sciamma for “Portrait of a Lady on Fire.”
“An Officer and a Spy” also received nominations for lead actor Jean Dujardin and for its screenplay by Polanski and Robert Harris.
Also Read: 'An Officer and a Spy' Review: Roman Polanski Is No Emile...
The drama about the Dreyfus affair in 19th century France landed four nominations, tying it with Yorgos Lanthimos’ “The Favourite,” Pedro Almodovar’s “Pain and Glory,” and Marco Bellocchio’s “The Traitor” for the most Efa nominations.
Those four films were all nominated in the European Film category, along with “Les Miserables” and “System Crasher.” Polanski was also nominated for European director, along with Almodovar, Bellocchio, Lanthimos and Celine Sciamma for “Portrait of a Lady on Fire.”
“An Officer and a Spy” also received nominations for lead actor Jean Dujardin and for its screenplay by Polanski and Robert Harris.
Also Read: 'An Officer and a Spy' Review: Roman Polanski Is No Emile...
- 11/9/2019
- by Steve Pond
- The Wrap
Yorgos Lanthimos’ The Favourite and Céline Sciamma’s Portrait Of A Lady On Fire are just behind with three nominations.
The Nominations for the 2019 European Film Academy Awards were revealed this afternoon at the Seville European Film Festival, with Pedro Almodovar’s Pain And Glory, Roman Polanski’s An Officer And A Spy and Marco Bellocchio’s The Traitor leading the way with four nominations each.
The trio are all up for best European film alongside Yorgos Lanthimos’ The Favourite, just behind with three nominations including best actress for Olivia Colman, and Ladj Ly’s Les Misérables, with two nominations.
The Nominations for the 2019 European Film Academy Awards were revealed this afternoon at the Seville European Film Festival, with Pedro Almodovar’s Pain And Glory, Roman Polanski’s An Officer And A Spy and Marco Bellocchio’s The Traitor leading the way with four nominations each.
The trio are all up for best European film alongside Yorgos Lanthimos’ The Favourite, just behind with three nominations including best actress for Olivia Colman, and Ladj Ly’s Les Misérables, with two nominations.
- 11/9/2019
- by 1101184¦Orlando Parfitt¦38¦
- ScreenDaily
The European Film Academy has unveiled its nominations for the 32nd European Film Awards with the ceremony to be held December 7 in Berlin. Among the titles to figure in the races, three are tied with four mentions each including Roman Polanski’s An Officer And A Spy, Pedro Almodovar’s Pain And Glory and Marco Bellocchio’s The Traitor. The latter two are also the Oscar representatives from their respective Spain and Italy and give Sony Pictures Classics a combined eight nods at the EFAs.
While Polanski remains a controversial figure, there has been a divide between U.S. and Euro perspectives in the #MeToo era. His Dreyfus Affair drama, An Officer And A Spy, which also has Efa nominations for Director, Actor and Screenwriter, was one of the most contested titles at the Venice Film Festival where it debuted earlier this year. It went on to win the Grand Jury Prize there.
While Polanski remains a controversial figure, there has been a divide between U.S. and Euro perspectives in the #MeToo era. His Dreyfus Affair drama, An Officer And A Spy, which also has Efa nominations for Director, Actor and Screenwriter, was one of the most contested titles at the Venice Film Festival where it debuted earlier this year. It went on to win the Grand Jury Prize there.
- 11/9/2019
- by Nancy Tartaglione
- Deadline Film + TV
There are some show-stopping scenes in Bellocchio’s handsome true-crime movie about mafia informants
Marco Bellocchio’s The Traitor is a big, handsomely shot, true-crime gangster movie, ranging over 30 years from the early 1970s to the late 90s, scripted by Bellocchio with screenwriters Valia Santella, Ludovica Rampoldi and Francesco Piccolo. The film has the authoritative air of official history: sometimes brash, sometimes stolid, sometimes with flashes of inspiration and sometimes with long stretches of courtroom dialogue. It is in these sections where Bellocchio is perhaps self-consciously concerned, as a major Italian film-maker, to be seen delivering a definitive cinematic account of an important period of modern Italian life. Well, it was certainly a sound instinct to show the courtroom scenes at some length, because however bizarre and chaotic it could be, the court of law is the moral centre of these events.
His subject is Italy’s sensational anti-mafia Maxi...
Marco Bellocchio’s The Traitor is a big, handsomely shot, true-crime gangster movie, ranging over 30 years from the early 1970s to the late 90s, scripted by Bellocchio with screenwriters Valia Santella, Ludovica Rampoldi and Francesco Piccolo. The film has the authoritative air of official history: sometimes brash, sometimes stolid, sometimes with flashes of inspiration and sometimes with long stretches of courtroom dialogue. It is in these sections where Bellocchio is perhaps self-consciously concerned, as a major Italian film-maker, to be seen delivering a definitive cinematic account of an important period of modern Italian life. Well, it was certainly a sound instinct to show the courtroom scenes at some length, because however bizarre and chaotic it could be, the court of law is the moral centre of these events.
His subject is Italy’s sensational anti-mafia Maxi...
- 5/23/2019
- by Peter Bradshaw
- The Guardian - Film News
Golino’s second feature shows the difficult relationship between two brothers.
At the eve of the Efm, Italian world sales company True Colours adds Valeria Golino’s new film Euphoria to its slate.
Produced by Ht Film and Indigo Film, who are partnering again after the success of Sergio Castellitto’s Fortunata, together with Rai Cinema (Fire At Sea, Daughter Of Mine), Euphoria will be distributed in Italy by 01 in 2018.
The film is currently in post-production after finishing its 8 weeks of shooting in December.
Euphoria’s cast includes Riccardo Scamarcio (Them, John Wick 2) and Valerio Mastandrea (Perfect Strangers, The Place) as the two brothers, as well as Un Certain Regard Best Actress Jasmine Trinca (Fortunata, Honey) in a supporting role.
The film tells the story of the difficult relationship between two brothers with opposite characters. It is written by Valeria Golino, Francesca Marciano (Me And You, [link...
At the eve of the Efm, Italian world sales company True Colours adds Valeria Golino’s new film Euphoria to its slate.
Produced by Ht Film and Indigo Film, who are partnering again after the success of Sergio Castellitto’s Fortunata, together with Rai Cinema (Fire At Sea, Daughter Of Mine), Euphoria will be distributed in Italy by 01 in 2018.
The film is currently in post-production after finishing its 8 weeks of shooting in December.
Euphoria’s cast includes Riccardo Scamarcio (Them, John Wick 2) and Valerio Mastandrea (Perfect Strangers, The Place) as the two brothers, as well as Un Certain Regard Best Actress Jasmine Trinca (Fortunata, Honey) in a supporting role.
The film tells the story of the difficult relationship between two brothers with opposite characters. It is written by Valeria Golino, Francesca Marciano (Me And You, [link...
- 2/16/2018
- by Gabriele Niola
- ScreenDaily
Mia Madre (My Mother) Music Box Films Reviewed by: Harvey Karten, Shockya Grade: A- Director: Nanni Moretti Written by: Nanni Moretti, Francesco Piccolo, Valia Santella Cast: Margherita Buy, John Turturro, Giulia Lazzarini, Nanni Moretti, Beatrice Mancini Screened at: Review, NYC, 8/9/16 Opens: August 19, 2016 “Mia Madre” is the kind of film to which many in the audience can relate, particularly those of a certain age who have lived through the death of a parent, or, if younger, through the demise of a grandparent. Some of us may have even been entertained at a eulogy in which a speaker, instead of simply moaning and crying, describes some of the funny [ Read More ]
The post Mia Madre Movie Review appeared first on Shockya.com.
The post Mia Madre Movie Review appeared first on Shockya.com.
- 9/3/2016
- by Harvey Karten
- ShockYa
Alchemy has acquired all Us rights to Nanni Moretti’s Competition selection starring Margherita Buy, John Turturro, Giulia Lazzarini and Beatrice Mancini.
Moretti also stars in Mia Madre, co-wrote the semi-autobiographical screenplay with Francesco Piccolo and Valia Santella and produced via his Sacher Film alongside Domenico Procacci of Fandango and Rai Cinema.
The film follows an Italian director who tries to hold her life together during a shoot despite a disruptive American star, ailing mother and adolescent daughter.
Alchemy acquired rights from Film Distribution.
Moretti also stars in Mia Madre, co-wrote the semi-autobiographical screenplay with Francesco Piccolo and Valia Santella and produced via his Sacher Film alongside Domenico Procacci of Fandango and Rai Cinema.
The film follows an Italian director who tries to hold her life together during a shoot despite a disruptive American star, ailing mother and adolescent daughter.
Alchemy acquired rights from Film Distribution.
- 5/20/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Indie distributor Alchemy has just scooped up Cannes perennial Nanni Moretti's "Mia Madre" out of the competition. This semi-autobiographical seriocomedy centers on a director (Margherita Buy) who's shooting an Italian film with an unruly and famous American actor (John Turturro). Meanwhile, she's trying to keep her own life together, despite her mother's (Giulia Lazzarini) illness and daughter's (Beatrice Mancini) budding adolescence. Moretti, who also stars in the film and won the 2001 Palme d'Or for "The Son's Room," co-penned the script with Francesco Piccolo and Valia Santella. In 2012, he served as the Cannes jury president when Michael Haneke's "Amour" took the Palme. Read More: Indiewire's Cannes Review of "Mia Madre" Moretti produced "Mia Madre" through his Sacher Film banner along with Domenico Procacci of Fandango and Rai Cinema. While no release date has been set, the film has so far met acclaim and interest...
- 5/19/2015
- by Ryan Lattanzio
- Thompson on Hollywood
Mia Madre (My Mother)
Directed by Nanni Moretti
Written by Nanni Moretti, Francesco Piccolo, Valia Santella
Italy, 2015
I went into the Mia Madre screening hoping for a witty, ironic, sensitive and emotionally substantial piece of cinema and came out thinking the Cannes selection does not pretend to be a meritocracy. Nanni Moretti is a big Cannes brand names, one of a few lucky ‘subscribers’ quasi-certain of a slot in the festival, the mediocrity of some of their fare notwithstanding. The murmur in the press queues this year has been confirming the impression that this is just the way it is, ‘once you’re in the club, you’re in for life’. One day there may well be a festival in which selection would be like blind tasting, but until then we will have to endure Nanni Moretti’s egomaniacal persona coated in a patina of fumbling false modesty.
With Mia Madre,...
Directed by Nanni Moretti
Written by Nanni Moretti, Francesco Piccolo, Valia Santella
Italy, 2015
I went into the Mia Madre screening hoping for a witty, ironic, sensitive and emotionally substantial piece of cinema and came out thinking the Cannes selection does not pretend to be a meritocracy. Nanni Moretti is a big Cannes brand names, one of a few lucky ‘subscribers’ quasi-certain of a slot in the festival, the mediocrity of some of their fare notwithstanding. The murmur in the press queues this year has been confirming the impression that this is just the way it is, ‘once you’re in the club, you’re in for life’. One day there may well be a festival in which selection would be like blind tasting, but until then we will have to endure Nanni Moretti’s egomaniacal persona coated in a patina of fumbling false modesty.
With Mia Madre,...
- 5/18/2015
- by Zornitsa
- SoundOnSight
A two time juror, winner of Best Director for Dear Diary (1993) and Palme d’Or winner for The Son’s Room in 2001, this is Nanni Moretti’s tenth trip to the festival as a filmmaker. Averaging about two to three films per decade, Mia Madre (My Mother) appears to be both comfort food, and food for thought. Signed by Moretti, Francesco Piccolo and Valia Santella, this takes the vantage point of a female protagonist with a strong affinity to its creator as there are autobiographical elements here. A third collaboration between Moretti and with Margherita Buy, it may also be their best work to date and it my also pan for one of the available prizes.
Check back with us twice daily for the latest grades and make sure to click on the grid below for a larger version.
Check back with us twice daily for the latest grades and make sure to click on the grid below for a larger version.
- 5/16/2015
- by Eric Lavallee
- IONCINEMA.com
Mia Madre
Director: Nanni Moretti // Writers: Nanni Moretti, Francesco Piccolo, Valia Santella
After winning the Palme d’Or in 2001 for The Son’s Room, Italian director Nanni Moretti has only made two films since, 2006’s The Caiman and 2011’s We Have a Pope. He presided over the Cannes Jury in 2012, and is finally back in 2015 with his latest title, Mia Madre, stars John Turturro and reunites Moretti with regular collaborator, actress Margherita Buy, who will be the film’s main protagonist this time around. The film will relate the tragicomic mishaps of a committed filmmaker who is going through a personal and professional crisis.
Cast: John Turturro, Margherita Buy, Nanni Moretti
Production Co.: Arte France Cinema, Le Pacte, Films Boutique, Fandango, Sacher Film.
U.S. Distributor: Rights Available.
Release Date: Considering he’s competed six times at Cannes, we’re sure to see this be announced as part of...
Director: Nanni Moretti // Writers: Nanni Moretti, Francesco Piccolo, Valia Santella
After winning the Palme d’Or in 2001 for The Son’s Room, Italian director Nanni Moretti has only made two films since, 2006’s The Caiman and 2011’s We Have a Pope. He presided over the Cannes Jury in 2012, and is finally back in 2015 with his latest title, Mia Madre, stars John Turturro and reunites Moretti with regular collaborator, actress Margherita Buy, who will be the film’s main protagonist this time around. The film will relate the tragicomic mishaps of a committed filmmaker who is going through a personal and professional crisis.
Cast: John Turturro, Margherita Buy, Nanni Moretti
Production Co.: Arte France Cinema, Le Pacte, Films Boutique, Fandango, Sacher Film.
U.S. Distributor: Rights Available.
Release Date: Considering he’s competed six times at Cannes, we’re sure to see this be announced as part of...
- 1/7/2015
- by Nicholas Bell
- IONCINEMA.com
Emerging Pictures recently announced “Cinema Made In Italy,” a major new initiative between Istituto Luce- Cinecittà, the Italian Trade Commission and Emerging Pictures that will pro-vide distribution and marketing support to five major Italian films with the goal of broadening the audience for Italian cinema in the United States. Emerging will oversee the initiative and distribute Gianni Amelio’s L’Intrepido, Marco Bellocchio’s Dormant Beauty, Bernardo Bertolucci’s Me And You and Valeria Golino’s Honey in 2014.
These four recent Italian works will receive marketing and distribution support from a fund created by Istituto Luce- Cinecittà and the Italian Trade Commission. The first film in the series was Paolo Sorrentino’s masterful Academy Award nominated The Great Beauty. Since it was released by Janus Films with support from the Cinema Made In Italy program, it has become one of the most acclaimed foreign language films of the year. It also won the Golden Globe, European Film Award and is nominated for the BAFTA and Film Independent Spirit Award for Best Foreign Film.
All five films will receive a nationwide release. Theaters will be announced shortly. Each of the films will have a full marketing and publicity campaign overseen by Emerging Pictures and supported by Istituto Luce-Cinecittà and the Italian Trade Commission.
Ira Deutchman, Managing Partner of Emerging Pictures, said, “Italian cine- ma has always captured the imagination of American audiences since the hey-day of Fellini, Pasolini, Visconti, De Sica and Rossellini. Our goal is to create a marketing and distribution initiative that will allow new Italian films to regularly enter the marketplace with a presence and to help create an ongoing new audience. We’re thrilled to be working with Istituto Luce-Cinecittà and the Italian Trade Commission to create this truly groundbreaking program.”
“Luce Cinecitta' is proud to test this new way to promote Italian cinema abroad,” said Istituto Luce-Cinecitta’ Chief Executive Officer Roberto Cicut- to. “Thanks to the funds provided by the Ministry of Economic Development and The Italian Trade Commission (Agenzia Ice) in addition to those provid- ed by the Ministry of Culture in partnership with Emerging Pictures, we will be able to give the largest theatrical distribution to recent Italian titles direct- ed by very prestigious auteurs. Italian cinema is well known worldwide for its glorious past and for such great contemporary directors as Bertolucci, Bellocchio, Moretti, Sorrentino, Garrone, Amelio and others. This new platform will give our movies the chance to be seen in a wide array of theaters throughout the U.S., and not just in specialized art houses in a few big cities. The recent outstanding success of Sorrentino's ‘Great Beauty,’ a Janus release, with our support, shows there is great potential here for Italian cinema. We look for- ward to increasing the availability of Italian films to our American friends.”
Dr. Carlo Angelo Bocchi, Trade Commissioner, Italian Trade Commission, said, "We have been working in the past two years with all the institutions mentioned by Roberto with two main goals: to get the Italian movie industry as the most important made-in-Italy tool for the commercial promotion of our country in the U.S., to try to reach the widest possible audience for viewing Italian movies. The support of different public institutions was central to building a project that was from the outset commercial: the movie industry is quintessentially important to promoting wine, food, fashion, design, technology, tourism and Italian style, together with the expression of our cultural values, trends and innovations. Italian cinema provides a single, comprehensive tool for achieving that meaningful goal. With ‘The Great Beauty,’ our first film, Cinema Made in Italy makes its debut in 25 cities, in more than 100 theaters in 15 states. This far-reaching exposure is exactly what we were searching for in our partnership with Emerging Pictures, and we are very happy that this first film in our Italian movie series is already appearing throughout the United States.”
About Emerging Pictures
Emerging Pictures, managed by Barry Rebo and Ira Deutchman, is the pre- mier all-digital Specialty Film and Alternative Content network of theaters in the United States. The company delivers independent films, cultural pro- grams and special events to a network of approximately 400 North American venues encompassing traditional art houses, museums and performing arts centers as well as commercial multiplexes including Allen Theatres, Angelika/ Reading Theatres, Big Cinemas, Bow Tie Cinemas, Marcus Theatres, Carmike Cinemas, Digiplex Destination Cinemas, Harkins Theatres, Laemmle Theaters, Muvico Theaters, Regency Theatres and others. The company also distributes live and captured live performances worldwide of the Bolshoi Ballet and some of the world’s foremost opera houses, including Milan’s Teatro alla Scala, under its Ballet in Cinema and Opera in Cinema brands.
About Istituto Luce-Cinecitta
Istituto Luce - Cinecittà (www.cinecittaluce.it) is the state-owned company whose main shareholder is the Italian Ministry for Culture. Istituto Luce - Cinecittà’s institutional work includes promoting Italian cinema both at home and abroad by means of projects dedicated to the great directors of the past and their classic films, as well contemporary ones. During the main In- ternational Film Festivals Istituto Luce - Cinecittà prepares multifunctional spaces that help to the promotion of our cinematography and it is the refer- ence place for all Italian and foreign operators Istituto Luce - Cinecittà holds one of the most important film and photographic archive both of its own pro- ductions, and private collections and acquisitions from a variety of sources. Istituto Luce - Cinecittà also distributes films made by Italian and European directors and guarantees they are given an adequate release on the national market. The team for the promotion of contemporary cinema continues to col- laborate with all of the major film festivals such as Cannes, Berlin, Buenos Aires, Toronto, Shanghai, Tokyo, Locarno, New York , London, etc, by orga- nizing the national selections, the presence of Italian films and artists in the various festivals, and providing an expository and promotional space within all the major International film markets. We are also involved with the orga- nization of numerous events which take place in countries with strong com- mercial potential such as : The Italian cinema festival in Tokyo, Open Roads – New Italian cinema in New York, Cinema Italian Style in Los Angeles, The Festival of Italian cinema of Barcelona and The Mittelcinemafest. Istituto
Luce - Cinecittà also owns a film library, Cineteca, which contains around 3000 titles of the most significant Italian film productions, subtitled in foreign languages, which serve in promoting Italian culture at major national and in- ternational Institutes around the world. Istituto Luce - Cinecittà is also re- sponsible for editing a daily news magazine on-line: CinecittàNews (news.cinecitta.com) which delivers the latest breaking news on the principal activities involving Italian cinema as well as its developing legislative and in- stitutional aspects.
About The Italian Trade Commission The Ice-Italian Trade Promotion Agency is the government organization which promotes the internationalization of the Italian companies, in line with the strategies of the Ministry for Economic Development. Ice provides in- formation, support and advice to Italian and foreign companies. In addition to its Rome headquarters, Ice operates worldwide from a large network of Trade Promotion Offices linked to Italian embassies and consulates and work- ing closely with local authorities and businesses. Ice provides a wide range of services overseas helping Italian and foreign businesses to connect with each other
About The Films
Dormant Beauty (Bella Addormentata)
Release Date: Tbc Director: Marco Bellocchio Producer: Riccardo Tozzi, Fabio Conversi, Marco Chimenz, Giovanni Sta- bilini
Screenplay: Marco Bellocchio, Veronica Raimo, Stefano Rulli Cast: Toni Servillo, Isabelle Huppert, Alba Rohrwacher Festivals: Venice 2012, Toronto 2012
Three stories, taking place over the course of a few days, involving a con- science-stricken politician, an obsessive mother and two young protestors on different sides, are skillfully interwoven in this gripping, beautifully realized film. Set against the background of the emotional and controversial real-life 2008 euthanasia case of Eluana Englaro, Dormant Beauty is a subtle and complex depiction of recent Italian history.
The Great Beauty
(released by Janus Films) - In Release Director: Paolo Sorrentino (Il Divo) Producer: Nicola Giuliano, Francesca Cima Screenwriter: Paolo Sorrentino, Umberto Contarello Cast: Toni Servillo, Carlo Verdone, Sabrina Ferrili, Carlo Buccirosso, Iaia Forte, Pamela Villoresi, Galatea Ranzi with Massimo de Francovich, Roberto Herlitzka, and with Isabella Ferrari Festivals: Cannes (Competition) 2013, Toronto 2013, AFI 2013, Italy’s Official Entry to the 2014 Academy Awards Awards: 4 European Film Award nominations (Picture, Director, Screenplay, Actor and winner for Best Editing), Best Foreign Film nominee for British In- dependent Film Awards
Journalist Jep Gambardella (the dazzling Toni Servillo, Il Divo and Go- Morrah) has charmed and seduced his way through the lavish nightlife of Rome for decades. Since the legendary success of his one and only novel, he has been a permanent fixture in the city's literary and social circles, but when his sixty-fifth birthday coincides with a shock from the past, Jep finds himself unexpectedly taking stock of his life, turning his cutting wit on himself and his contemporaries, and looking past the extravagant nightclubs, parties, and cafés to find Rome in all its glory: a timeless landscape of absurd, exquisite beauty.
Honey (Miele)
Release Date: March 7, 2014 Director: Valeria Golino Producer: Viola Prestieri, Riccardo Scamarcio, Anne-Dominique Toussaint, Raphael Berdugo Screenplay: Valeria Golino, Valia Santella, Francesca Marciano, from the novel by Angela Del Fabbro with the same title Cast: Jasmine Trinca, Carlo Cecchi, Libero De Rienzo, Vinicio Marchioni, Iaia Forte, Roberto De Francesco, Barbara Ronchi, Claudio Guain, Teresa Acerbis, Valeria Bilello, Massimiliano Iacolucci Festivals: Cannes (Un Certain Regard) 2013, Toronto 2013 Prizes: Winner Special Mention from the Ecumenical Jury, Cannes 2013 Nominated for European Discovery at the European Film Awards 2013
Actress Valeria Golino makes her directing debut with Honey. Irene lives alone on the coastline outside Rome. To her father and her married lover, she’s a student. In reality, she often travels to Mexico where she can legally buy a powerful barbiturate. Working under the name of Miele ("Honey"), her clandestine job is to help terminally-ill people to die with dignity by giving them the drug. One day she supplies a new “client” with a fatal dose, only to find out he’s perfectly healthy but tired of life. Irene is determined not to be responsible for his suicide. From this point on, Irene and Grimaldi are unwill- ingly locked in an intense and moving relationship which will change Irene’s life forever.
L’Intrepido
Release Date - To Be Confirmed Director: Gianni Amelio Producer: Carlo Degli Esposti Screenplay: Gianni Amelio, Davide Lantieri Cast: Antonio Albanese, Sandra Ceccarelli, Livia Rossi, Gabriele Rendina, Alfonso Santagata
Festivals: Venice 2013, Toronto 2013
Set in modern day Milan, this is a Chaplinesque odyssey through the world of work – every type of work, but primarily unskilled manual labor – seen through the eyes of a kind, middle-aged man who takes on every conceivable temporary job in order to be useful and have self respect. This really is a por- trait of the highs and lows of modern life. At its heart is a sympathetic man (Antonio Albanese) who, despite loneliness and personal family problems, es- pecially around his gifted but troubled musician son, remains defiantly opti- mistic even when terrible things happen to him and the people he meets.
Me And You (Io E Te)
Release Date: To Be Confirmed
Director: Bernardo Bertolucci Screenplay: Bernardo Bertolucci, Niccolo Ammaniti, Umberto Contarello Producer: Mario Gianani Cast: Tea Falco, Jacopo Olmo Antinori Festivals: Cannes, Toronto
Lorenzo, a solitary 14-year-old with difficulties relating to his daily life and the world around him, chooses to spend a week hidden in the basement of his house. But Lorenzo’s fragile and rebellious stepsister, Olivia, appears at her brother’s place of refuge and disturbs the quiet.
These four recent Italian works will receive marketing and distribution support from a fund created by Istituto Luce- Cinecittà and the Italian Trade Commission. The first film in the series was Paolo Sorrentino’s masterful Academy Award nominated The Great Beauty. Since it was released by Janus Films with support from the Cinema Made In Italy program, it has become one of the most acclaimed foreign language films of the year. It also won the Golden Globe, European Film Award and is nominated for the BAFTA and Film Independent Spirit Award for Best Foreign Film.
All five films will receive a nationwide release. Theaters will be announced shortly. Each of the films will have a full marketing and publicity campaign overseen by Emerging Pictures and supported by Istituto Luce-Cinecittà and the Italian Trade Commission.
Ira Deutchman, Managing Partner of Emerging Pictures, said, “Italian cine- ma has always captured the imagination of American audiences since the hey-day of Fellini, Pasolini, Visconti, De Sica and Rossellini. Our goal is to create a marketing and distribution initiative that will allow new Italian films to regularly enter the marketplace with a presence and to help create an ongoing new audience. We’re thrilled to be working with Istituto Luce-Cinecittà and the Italian Trade Commission to create this truly groundbreaking program.”
“Luce Cinecitta' is proud to test this new way to promote Italian cinema abroad,” said Istituto Luce-Cinecitta’ Chief Executive Officer Roberto Cicut- to. “Thanks to the funds provided by the Ministry of Economic Development and The Italian Trade Commission (Agenzia Ice) in addition to those provid- ed by the Ministry of Culture in partnership with Emerging Pictures, we will be able to give the largest theatrical distribution to recent Italian titles direct- ed by very prestigious auteurs. Italian cinema is well known worldwide for its glorious past and for such great contemporary directors as Bertolucci, Bellocchio, Moretti, Sorrentino, Garrone, Amelio and others. This new platform will give our movies the chance to be seen in a wide array of theaters throughout the U.S., and not just in specialized art houses in a few big cities. The recent outstanding success of Sorrentino's ‘Great Beauty,’ a Janus release, with our support, shows there is great potential here for Italian cinema. We look for- ward to increasing the availability of Italian films to our American friends.”
Dr. Carlo Angelo Bocchi, Trade Commissioner, Italian Trade Commission, said, "We have been working in the past two years with all the institutions mentioned by Roberto with two main goals: to get the Italian movie industry as the most important made-in-Italy tool for the commercial promotion of our country in the U.S., to try to reach the widest possible audience for viewing Italian movies. The support of different public institutions was central to building a project that was from the outset commercial: the movie industry is quintessentially important to promoting wine, food, fashion, design, technology, tourism and Italian style, together with the expression of our cultural values, trends and innovations. Italian cinema provides a single, comprehensive tool for achieving that meaningful goal. With ‘The Great Beauty,’ our first film, Cinema Made in Italy makes its debut in 25 cities, in more than 100 theaters in 15 states. This far-reaching exposure is exactly what we were searching for in our partnership with Emerging Pictures, and we are very happy that this first film in our Italian movie series is already appearing throughout the United States.”
About Emerging Pictures
Emerging Pictures, managed by Barry Rebo and Ira Deutchman, is the pre- mier all-digital Specialty Film and Alternative Content network of theaters in the United States. The company delivers independent films, cultural pro- grams and special events to a network of approximately 400 North American venues encompassing traditional art houses, museums and performing arts centers as well as commercial multiplexes including Allen Theatres, Angelika/ Reading Theatres, Big Cinemas, Bow Tie Cinemas, Marcus Theatres, Carmike Cinemas, Digiplex Destination Cinemas, Harkins Theatres, Laemmle Theaters, Muvico Theaters, Regency Theatres and others. The company also distributes live and captured live performances worldwide of the Bolshoi Ballet and some of the world’s foremost opera houses, including Milan’s Teatro alla Scala, under its Ballet in Cinema and Opera in Cinema brands.
About Istituto Luce-Cinecitta
Istituto Luce - Cinecittà (www.cinecittaluce.it) is the state-owned company whose main shareholder is the Italian Ministry for Culture. Istituto Luce - Cinecittà’s institutional work includes promoting Italian cinema both at home and abroad by means of projects dedicated to the great directors of the past and their classic films, as well contemporary ones. During the main In- ternational Film Festivals Istituto Luce - Cinecittà prepares multifunctional spaces that help to the promotion of our cinematography and it is the refer- ence place for all Italian and foreign operators Istituto Luce - Cinecittà holds one of the most important film and photographic archive both of its own pro- ductions, and private collections and acquisitions from a variety of sources. Istituto Luce - Cinecittà also distributes films made by Italian and European directors and guarantees they are given an adequate release on the national market. The team for the promotion of contemporary cinema continues to col- laborate with all of the major film festivals such as Cannes, Berlin, Buenos Aires, Toronto, Shanghai, Tokyo, Locarno, New York , London, etc, by orga- nizing the national selections, the presence of Italian films and artists in the various festivals, and providing an expository and promotional space within all the major International film markets. We are also involved with the orga- nization of numerous events which take place in countries with strong com- mercial potential such as : The Italian cinema festival in Tokyo, Open Roads – New Italian cinema in New York, Cinema Italian Style in Los Angeles, The Festival of Italian cinema of Barcelona and The Mittelcinemafest. Istituto
Luce - Cinecittà also owns a film library, Cineteca, which contains around 3000 titles of the most significant Italian film productions, subtitled in foreign languages, which serve in promoting Italian culture at major national and in- ternational Institutes around the world. Istituto Luce - Cinecittà is also re- sponsible for editing a daily news magazine on-line: CinecittàNews (news.cinecitta.com) which delivers the latest breaking news on the principal activities involving Italian cinema as well as its developing legislative and in- stitutional aspects.
About The Italian Trade Commission The Ice-Italian Trade Promotion Agency is the government organization which promotes the internationalization of the Italian companies, in line with the strategies of the Ministry for Economic Development. Ice provides in- formation, support and advice to Italian and foreign companies. In addition to its Rome headquarters, Ice operates worldwide from a large network of Trade Promotion Offices linked to Italian embassies and consulates and work- ing closely with local authorities and businesses. Ice provides a wide range of services overseas helping Italian and foreign businesses to connect with each other
About The Films
Dormant Beauty (Bella Addormentata)
Release Date: Tbc Director: Marco Bellocchio Producer: Riccardo Tozzi, Fabio Conversi, Marco Chimenz, Giovanni Sta- bilini
Screenplay: Marco Bellocchio, Veronica Raimo, Stefano Rulli Cast: Toni Servillo, Isabelle Huppert, Alba Rohrwacher Festivals: Venice 2012, Toronto 2012
Three stories, taking place over the course of a few days, involving a con- science-stricken politician, an obsessive mother and two young protestors on different sides, are skillfully interwoven in this gripping, beautifully realized film. Set against the background of the emotional and controversial real-life 2008 euthanasia case of Eluana Englaro, Dormant Beauty is a subtle and complex depiction of recent Italian history.
The Great Beauty
(released by Janus Films) - In Release Director: Paolo Sorrentino (Il Divo) Producer: Nicola Giuliano, Francesca Cima Screenwriter: Paolo Sorrentino, Umberto Contarello Cast: Toni Servillo, Carlo Verdone, Sabrina Ferrili, Carlo Buccirosso, Iaia Forte, Pamela Villoresi, Galatea Ranzi with Massimo de Francovich, Roberto Herlitzka, and with Isabella Ferrari Festivals: Cannes (Competition) 2013, Toronto 2013, AFI 2013, Italy’s Official Entry to the 2014 Academy Awards Awards: 4 European Film Award nominations (Picture, Director, Screenplay, Actor and winner for Best Editing), Best Foreign Film nominee for British In- dependent Film Awards
Journalist Jep Gambardella (the dazzling Toni Servillo, Il Divo and Go- Morrah) has charmed and seduced his way through the lavish nightlife of Rome for decades. Since the legendary success of his one and only novel, he has been a permanent fixture in the city's literary and social circles, but when his sixty-fifth birthday coincides with a shock from the past, Jep finds himself unexpectedly taking stock of his life, turning his cutting wit on himself and his contemporaries, and looking past the extravagant nightclubs, parties, and cafés to find Rome in all its glory: a timeless landscape of absurd, exquisite beauty.
Honey (Miele)
Release Date: March 7, 2014 Director: Valeria Golino Producer: Viola Prestieri, Riccardo Scamarcio, Anne-Dominique Toussaint, Raphael Berdugo Screenplay: Valeria Golino, Valia Santella, Francesca Marciano, from the novel by Angela Del Fabbro with the same title Cast: Jasmine Trinca, Carlo Cecchi, Libero De Rienzo, Vinicio Marchioni, Iaia Forte, Roberto De Francesco, Barbara Ronchi, Claudio Guain, Teresa Acerbis, Valeria Bilello, Massimiliano Iacolucci Festivals: Cannes (Un Certain Regard) 2013, Toronto 2013 Prizes: Winner Special Mention from the Ecumenical Jury, Cannes 2013 Nominated for European Discovery at the European Film Awards 2013
Actress Valeria Golino makes her directing debut with Honey. Irene lives alone on the coastline outside Rome. To her father and her married lover, she’s a student. In reality, she often travels to Mexico where she can legally buy a powerful barbiturate. Working under the name of Miele ("Honey"), her clandestine job is to help terminally-ill people to die with dignity by giving them the drug. One day she supplies a new “client” with a fatal dose, only to find out he’s perfectly healthy but tired of life. Irene is determined not to be responsible for his suicide. From this point on, Irene and Grimaldi are unwill- ingly locked in an intense and moving relationship which will change Irene’s life forever.
L’Intrepido
Release Date - To Be Confirmed Director: Gianni Amelio Producer: Carlo Degli Esposti Screenplay: Gianni Amelio, Davide Lantieri Cast: Antonio Albanese, Sandra Ceccarelli, Livia Rossi, Gabriele Rendina, Alfonso Santagata
Festivals: Venice 2013, Toronto 2013
Set in modern day Milan, this is a Chaplinesque odyssey through the world of work – every type of work, but primarily unskilled manual labor – seen through the eyes of a kind, middle-aged man who takes on every conceivable temporary job in order to be useful and have self respect. This really is a por- trait of the highs and lows of modern life. At its heart is a sympathetic man (Antonio Albanese) who, despite loneliness and personal family problems, es- pecially around his gifted but troubled musician son, remains defiantly opti- mistic even when terrible things happen to him and the people he meets.
Me And You (Io E Te)
Release Date: To Be Confirmed
Director: Bernardo Bertolucci Screenplay: Bernardo Bertolucci, Niccolo Ammaniti, Umberto Contarello Producer: Mario Gianani Cast: Tea Falco, Jacopo Olmo Antinori Festivals: Cannes, Toronto
Lorenzo, a solitary 14-year-old with difficulties relating to his daily life and the world around him, chooses to spend a week hidden in the basement of his house. But Lorenzo’s fragile and rebellious stepsister, Olivia, appears at her brother’s place of refuge and disturbs the quiet.
- 2/10/2014
- by Sydney Levine
- Sydney's Buzz
Exclusive: Marguerite Buy, John Turturro and Nanni Moretti lead cast in film currently shooting in Rome.
Films Distribution has acquired worldwide rights to Nanni Moretti’s upcoming dramedy Mia Madre about a film director juggling her contrasting public and private lives.
Marguerite Buy, John Turturro and Nanni Moretti lead the cast in the film, which is currently shooting in Rome.
Buy plays a successful film director whose powerful on-set persona is at odds with her private self.
On set, Buy’s character takes command. Back home, she is at the mercy of her ailing mother and taciturn adolescent son.
John Turturro plays an American actor in a film she is shooting. Moretti is also in the cast in the role of the filmmaker’s brother.
“Moretti never under estimates the audience’s intelligence. The characters are as smart as you want them to be, or as they should be,” said Films Distribution co-chief Nicolas Brigaud-Robert.
“It’s a dramedy...
Films Distribution has acquired worldwide rights to Nanni Moretti’s upcoming dramedy Mia Madre about a film director juggling her contrasting public and private lives.
Marguerite Buy, John Turturro and Nanni Moretti lead the cast in the film, which is currently shooting in Rome.
Buy plays a successful film director whose powerful on-set persona is at odds with her private self.
On set, Buy’s character takes command. Back home, she is at the mercy of her ailing mother and taciturn adolescent son.
John Turturro plays an American actor in a film she is shooting. Moretti is also in the cast in the role of the filmmaker’s brother.
“Moretti never under estimates the audience’s intelligence. The characters are as smart as you want them to be, or as they should be,” said Films Distribution co-chief Nicolas Brigaud-Robert.
“It’s a dramedy...
- 2/9/2014
- ScreenDaily
Mia Madre (My Mother)
Director: Nanni Moretti
Writers: Nanni Moretti, Franceso Poccolo and Valia Santella
Producers: Moretti’s Sacher Film production, Le Pacte, Arte Cinema
U.S. Distributor: Rights Available
Cast: Nanni Moretti, Margerita Buy
Word on the cobblestone street is that Mia Madre is “partially autobiographical”. In our opinion, among the ten films in his filmography, Nanni Moretti’s biographical Caro diario might be his greatest celluloid legacy.
Gist: Tbd. No plot details have been released.
Release Date: Shooting began in January, which means it’ll be a longshot for a Cannes showing….is a Venice in August preem or his former stomping grounds Torino a possibility?
More Top 200 Most Anticipated Films of 2014 Top 200 Most Anticipated Films for 2014: #172. Benjamin Heisenberg’s SuperegosCavemen | Review >...
Director: Nanni Moretti
Writers: Nanni Moretti, Franceso Poccolo and Valia Santella
Producers: Moretti’s Sacher Film production, Le Pacte, Arte Cinema
U.S. Distributor: Rights Available
Cast: Nanni Moretti, Margerita Buy
Word on the cobblestone street is that Mia Madre is “partially autobiographical”. In our opinion, among the ten films in his filmography, Nanni Moretti’s biographical Caro diario might be his greatest celluloid legacy.
Gist: Tbd. No plot details have been released.
Release Date: Shooting began in January, which means it’ll be a longshot for a Cannes showing….is a Venice in August preem or his former stomping grounds Torino a possibility?
More Top 200 Most Anticipated Films of 2014 Top 200 Most Anticipated Films for 2014: #172. Benjamin Heisenberg’s SuperegosCavemen | Review >...
- 2/5/2014
- by Eric Lavallee
- IONCINEMA.com
We wake from our December holiday production break slumber for a production month of January that has some notable American indie productions, foreign films projects worth signaling out. Tracking Shot is sponsored by Production Weekly. German auteur Wim Wenders returns to Montreal for the winter portion of filming on Everything is Fine – the 3D drama stars James Franco, Charlotte Gainsbourg, Rachel McAdams and Marie-Josee Croze. After distinctly break-out indie offerings in Great World of Sound and Compliance, Craig Zobel is packing his bags for New Zealand. Adapted from the classic novel, Z for Zachariah sees Chris Pine, Amanda Seyfried and Chewitel Ejiofor jousting a little during the end of the world. A neighboring production can be found in Australia, David Mamet (his last theatrical release was 08′s Redbelt) is set to unload Blackbird – this is about a grieving granddaughter of a famous special effects artist in Hollywood discovers secrets (plot...
- 1/1/2014
- by Eric Lavallee
- IONCINEMA.com
The European Film Academy has nominated five titles for the European Discovery 2013 Fipresci (the International Federation of Film Critics) prize, an award presented annually as part of the EFAs to a young and upcoming director for a first feature film. The nominated titles are:ÄTA Sova DÖEAT Sleep DIESweden, 104 minWRITTEN & Directed By: Gabriela PichlerPRODUCED By: China ÅhlanderCALL GIRLSweden/Norway/Ireland/Finland, 133 minDIRECTED By: Mikael MarcimainWRITTEN By: Marietta von Hausswolff von BaumgartenPRODUCED By: Mimmi SpångMIELEItaly/France, 90 minDIRECTED By: Valeria GolinoWRITTEN By: Francesca Marciano, Valia Santella & Valeria GolinoPRODUCED By: Riccardo Scamarcio, Viola Prestieri, Anne-Dominique Toussaint & Raphaël BerdugoOH BOYGermany, 83 minWRITTEN & Directed By: Jan Ole GersterPRODUCED By: Marcos Kantis & Alexander WadouhLA Plagathe PLAGUESpain, 85 minWRITTEN & Directed By: Neus BallúsPRODUCED By: Pau Subirós The nominated films will be...
- 10/14/2013
- by Beth Hanna
- Thompson on Hollywood
The European Film Academy has announced the five nominees for the European Discovery 2013 - Prix Fipresci.
The award recognises an up and coming director for their debut feature film.
The nominees are:
Eat Sleep Die (Ata Sova Do)
Sweden, 104 min
Written & Directed By: Gabriela Pichler
Produced By: China Åhlander
Call Girl
Sweden/Norway/Ireland/Finland, 133 min
Directed By: Mikael Marcimain
Written By: Marietta von Hausswolff von Baumgarten
Produced By: Mimmi Spång
Miele
Italy/France, 90 min
Directed By: Valeria Golino
Written By: Francesca Marciano, Valia Santella & Valeria Golino
Produced By: Riccardo Scamarcio, Viola Prestieri, Anne-Dominique Toussaint & Raphaël Berdugo
Oh Boy
Germany, 83 min
Written & Directed By: Jan Ole Gerster
Produced By: Marcos Kantis & Alexander Wadouh
The Plague (La Plaga)
Spain, 85 min
Written & Directed By: Neus Ballús
Produced By: Pau Subirós
This year’s nominations committee was comprised of Efa Board Members Helena Danielsson (Sweden) and László Kantor (Hungary), Efa Members Pierre-Henri Deleau (France) and Jacob Neiiendam (Denmark), as well...
The award recognises an up and coming director for their debut feature film.
The nominees are:
Eat Sleep Die (Ata Sova Do)
Sweden, 104 min
Written & Directed By: Gabriela Pichler
Produced By: China Åhlander
Call Girl
Sweden/Norway/Ireland/Finland, 133 min
Directed By: Mikael Marcimain
Written By: Marietta von Hausswolff von Baumgarten
Produced By: Mimmi Spång
Miele
Italy/France, 90 min
Directed By: Valeria Golino
Written By: Francesca Marciano, Valia Santella & Valeria Golino
Produced By: Riccardo Scamarcio, Viola Prestieri, Anne-Dominique Toussaint & Raphaël Berdugo
Oh Boy
Germany, 83 min
Written & Directed By: Jan Ole Gerster
Produced By: Marcos Kantis & Alexander Wadouh
The Plague (La Plaga)
Spain, 85 min
Written & Directed By: Neus Ballús
Produced By: Pau Subirós
This year’s nominations committee was comprised of Efa Board Members Helena Danielsson (Sweden) and László Kantor (Hungary), Efa Members Pierre-Henri Deleau (France) and Jacob Neiiendam (Denmark), as well...
- 10/14/2013
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
The European Film Academy has announced the five nominees for the European Discovery 2013 - Prix Fipresci.
The award recognises an up and coming director for their debut feature film.
The nominees are:
Eat Sleep Die (Ata Sova Do)
Sweden, 104 min
Written & Directed By: Gabriela Pichler
Produced By: China Åhlander
Call Girl
Sweden/Norway/Ireland/Finland, 133 min
Directed By: Mikael Marcimain
Written By: Marietta von Hausswolff von Baumgarten
Produced By: Mimmi Spång
Miele
Italy/France, 90 min
Directed By: Valeria Golino
Written By: Francesca Marciano, Valia Santella & Valeria Golino
Produced By: Riccardo Scamarcio, Viola Prestieri, Anne-Dominique Toussaint & Raphaël Berdugo
Oh Boy
Germany, 83 min
Written & Directed By: Jan Ole Gerster
Produced By: Marcos Kantis & Alexander Wadouh
The Plague (La Plaga)
Spain, 85 min
Written & Directed By: Neus Ballús
Produced By: Pau Subirós
This year’s nominations committee was comprised of Efa Board Members Helena Danielsson
(Sweden) and László Kantor (Hungary), Efa Members Pierre-Henri Deleau (France) and Jacob Neiiendam
(Denmark), as well...
The award recognises an up and coming director for their debut feature film.
The nominees are:
Eat Sleep Die (Ata Sova Do)
Sweden, 104 min
Written & Directed By: Gabriela Pichler
Produced By: China Åhlander
Call Girl
Sweden/Norway/Ireland/Finland, 133 min
Directed By: Mikael Marcimain
Written By: Marietta von Hausswolff von Baumgarten
Produced By: Mimmi Spång
Miele
Italy/France, 90 min
Directed By: Valeria Golino
Written By: Francesca Marciano, Valia Santella & Valeria Golino
Produced By: Riccardo Scamarcio, Viola Prestieri, Anne-Dominique Toussaint & Raphaël Berdugo
Oh Boy
Germany, 83 min
Written & Directed By: Jan Ole Gerster
Produced By: Marcos Kantis & Alexander Wadouh
The Plague (La Plaga)
Spain, 85 min
Written & Directed By: Neus Ballús
Produced By: Pau Subirós
This year’s nominations committee was comprised of Efa Board Members Helena Danielsson
(Sweden) and László Kantor (Hungary), Efa Members Pierre-Henri Deleau (France) and Jacob Neiiendam
(Denmark), as well...
- 10/14/2013
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
I Can See It In Your Eyes
Screened at the Venice International Film Festival
What should have been a showcase for Stefania Sandrelli as a spoiled woman taking her granddaughter on a day's adventure, turns out to be a missed opportunity. Box office potential looks slim.
Directed by Valia Santella from a script she wrote with Heidrun Schleef, I Can See It In Your Eyes places Sandrelli as Margherita, a 60-ish songstress distressed following surgery on her vocal chords. A self-absorbed diva, she disappears from her longsuffering husband in pursuit of a not-very-interested lover and plans a nightclub gig to prove she can still sing.
On a whim she takes along Lucia, her granddaughter, who suffers from asthma. Hot on her trail is her own daughter, played by Teresa Sapanangelo, who has long resented the singer's indifference as a parent.
Sandrelli, Saponangelo and Camilla Di Nicola as the young girl are all engaging performers but they're badly let down by the script. Grandmother's whims are prosaic, the daughter's anguish isn't developed and the granddaughter's asthma comes and goes unconvincingly.
The story of three generations of women brought together by illness could have been colorful and moving. But although the players do their best, the scenes are flat, the characters are dull and their fate in the end uninteresting.
What should have been a showcase for Stefania Sandrelli as a spoiled woman taking her granddaughter on a day's adventure, turns out to be a missed opportunity. Box office potential looks slim.
Directed by Valia Santella from a script she wrote with Heidrun Schleef, I Can See It In Your Eyes places Sandrelli as Margherita, a 60-ish songstress distressed following surgery on her vocal chords. A self-absorbed diva, she disappears from her longsuffering husband in pursuit of a not-very-interested lover and plans a nightclub gig to prove she can still sing.
On a whim she takes along Lucia, her granddaughter, who suffers from asthma. Hot on her trail is her own daughter, played by Teresa Sapanangelo, who has long resented the singer's indifference as a parent.
Sandrelli, Saponangelo and Camilla Di Nicola as the young girl are all engaging performers but they're badly let down by the script. Grandmother's whims are prosaic, the daughter's anguish isn't developed and the granddaughter's asthma comes and goes unconvincingly.
The story of three generations of women brought together by illness could have been colorful and moving. But although the players do their best, the scenes are flat, the characters are dull and their fate in the end uninteresting.
- 9/2/2004
- The Hollywood Reporter - Movie News
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