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We loved James Bond but diehard ’60s spy fans hold a special admiration for Len Deighton’s ‘thinking man’s secret agent’ Harry Palmer. Viavision pulls off a slick trick by assembling the three top Michael Caine Harry Palmer pictures, each from a different studio, in a single deluxe gift box. Harry fights the Brain Drain, encounters criss-crossing conspiracies at the Berlin Wall, and witnesses a privatized invasion of the U.S.S.R., in The Ipcress File, Funeral in Berlin and Billion Dollar Brain, three great pictures by three very different directors. The presentations come with a glut of special edition extras.

The Harry Palmer Collection

All-Region Blu-ray

Viavision [Imprint] 75, 76, 77

1965-67 / Color / 2:35 widescreen / Street Date October 20, 2021 / Available from Amazon / 109.99

Starring: Michael Caine

From the novels by Len Deighton

Produced by Harry Saltzman

Directed by Sidney J. Furie, Guy Hamilton, Ken Russell

It didn’t seem possible that there...

It’s finally back on Blu in Region 1, the ‘sixties spy movie beloved by enthusiasts that yearned for something a bit more substantial & nutritious than James Bond. This first Harry Palmer adventure seems even more perfect than when it was thanks to a great espionage recipe and quality ingredients. Michael Caine is sensational as the anti-007, the feel of London streets is intoxicating, and John Barry’s music score is beyond praise. Are Sidney Furie’s directorial mannerisms too show-offy, too fussy? I only raise the question to defend him.

The Ipcress File

Blu-ray

Kl Studio Classics

1965 / Color / 2:35 widescreen / 109 min. / Street Date October 27, 2020 / available through Kino Lorber / 24.95

Starring: Michael Caine, Nigel Green, Guy Doleman, Sue Lloyd, Gordon Jackson, Aubrey Richards, Frank Gatliff, Thomas Baptiste, Oliver MacGreevy, Freda Bamford, David Glover, Mike Murray, Anthony Baird.

Cinematography: Otto Heller

Film Editor: Peter Hunt

Production Designer: Ken Adam

Original Music: John Barry

Written by W.H. Canaway,...

The Bond franchise which has been with us so long, has become so deeply entrenched in popular culture, that we often forget what it was that first distinguished the Bonds a half-century ago. Skyfall might be one of the best of the Bonds, and even, arguably, one of the best big-budget big-action flicks to come along in quite a while, but it’s not alone. The annual box office is – and has been, for quite some time – dominated by big, action-packed blockbusters of one sort of another. The Bonds aren’t even the only action-driven spy flicks (Mr. James Bond, I’d like you to meet Mr. Jason Bourne and Mr. Ethan Hunt).

That’s not to take anything away from the superb entertainment Skyfall is, or the sentimentally treasured place the Bonds hold. It’s only to say that where there was once just the one, there are now many.

(*My apologies for this coming so long after Sound on Sight’s celebration of 50 years of James Bond, but I’ve been swamped with end-of-semester work and only just now managed to finish this. Hope you all still find this of interest.)

As a coda to the Sos’s James Bond salute, there’s still a point I think deserves to be made.

The Bond franchise which has been with us so long, has become so deeply entrenched in popular culture, that we often forget what it was that first distinguished the Bonds a half-century ago. Skyfall might be one of the best of the Bonds, and even, arguably, one of the best big-budget big-action flicks to come along in quite a while, but it’s not alone. The annual box office is – and has been, for quite some time – dominated by big, action-packed blockbusters of one sort of another.