The Jesus Music arrives on Blu-ray, DVD, and Est Digital December 7 from Lionsgate & The Kingdom Story Company. Here’s the trailer:
With stirring songs of faith, love, and hope, the Jesus Music movement rose from America’s 1960s counterculture to become a worldwide phenomenon. This fascinating documentary reveals Jesus Music’s uplifting, untold story — from its humble beginnings at the Calvary Chapel in Costa Mesa, California, through its transformation into the multi million-dollar industry of Christian Contemporary music. Featuring intimate interviews with the genre’s biggest stars — including Amy Grant, Michael W. Smith, TobyMac, and Kirk Franklin — this love letter to Ccm fans reveals the trials and triumphs of the artists who have devoted their lives to sharing their faith through the universal power of music.
The Jesus Music features Interviews With: Amy Grant, Kirk Franklin, Michael W. Smith, TobyMac, Bill Gaither, Bill Reeves, Chris Tomlin, Eddie DeGarmo, Glenn Kaiser,...
With stirring songs of faith, love, and hope, the Jesus Music movement rose from America’s 1960s counterculture to become a worldwide phenomenon. This fascinating documentary reveals Jesus Music’s uplifting, untold story — from its humble beginnings at the Calvary Chapel in Costa Mesa, California, through its transformation into the multi million-dollar industry of Christian Contemporary music. Featuring intimate interviews with the genre’s biggest stars — including Amy Grant, Michael W. Smith, TobyMac, and Kirk Franklin — this love letter to Ccm fans reveals the trials and triumphs of the artists who have devoted their lives to sharing their faith through the universal power of music.
The Jesus Music features Interviews With: Amy Grant, Kirk Franklin, Michael W. Smith, TobyMac, Bill Gaither, Bill Reeves, Chris Tomlin, Eddie DeGarmo, Glenn Kaiser,...
- 12/5/2021
- by Tom Stockman
- WeAreMovieGeeks.com
With stirring songs of faith, love, and hope, Jesus music rose from America’s 1960s counterculture movement to become a worldwide phenomenon. This fascinating documentary reveals the music’s uplifting and untold story — from its humble beginnings at the Calvary Chapel in Costa Mesa, California through its transformation into the multibillion-dollar industry of Christian Contemporary Music today.
Here’s the trailer:
Directed by the Erwin Brothers, The Jesus Music is the definitive love letter to Ccm fans that features intimate interviews with the genre’s biggest stars including Amy Grant, Michael W. Smith, TobyMac, Kirk Franklin, and Lauren Daigle. With stories of trials and triumphs, the universal power of music from these artists shine through from their messages of passion, sacrifice, and redemption that inspire millions of devoted listeners.
The Jesus Music features interviews with Amy Grant, Michael W. Smith, TobyMac, Kirk Franklin,
Lauren Daigle, Glenn Kaiser, Greg Laurie, John Thompson,...
Here’s the trailer:
Directed by the Erwin Brothers, The Jesus Music is the definitive love letter to Ccm fans that features intimate interviews with the genre’s biggest stars including Amy Grant, Michael W. Smith, TobyMac, Kirk Franklin, and Lauren Daigle. With stories of trials and triumphs, the universal power of music from these artists shine through from their messages of passion, sacrifice, and redemption that inspire millions of devoted listeners.
The Jesus Music features interviews with Amy Grant, Michael W. Smith, TobyMac, Kirk Franklin,
Lauren Daigle, Glenn Kaiser, Greg Laurie, John Thompson,...
- 9/24/2021
- by Tom Stockman
- WeAreMovieGeeks.com
The Jesus Music — a documentary tracing the “uplifting and untold story” of the roots of contemporary Christian music through where the genre is today — will arrive in theaters on October 1st via Lionsgate. The film features some of the biggest names in the genre, including Amy Grant, Kirk Franklin, Michael W. Smith, TobyMac and Lauren Daigle.
“A lot of hymns are ‘close your eyes singing to God,” Grant says in a new trailer for the documentary. “I wanted to sing with my eyes wide open, singing to each other.”
The...
“A lot of hymns are ‘close your eyes singing to God,” Grant says in a new trailer for the documentary. “I wanted to sing with my eyes wide open, singing to each other.”
The...
- 7/15/2021
- by Althea Legaspi
- Rollingstone.com
The latest from evangelical production company Pure Flix is a dull courtroom drama, but unlike the previous film, it isn’t quite silly enough to be entertaining
When conversation turns to the entertainment value of the recent “faith-based” films aimed at the Us evangelical market, inevitably someone will say: “Nothing tops that Kevin Sorbo one.” The picture in question is God’s Not Dead, an outrageously slapdash, inarticulate movie filled with ludicrous plotting, inelegant staging and one of cinema’s most absurd endings. (The big bad atheist gets hit by a car, just as the Christian rock band Newsboys tells everyone in the audience to text their friends that God isn’t dead.) Shot for only $2m, it grossed more than $60m, enabling its production company, Pure Flix, to release follow-ups such as Do You Believe? and Faith of Our Fathers. But franchises are the thing right now, so it...
When conversation turns to the entertainment value of the recent “faith-based” films aimed at the Us evangelical market, inevitably someone will say: “Nothing tops that Kevin Sorbo one.” The picture in question is God’s Not Dead, an outrageously slapdash, inarticulate movie filled with ludicrous plotting, inelegant staging and one of cinema’s most absurd endings. (The big bad atheist gets hit by a car, just as the Christian rock band Newsboys tells everyone in the audience to text their friends that God isn’t dead.) Shot for only $2m, it grossed more than $60m, enabling its production company, Pure Flix, to release follow-ups such as Do You Believe? and Faith of Our Fathers. But franchises are the thing right now, so it...
- 4/1/2016
- by Jordan Hoffman
- The Guardian - Film News
The latest from evangelical production company Pure Flix is a dull courtroom drama, but unlike the previous film, it isn’t quite silly enough to be entertaining
When conversation turns to the entertainment value of the recent “faith-based” films aimed at the Us evangelical market, inevitably someone will say: “Nothing tops that Kevin Sorbo one.” The picture in question is God’s Not Dead, an outrageously slapdash, inarticulate movie filled with ludicrous plotting, inelegant staging and one of cinema’s most absurd endings. (The big bad atheist gets hit by a car, just as the Christian rock band Newsboys tells everyone in the audience to text their friends that God isn’t dead.) Shot for only $2m, it grossed more than $60m, enabling its production company, Pure Flix, to release follow-ups such as Do You Believe? and Faith of Our Fathers. But franchises are the thing right now, so it...
When conversation turns to the entertainment value of the recent “faith-based” films aimed at the Us evangelical market, inevitably someone will say: “Nothing tops that Kevin Sorbo one.” The picture in question is God’s Not Dead, an outrageously slapdash, inarticulate movie filled with ludicrous plotting, inelegant staging and one of cinema’s most absurd endings. (The big bad atheist gets hit by a car, just as the Christian rock band Newsboys tells everyone in the audience to text their friends that God isn’t dead.) Shot for only $2m, it grossed more than $60m, enabling its production company, Pure Flix, to release follow-ups such as Do You Believe? and Faith of Our Fathers. But franchises are the thing right now, so it...
- 4/1/2016
- by Jordan Hoffman
- The Guardian - Film News
The second installment in the Divergent series hits theaters this weekend, and should easily take first place ahead of Cinderella.Meanwhile, The Gunman and Do You Believe? will likely battle for third place with less than $10 million.Opening at 3,875 theaters, The Divergent Series: Insurgent reaches theaters exactly a year after its predecessor. That movie opened to $54.6 million, held well, and closed with $150.9 million. That wasn't at the same level as the first Twilight movie*much less the first Hunger Games movie*but it was still a strong result for a young-adult adaptation.Marketing for Insurgent has positioned it as an intense, action-packed sci-fi thriller, which is noticeably different from the first movie's sci-fi romance sell. There's also been an emphasis on the movie's visual effects sequences, which seem to be more significant this time around. All of this gives off the impression that Lionsgate/Summit is trying to broaden the...
- 3/19/2015
- by Ray Subers <mail@boxofficemojo.com>
- Box Office Mojo
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