News

The strangest Italian portmanteau picture of the sixties features glorious Silvana Mangano in dozens of costume changes, directed by big names (Visconti, De Sica, Pasolini) and paired with a woefully miscast Clint Eastwood. The other major attraction is a delightful music score by Piero Piccioni, with an assist from Ennio Morricone.

The Witches

Special Edition Blu-ray

Arrow Academy

1967 / Color / 1:85 widescreen / 120 (?) 111 105 min. / Le streghe / Street Date January 30, 2018 / 34.95

Starring: Silvana Mangano, Clint Eastwood, Annie Girardot, Francisco Rabal, Massimo Girotti, Véronique Vendell, Elsa Albani, Clara Calamai, Marilù Tolo, Nora Ricci, Dino Mele Dino Mele, Helmut Berger, Bruno Filippini, Leslie French, Alberto Sordi, Totò, Ciancicato Miao, Ninetto Davoli, Laura Betti, Luigi Leoni, Valentino Macchi, Corinne Fontaine, Armando Bottin, Gianni Gori, Paolo Gozlino, Franco Moruzzi, Angelo Santi, Pietro Torrisi.

Cinematography: Giuseppe Rotunno

Film Editors: Nino Baragli, Adriana Novelli, Mario Serandrei, Giorgio Serrallonga

Original Music: Ennio Morricone, Piero Piccioni

Written by Mauro Bolognini, Fabio Carpi,...

'Father of the Bride': Steve Martin and Kimberly Williams. Top Five Father's Day Movies? From giant Gregory Peck to tyrant John Gielgud What would be the Top Five Father's Day movies ever made? Well, there have been countless films about fathers and/or featuring fathers of various sizes, shapes, and inclinations. In terms of quality, these range from the amusing – e.g., the 1950 version of Cheaper by the Dozen; the Oscar-nominated The Grandfather – to the nauseating – e.g., the 1950 version of Father of the Bride; its atrocious sequel, Father's Little Dividend. Although I'm unable to come up with the absolute Top Five Father's Day Movies – or rather, just plain Father Movies – ever made, below are the first five (actually six, including a remake) "quality" patriarch-centered films that come to mind. Now, the fathers portrayed in these films aren't all heroic, loving, and/or saintly paternal figures. Several are...

In conjunction with La Furia Umana, Notebook is very happy to present Ted Fendt's original English translation of Luc Moullet's "Rockefeller's Melancholy," on Michelangelo Antonioni. Moullet's original French version can be found at La Furia Umana. Our special thanks to Mr. Moullet, La Furia Umana and Ted Fendt for making this possible.

Above: "John D. Rockefeller" (1917) by John Singer Sargent.

Drifting is the fundamental subject of Antonioni’s films. They are about beings who don’t know where they are going, who constantly contradict themselves, and are guided by their momentary impulses. We don’t understand what they feel or why they act as they do.

Psychological cinema could be defined in this way: it is psychological when you don’t understand the motivation of emotions and behaviors. If you understand, it means it’s easy, immediately, at a very superficial level... The filmmaker must therefore let it be...

Brad Pitt, Jessica Chastain in Terrence Malick's The Tree of Life Following numerous Us-based critics' citations, Emmanuel Lubezki's work on Terrence Malick's The Tree of Life has earned him the American Society of Cinematographers' Award at the Asc's 26th annual awards. The ceremony was held Sunday night at the Hollywood and Highland Grand Ballroom in Los Angeles. An Oscar nominee for Best Picture, Best Director, and Best Cinematography, The Tree of Life is a complex family drama starring Brad Pitt, Sean Penn, and Jessica Chastain. The film marked the second time the Mexican-born Lubezki took home the Asc Award; he had previously won for Alfonso Cuarón's Children of Men (2006). An earlier Asc nomination for Tim Burton's Sleepy Hollow (1999) preceded Lubezki two victories. Additionally, Lubezki has been nominated for five Academy Awards. Besides his three Asc movies, he was also shortlisted for Cuarón's A Little Princess (1995) and Malick's The New World.

CANNES -- Alfred Molina is set to star in The Moon and the Stars for director John Irvin. The €10 million ($12.6 million) film, which is set to start shooting early next month in Hungary and Rome, is a co-production among Italy's Buskin Film, U.K.'s Box Film and Hungary's Focus Films. Announced in Cannes by Buskin Films' Antonio Guadalupi, Moon is set in 1939 on the eve of World War II in Italy. The story revolves around a German actress (Catherine McCormack) and an English actor (Jonathan Pryce) who descend on Rome to shoot a film, for which Molina's character serves as producer. As the fascist government tries to shut down production, a triangle of love and jealousy emerges as wartime nationalist tendencies bubble to the surface. Media Pictures is handling international sales for the film. Fabio Carpi is the screenwriter on the project. Molina, McCormack and Pryce are represented by Endeavor. Pryce and McCormack are represented internationally by Julian Belfrage & Associates and Peter Frazier & Dunlop.