Gustavo Rosa, Carolina Denegri roduced tragicomedy.
Shoreline Entertainment has picked up worldwide rights excluding Peruvian theatrical to Alonso Llosa’s tragicomedy and Santa Barbara International Film Festival premiere The Restoration (La Restauración) and will introduce to buyers at the Efm in Berlin next month.
Llosa’s directorial debut centres on Tato, a 51-year-old man-child who lives with his difficult mother and decides to sell the family mansion in a desperate bid for financial independence.
Paul Vega stars alongside Attilia Boschetti, Delfina Paredes, Fernando Añanos, Muki Sabogal, Pietro Sibille, and Malili Dib.
Gustavo Rosa and Carolina Denegri produced and Gill Holland...
Shoreline Entertainment has picked up worldwide rights excluding Peruvian theatrical to Alonso Llosa’s tragicomedy and Santa Barbara International Film Festival premiere The Restoration (La Restauración) and will introduce to buyers at the Efm in Berlin next month.
Llosa’s directorial debut centres on Tato, a 51-year-old man-child who lives with his difficult mother and decides to sell the family mansion in a desperate bid for financial independence.
Paul Vega stars alongside Attilia Boschetti, Delfina Paredes, Fernando Añanos, Muki Sabogal, Pietro Sibille, and Malili Dib.
Gustavo Rosa and Carolina Denegri produced and Gill Holland...
- 1/16/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
★★★☆☆ Spanish director Fernando León de Aranoa writes and directs well-meaning drama Amador, focusing upon the lives of Bolivian immigrants in Madrid - an under-represented group in cinematic terms - specifically Marcela (Magaly Solier) and her flower-selling partner Nelson (Pietro Sibille).
After discovering that she is pregnant (and in order to make ends meet due to her husband's struggling flower-trading trade), Marcela accepts a job taking care of the elderly, bedridden Amador (Celso Bugallo) while his family are away. Amador is initially cold towards his new carer, sitting aloof as he watches television or works on his jigsaw.
After a period of time, Marcela manages to break through Amador's icy exterior, engaging him on a personal level that his family seemed unable to achieve. However, the old man's sudden death leads Marcela to extreme measures in order to secure her full pay.
The subject matter here is certainly on the dark side,...
After discovering that she is pregnant (and in order to make ends meet due to her husband's struggling flower-trading trade), Marcela accepts a job taking care of the elderly, bedridden Amador (Celso Bugallo) while his family are away. Amador is initially cold towards his new carer, sitting aloof as he watches television or works on his jigsaw.
After a period of time, Marcela manages to break through Amador's icy exterior, engaging him on a personal level that his family seemed unable to achieve. However, the old man's sudden death leads Marcela to extreme measures in order to secure her full pay.
The subject matter here is certainly on the dark side,...
- 10/14/2011
- by Daniel Green
- CineVue
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