James Coburn

Overview

Born
August 31, 1928 · Laurel, Nebraska, USA
Died
November 18, 2002 · Beverly Hills, Los Angeles, California, USA (heart attack)
Birth name
James Harrison Coburn III
Height
6′ 1½″ (1.87 m)

Biography

Family

Spouses
Children
Parents

Trademark

Deeply calm yet authoritative voice
Narrow blue eyes and wide mouth
Often played mean, unscrupulous characters

Trivia

Despite being one of the stars, he had only eleven lines in The Magnificent Seven (1960).
At the time of his death, he was at home listening to music and playing his flute.
Because of his severe rheumatoid arthritis, Coburn appeared in very few films during the 1980s, yet continued working until his death in 2002. This disease had left Coburn's body deformed and in pain. "You start to turn to stone," he told ABCNEWS in an April 1999 interview. "See, my hand is twisted now because tendons have shortened." For 20 years he tried a host of conventional and unconventional treatments, but nothing worked. "There was so much pain that ... every time I stood up, I would break into a sweat," he recalled. Then, at age 68, Coburn tried something called MSM, methylsulfonylmethane, a sulfur compound available at most health food stores. The result, he said, was nothing short of miraculous. "You take this stuff and it starts right away," said Coburn. "Everyone I've given it to has had a positive response." MSM did not cure Coburn's arthritis, but it did relieve his pain, allowing him to move more freely and resume his career.
Along with his The Magnificent Seven (1960) co-star, Steve McQueen, Coburn was a pallbearer at the funeral of his friend (and his martial arts instructor), Bruce Lee, on July 31, 1973 in Seattle, Washington.
Was a huge fan of Seven Samurai (1954). He greatly admired Seiji Miyaguchi's performance as Kyuzo, and would eventually play Britt, Kyuzo's counterpart in The Magnificent Seven (1960).

Quotes

Actors are boring when they are not working. It's a natural condition, because they don't have anything to do. They just lay around, and that's why so many of them get drunk. They really get to be boring people. My wife will attest to that.
[on Sam Peckinpah] Sam is, I think, a great filmmaker. Of course, he's his own worst enemy. Sam is an unusual human being, and he needs to be treated like an unusual human being. He can create an atmosphere, whether he's drunk, sober, pissed off or in a rage, or whatever. I mean, for about three or four hours a day, he's a fucking genius. But the rest of the time he spends wallowing in a kind of emotional reaction to either good or bad memories.
[on Sam Peckinpah] He knew how to bring something out of an actor that even the actor didn't know was there. That's what an actor works for. What else is there? Saying lines, or being cute, or whatever. No. People think about that. People think that acting is an easy chore. "Why, I can do that". Like they have today. Tits and ass, and this studio who's always doing his trip. Shooting and killing and blowing things up. Nah. That's junk. It's terrible junk. Commercial shit is what it is. And everybody likes it because it's easy. Nobody has to think about anything. They just sit there and sensitize themselves or desensitize themselves to anything real. And it's, "Oh boy! Wasn't he great? See that gun he had?" They're made for thirteen-, fourteen-year-old boys.
[on Steve McQueen] Steve has to prove he had a worse childhood than anybody else. Only one other person I know can compete with him and that's Charles Bronson.
[on Hard Contract (1969)] I was really unhappy with that film, because the fellow that directed it was also the writer. Now, he's a brilliant writer, but he was a terrible director. And he did so many things that were wrong, just out of pure ego, that he drove us all up the wall.