This January, NBCUniversal is offering fans the chance to dive into some of Universal Pictures’ most gruesome classic films ever made on one of the world’s biggest horror YouTube channels, ‘Fear: The Home of Horror.’
Starting January 15th 2021 horror fans will have the opportunity to scare away the January blues and take a step back in time to watch an incredible array of classic re-mastered cult films for Free including Dracula (1931), Frankenstein (1931), The Mummy (1932), The Invisible Man (1933), The Wolf Man (1941), Bride of Frankenstein (1935) and Abbott and Costello Meet Frankenstein (1948).
Each film will premiere individually and be available to watch for seven days on the Fear: The Home of Horror YouTube channel. Additionally, during each film’s premiere week, fans will have the opportunity to add these films to their digital collection at a discounted price, allowing them to watch whenever they want, for as many times as they want!
Starting January 15th 2021 horror fans will have the opportunity to scare away the January blues and take a step back in time to watch an incredible array of classic re-mastered cult films for Free including Dracula (1931), Frankenstein (1931), The Mummy (1932), The Invisible Man (1933), The Wolf Man (1941), Bride of Frankenstein (1935) and Abbott and Costello Meet Frankenstein (1948).
Each film will premiere individually and be available to watch for seven days on the Fear: The Home of Horror YouTube channel. Additionally, during each film’s premiere week, fans will have the opportunity to add these films to their digital collection at a discounted price, allowing them to watch whenever they want, for as many times as they want!
- 1/6/2021
- by Phil Wheat
- Nerdly
Another impressive horror restoration! Majestic Pictures pulls together a great cast, including Fay Wray and Lionel Atwill, for a smart gothic horror outing complete with squeaky bats, a flipped-out village idiot (Dwight Frye!), a crazed mad scientist (the worst kind) and a lynch mob with torches that have been hand-tinted in color. Melvyn Douglas is the debonair flatfoot assigned to solve a series of vampire killings.
The Vampire Bat
Blu-ray
The Film Detective
1933 / B&W with part-tinted scene / 1:37 Academy / 83 min. / Street Date April 25, 2017 / 19.99
Starring: Lionel Atwill, Fay Wray, Melvyn Douglas, Maude Eburne, George E. Stone, Dwight Frye, Robert Frazer, Rita Carlyle, Lionel Belmore, William V. Mong, Stella Adams, Harrison Greene.
Cinematography: Ira H. Morgan
Film Editor: Otis Garrett
Written by Edward T. Lowe Jr.
Produced by Phil Goldstone
Directed by Frank Strayer
Hollywood horror was a hot trend in 1932: with the arrival of Frankenstein and Dracula the horror field boomed.
The Vampire Bat
Blu-ray
The Film Detective
1933 / B&W with part-tinted scene / 1:37 Academy / 83 min. / Street Date April 25, 2017 / 19.99
Starring: Lionel Atwill, Fay Wray, Melvyn Douglas, Maude Eburne, George E. Stone, Dwight Frye, Robert Frazer, Rita Carlyle, Lionel Belmore, William V. Mong, Stella Adams, Harrison Greene.
Cinematography: Ira H. Morgan
Film Editor: Otis Garrett
Written by Edward T. Lowe Jr.
Produced by Phil Goldstone
Directed by Frank Strayer
Hollywood horror was a hot trend in 1932: with the arrival of Frankenstein and Dracula the horror field boomed.
- 4/1/2017
- by Glenn Erickson
- Trailers from Hell
'The Merry Widow' with Maurice Chevalier, Jeanette MacDonald and Minna Gombell under the direction of Ernst Lubitsch. Ernst Lubitsch movies: 'The Merry Widow,' 'Ninotchka' (See previous post: “Ernst Lubitsch Best Films: Passé Subtle 'Touch' in Age of Sledgehammer Filmmaking.”) Initially a project for Ramon Novarro – who for quite some time aspired to become an opera singer and who had a pleasant singing voice – The Merry Widow ultimately starred Maurice Chevalier, the hammiest film performer this side of Bob Hope, Jim Carrey, Adam Sandler – the list goes on and on. Generally speaking, “hammy” isn't my idea of effective film acting. For that reason, I usually find Chevalier a major handicap to his movies, especially during the early talkie era; he upsets their dramatic (or comedic) balance much like Jack Nicholson in Martin Scorsese's The Departed or Jerry Lewis in anything (excepting Scorsese's The King of Comedy...
- 1/31/2016
- by Andre Soares
- Alt Film Guide
'Sorrell and Son' with H.B. Warner and Alice Joyce. 'Sorrell and Son' 1927 movie: Long thought lost, surprisingly effective father-love melodrama stars a superlative H.B. Warner Partially shot on location in England and produced independently by director Herbert Brenon at Joseph M. Schenck's United Artists, the 1927 Sorrell and Son is a skillful melodrama about paternal devotion in the face of both personal and social adversity. This long-thought-lost version of Warwick Deeping's 1925 bestseller benefits greatly from the veteran Brenon's assured direction, deservedly shortlisted in the first year of the Academy Awards.* Crucial to the film's effectiveness, however, is the portrayal of its central character, a war-scarred Englishman who sacrifices it all for the happiness of his son. Luckily, the London-born H.B. Warner, best remembered for playing Jesus Christ in another 1927 release, Cecil B. DeMille's The King of Kings, is the embodiment of honesty, selflessness, and devotion. Less is...
- 10/9/2015
- by Andre Soares
- Alt Film Guide
'Pirates of the Caribbean: The Curse of the Black Pearl': Johnny Depp as Capt. Jack Sparrow. 'Pirates of the Caribbean: The Curse of the Black Pearl' review: Mostly an enjoyable romp (Oscar Movie Series) Pirate movies were a Hollywood staple for about three decades, from the mid-'20s (The Sea Hawk, The Black Pirate) to the mid-to-late '50s (Moonfleet, The Buccaneer), when the genre, by then mostly relegated to B films, began to die down. Sporadic resurrections in the '80s and '90s turned out to be critical and commercial bombs (Pirates, Cutthroat Island), something that didn't bode well for the Walt Disney Company's $140 million-budgeted film "adaptation" of one of their theme-park rides. But Neptune's mood has apparently improved with the arrival of the new century. He smiled – grinned would be a more appropriate word – on the Gore Verbinski-directed Pirates of the Caribbean: The Curse of the Black Pearl,...
- 6/29/2015
- by Andre Soares
- Alt Film Guide
'Father of the Bride': Steve Martin and Kimberly Williams. Top Five Father's Day Movies? From giant Gregory Peck to tyrant John Gielgud What would be the Top Five Father's Day movies ever made? Well, there have been countless films about fathers and/or featuring fathers of various sizes, shapes, and inclinations. In terms of quality, these range from the amusing – e.g., the 1950 version of Cheaper by the Dozen; the Oscar-nominated The Grandfather – to the nauseating – e.g., the 1950 version of Father of the Bride; its atrocious sequel, Father's Little Dividend. Although I'm unable to come up with the absolute Top Five Father's Day Movies – or rather, just plain Father Movies – ever made, below are the first five (actually six, including a remake) "quality" patriarch-centered films that come to mind. Now, the fathers portrayed in these films aren't all heroic, loving, and/or saintly paternal figures. Several are...
- 6/22/2015
- by Andre Soares
- Alt Film Guide
Ramon Novarro and Greta Garbo in ‘Mata Hari’: The wrath of the censors (See previous post: "Ramon Novarro in One of the Best Silent Movies.") George Fitzmaurice’s romantic spy melodrama Mata Hari (1931) was well received by critics and enthusiastically embraced by moviegoers. The Greta Garbo / Ramon Novarro combo — the first time Novarro took second billing since becoming a star — turned Mata Hari into a major worldwide blockbuster, with $2.22 million in worldwide rentals. The film became Garbo’s biggest international success to date, and Novarro’s highest-grossing picture after Ben-Hur. (Photo: Ramon Novarro and Greta Garbo in Mata Hari.) Among MGM’s 1932 releases — Mata Hari opened on December 31, 1931 — only W.S. Van Dyke’s Tarzan, the Ape Man, featuring Johnny Weissmuller and Maureen O’Sullivan, and Edmund Goulding’s all-star Best Picture Academy Award winner Grand Hotel (also with Garbo, in addition to Joan Crawford, John Barrymore, Wallace Beery, and...
- 8/9/2013
- by Andre Soares
- Alt Film Guide
Movies from the “golden age” of black and white films (approximately the 1930’s through the 1950’s) almost invariably contain well-written dialogue and strikingly subtle humor, making them a favorite among many fans of cinema. The horror movies of this more subtle period in film history are therefore of a cerebral nature, primarily relying on the viewer’s imagination to generate the true sense of horror that modern movies generate through more visual means. It is these oft-ignored horror movies that will be the focus of a series of articles detailing the reasons why true fans of horror movies should rediscover these films. The Vampire Bat (Majestic Pictures, 1933) is the second movie in this series.
The Vampire Bat made its debut during the Great Depression when Universal Studios was the undisputed king of horror films. This “poverty row” film from Majestic Pictures, unlike many other Depression-era films from the smaller picture studios,...
The Vampire Bat made its debut during the Great Depression when Universal Studios was the undisputed king of horror films. This “poverty row” film from Majestic Pictures, unlike many other Depression-era films from the smaller picture studios,...
- 12/5/2011
- by Tim Rich
- Obsessed with Film
Sorrell And Son (1927) Direction: Herbert Brenon Cast: H. B. Warner, Nils Asther, Anna Q. Nilsson, Alice Joyce, Carmel Myers, Mary Nolan, Mickey McBan, Louis Wolheim, Norman Trevor, Lionel Belmore Screenplay: Elizabeth Meehan; from Warwick Deeping's novel Oscar Movies Recommended H. B. Warner, Alice Joyce, Sorrell and Son A skilled melodrama about paternal devotion in the face of both personal and social adversity, Sorrell and Son benefits greatly from Herbert Brenon's assured direction, which deservedly received a nomination in the first year of the Academy Awards. Crucial to the film's effectiveness, however, is the central performance of the war-scarred father who sacrifices it all for the happiness of his son. Luckily, stage and screen veteran H. B. Warner, perhaps best remembered for his portrayal of Jesus Christ in Cecil B. DeMille's The King of Kings, is the embodiment of honesty, selflessness, and devotion. Unlike many silent-era performers — even...
- 2/21/2011
- by Andre Soares
- Alt Film Guide
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.