Trivia

German writer/director and journalist, the son of teacher. Began his career as an actor and puppeteer in his home town of Magdeburg. In Berlin from 1928. Chief writer for the Tobis film company (1930-34), subsequently director at Universum AG (Ufa) until the late 1930's. Co-founder of the Berlin cabaret 'Die Katakombe'. Also active as writer/director/manager for the stage (Berliner Volksbühne), in radio broadcasting (Nordwestdeutscher Rundfunk, 1947-49) and in television (from 1962). Formed his own production company, Maxim-Film GmbH, in 1954. Turned out mostly light entertainments, including folksy comedies, Heimatfilms and several of the Edgar Wallace and Karl May adaptations.

Father of Philine (from his marriage to Gerda Maurus) and Cornelia Scheel (from a short relationship to Mildred Scheel).

After World War II he also worked for the DEFA and in addition of it he wrote a lot of books which he also adopted partially for the film.

As a director he preferred burlesques, comedies and folkloristic entertainment.

Robert Adolf Stemmle decided after the success of his play "Kampf um Kitsch", to give his undivided attention to the theater.

R.A. Stemmle was regarded as an experienced and especially sensitive author with a sense for intonation.

During the war time he wrote "Quax, der Bruchpilot" (1941).

He became chief dramaturge of Tobis in 1930 and already in 1935 he got a director position at the UFA, five years later at the Bavaria.

The movies "Emil und die Detektive" (1954) and "Gestehen Sie, Dr. Corda" (1958) had enormous success as well in the 50s as the adventure and crime films "Die seltsame Gräfin" (1961), "Das Testament des Dr. Mabuse" (1962), "Der Henker von London" (1963), "Old Shatterhand" (1963) or "Die Gruft mit dem Rätselschloss" (1964) in the 60s.

He wrote the cinema successes "Der Rebell" (1932), "Reifende Jugend" (1933), "Charleys Tante" (1934), "Heinz im Mond" (1934) and Der Mann, der Sherlock Holmes war" (1937).