The Thessaloniki Documentary Festival kicks off its 25th edition Thursday at a time when the nonfiction genre has arguably reached unprecedented heights.
This year’s festival, which takes place March 2 – 12 in the seaside Mediterranean city, unfolds just days after veteran French docmaker Nicolas Philibert won the Golden Bear in Berlin for his documentary about a Paris mental health care facility, “On the Adamant.” The award capped a fortnight in which Sean Penn’s gonzo doc about Ukrainian president Volodymyr Zelenskyy, “Superpower,” also generated plenty of buzz (albeit lukewarm reviews).
Meanwhile, Cameroon’s Cyrielle Raingou took home Rotterdam’s Tiger Award just a few weeks earlier for “Le Spectre de Boko Haram,” a riveting view of terrorism seen through children’s eyes. And one summer ago, Laura Poitras triumphed on the Lido with “All the Beauty and the Bloodshed,” her docu-portrait of the photographer and activist Nan Goldin, which won the...
This year’s festival, which takes place March 2 – 12 in the seaside Mediterranean city, unfolds just days after veteran French docmaker Nicolas Philibert won the Golden Bear in Berlin for his documentary about a Paris mental health care facility, “On the Adamant.” The award capped a fortnight in which Sean Penn’s gonzo doc about Ukrainian president Volodymyr Zelenskyy, “Superpower,” also generated plenty of buzz (albeit lukewarm reviews).
Meanwhile, Cameroon’s Cyrielle Raingou took home Rotterdam’s Tiger Award just a few weeks earlier for “Le Spectre de Boko Haram,” a riveting view of terrorism seen through children’s eyes. And one summer ago, Laura Poitras triumphed on the Lido with “All the Beauty and the Bloodshed,” her docu-portrait of the photographer and activist Nan Goldin, which won the...
- 2/28/2023
- by Christopher Vourlias
- Variety Film + TV
Buzzy titles such as “Guián,” “Rhinoceros” and “Of Books and Women I Sing” are among the 14 titles at Málaga’s extensive Wip showcase, a springboard in the past for the discovery of titles such as Spanish horror thriller “The Platform” which, winning the Latido Films Prize at Wip, has gone on to become the second most-watched non-English language movie ever on Netflix.
Awarded the biggest plaudit at last year’s Malaga Wip, Adrián Silvestre’s “My Emptiness and I” made a splash at February’s Rotterdam Festival and now competes at Málaga.
In a 2022 spread of titles presented over March 22-25, six hail from Spain and eight from Latin-America
In addition to the Málaga Film Festival award, private-sector prizes from Aracne Digital Cinema, Damita Joe, Latamcinema.com, Latido Films, Music Library, Yagán Films– are also at stake.
The Spanish section’s jury comprises Madrid Film School’s Luis Ferrón, Quatre Films...
Awarded the biggest plaudit at last year’s Malaga Wip, Adrián Silvestre’s “My Emptiness and I” made a splash at February’s Rotterdam Festival and now competes at Málaga.
In a 2022 spread of titles presented over March 22-25, six hail from Spain and eight from Latin-America
In addition to the Málaga Film Festival award, private-sector prizes from Aracne Digital Cinema, Damita Joe, Latamcinema.com, Latido Films, Music Library, Yagán Films– are also at stake.
The Spanish section’s jury comprises Madrid Film School’s Luis Ferrón, Quatre Films...
- 3/23/2022
- by Emilio Mayorga
- Variety Film + TV
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