News

From the day that Christopher Columbus set sail from Huelva to beach up in the Caribbean, the Spanish city has always had strong ties to Latin America.

With Spain still laboring under the dictatorship of Francisco Franco, when a group of young film buffs at Huelva’s Film Club aimed to galvanize the city’s culture, “It was logical that we looked to the richness and plenitude of culture that came from abroad,” recalls José Luis Ruíz Díaz, Huelva’s first director. “It was also logical that we had a large interest in Latin America, adds Vicente Quiroga, its longtime head of press. Relaxing, censorship in Spain also allowed access to a suddenly broader sweep of foreign titles.

Huelva’s first 50 editions have proved a faithful reflection of the evolution of cinema in Latin America, Portugal and Spain. Some milestones:

1975: Ruíz Díaz launches Huelva’s first Ibero-American Film Week with Argentina’s “La Raulito.

Nearly 35 years after its original debut at the Venice Film Festival, Peter Brook’s epic film adaptation of “The Mahabharata” is returning to the Lido in a meticulously restored 8K version. The restoration, spearheaded by the late director’s son Simon, marks a new chapter for the groundbreaking 1989 production that brought the ancient Indian epic to global audiences.

“The Mahabharata” holds a unique place in Peter Brook’s storied career. Based on his nine-hour stage production, the film version clocked in at a still-substantial three hours. It featured an international cast performing in English and was shot in a Paris studio. The ambitious project aimed to distill the essence of the vast Hindu epic, exploring themes of war, ethics and power across generations.

Brook wanted to make a six-hour film initially, but this was deemed unfinanceable, so the decision was taken to shoot concurrently a three-hour film version and a six-hour TV version.

In the 1980s, Peter Brook’s adaptation of The Mahabharata enchanted audiences on stage and screen. As Brook’s son presents a restored print at the Venice film festival, he and his team discuss the work’s extraordinary journey

When Antonin Stahly was nine years old, his mother took him to the Théâtre des Bouffes du Nord in Paris to see a production of the ancient Indian epic The Mahabharata, which translates loosely as “the great story of mankind”. More than 20 actors from 16 countries performed on a stage steeped in red earth and scarred by a water-filled trench; fire also played a leading role. Directed by Peter Brook, whom the RSC founder Peter Hall called “the greatest innovator of his generation”, and adapted by Luis Buñuel’s former co-writer Jean-Claude Carrière, this spectacular Mahabharata weighed in at nine hours, plus intervals. Even at that length, it represented a massive compression of its source text,...

Five Inspirations is a series in which we ask directors to share five things that shaped and informed their film. Rodrigo Moreno's The Delinquents (2023) is showing exclusively on Mubi in many countries.Inspiration #1Il PostoIl Posto.Many years after Vittorio De Sica and Roberto Rossellini's revolution of Neorealism in Italy, others took the relevant elements of that manifesto—using natural actors, filming real spaces, and incorporating social and political concerns—to find a cinematic poetry based on an accurate mise-en-scène. Here is Ermanno Olmi, one of the greatest Italian directors: sensitive, original, personal, and above all, subtle. I copied this frame and pasted it into The Delinquents. Inspiration #2The constant detourMaine-Océan.In every one of Jacques Rozier’s films (here are two frames from the great Maine-Océan [1986]) it is impossible to guess what’s next. Apart from an always improvised and lively mise-en-scène that takes everything close to the abyss,...

A little bit of sex is always appreciated in movies and TV shows and a lot of it also doesn’t go unnoticed I am looking at you Fifty Shades of Grey and its half-a-billion-dollar box office earnings. If you also love steamy movies and shows then this article is for you as we are here to list the most erotic films and TV shows you can find on Max (formerly known as HBO Max), where you will find most of the HBO shows and Warner Bros. movies. So, here are the most steamiest movies and TV shows you should watch on Max.

Euphoria (TV Series) Credit – HBO

Euphoria is a teen drama series created by Sam Levinson. Based on an Israeli miniseries of the same name by Ron Leshem and Daphna Levin, the HBO series follows the story of a troubled 17-year-old drug-addicted girl Rue, and her group of...

Isabella Rossellini's Green Porno and Other Shorts is now showing on Mubi in many countries.Green Porno: Mantis. Ask any film lover about Isabella Rossellini, and the first image that springs to their mind is most likely to be the star’s iconic performance as songstress Dorothy Vallens, the femme fatale of David Lynch’s Blue Velvet (1986), a glamorous yet tortured vision draped in sensual, shimmering black. Revealing a delightfully eccentric side to her screen image, Rossellini’s directorial career ventures into a very different realm of sexuality: that of the mating and maternal habits seen in the animal kingdom. Rossellini’s playful and educational micro-shorts—divided into three series cheekily titled Green Porno (2006–2008), Seduce Me (2010), and Mammas (2013)—are vaudevillian studies in animal behavior, awash in puppetry, construction-paper sets, and slapstick. In addition to her writing and directing duties, Rossellini also gamely performs these frisky rituals in inventive,...

Leading French production-distribution outfit Le Pacte has boarded the upcoming 2D animated feature project “Conference of the Birds,” which will be spotlighted at the Marché du Film’s Animation Day during this year’s Cannes Festival.

In addition to co-producing, Le Pacte will handle French distribution and serve as international sales agent on the film, part of the five-title Annecy Showcase at the Animation Day. Confirmed voice cast members include Golshifteh Farahani and Louis Garrel.

“Conference of the Birds” is an updated adaptation of Farid al-Din Attar’s 900-year-old Persian poem of the same name. The film centers on a flock of birds who are the sole survivors of a man-made natural disaster. Leading the avian gang is Hod-Hod, a young adventurous hoopoe who sets off on a quest to meet the legendary bird Simorgh, rumored to hold the key to solving all the birds’ problems.

According to the filmmakers,...

Released in 2004, Jonathan Glazer’s second feature Birth refused to spoon-feed answers to the audience, which might’ve unfortunately added to its box-office failure at the time. However, decades later, the highly polarizing film, which saw Nicole Kidman delivering her best performance since Stanley Kubrick’s Eyes Wide Shut, continues to resonate with fans.

While the visionary director was initially conflicted about starring Kidman, following her celebrity stature, it didn’t take long for the filmmaker to be convinced she was ready for the role. Reflecting on her character, Glazer revealed that they initially talked about de-s-xualizing Kidman’s image, but at the end of the day, he couldn’t differentiate her from herself.

Jonathan Glazer Wanted to Push Nicole Kidman Far Away From Her Usual Self in Birth

Jonathan Glazer’s Birth | New Line Cinema

Co-written by Jean-Claude Carriere, Birth follows the story of Anna, who is approached by...

Jonathan Glazer's "Birth" is one of the most beautifully baffling movies of the 21st century. It begins with a seemingly supernatural premise — a 10-year-old boy shows up out of the blue claiming to be the reincarnation of a soon-to-be-remarried woman's deceased husband — and builds to a climax that, depending on who you ask, is either thrillingly wide open to interpretation or catastrophically nonsensical.

Glazer spends the bulk of the film inviting us to believe that young Sean (Cameron Bright) really is the cosmically reincorporated version of an erstwhile Sean who was the love of Nicole Kidman's Anna's life. Most available evidence supports Sean's claim until Anna's best friend, Clara (Anne Heche), privately calls his bluff. She knows the kid is a fraud because Sean was in love with her, and, prior to his death, gifted her a trove of Anna's unopened love letters as proof. If the new Sean was truly dead Sean,...

Hayao Miyazaki is one of the most influential filmmakers in the history of animation. Studio Ghibli, the Japanese animation studio that he founded with Toshio Suzuki and Isao Takahata, has produced such classics as “My Neighbor Totoro,” “Kiki’s Delivery Service,” and “Princess Mononoke.”

Miyazaki has contended for Best Animated Feature at the Oscars three times: in 2003 for “Spirited Away,” in 2006 for “Howl’s Moving Castle,” and in 2014 for “The Wind Rises.” He won for “Spirited Away,” beating out “Ice Age,” “Spirit: Stallion of the Cimarron,” and “Treasure Planet.” Meanwhile, “Howl’s Moving Castle” lost to “Wallace & Gromit: The Curse of the Were-Rabbit” and “The Wind Rises” lost to “Frozen.” Miyazaki was awarded an honorary Oscar in 2015, too, alongside Jean-Claude Carrière and Maureen O’Hara.

And Miyazaki may well be back on the Oscars stage more this year for “The Boy and the Heron.” The story follows a teenage boy who enters a...

Milan Kundera, whose 1984 novel “The Unbearable Lightness of Being” was turned into an Oscar-nominated film, has died at the age of 94.

Kundera died Tuesday in Paris after a long illness, Jindra Pavelková, a representative of the Moravian Library, the Czech library housing his personal collection, told Variety Wednesday.

“Milan Kundera was a writer who reached whole generations of readers across all continents and achieved global fame,” Czech Prime Minister Petr Fiala said. “He leaves behind not only notable fiction, but also significant essay work.”

The 1988 film adaptation of “The Unbearable Lightness of Being” was directed by Philip Kaufman and starred Daniel Day-Lewis and Juliette Binoche. Jean-Claude Carrière and Kaufman were Oscar nominated for adapted screenplay, and Sven Nykvist was Oscar nominated for cinematography.

Other films based on his writing include 1965’s “Nobody Will Laugh,” directed by Hynek Bocan, which won the Grand Prize at Mannheim-Heidelberg Film Festival, 1969’s “The Joke,...

Hayao Miyazaki’s 1988 animated feature “My Neighbor Totoro” features an iconic moment in which two small children and a rotund, furry sprite creature (the titular Totoro) wait for a bus to arrive. Should you find yourself waiting for a bus in Japan this July, when Miyazaki’s next film comes out, there’s one thing you should not expect to see at the stop: outdoor promo for his next and final movie.

In a recent interview, the 82-year-old legend and co-founder of Studio Ghibli said there would be none of the typical promotion for his next picture, “How Do You Live?”

“No trailers or TV commercials at all … no newspaper ads either.” He added: “Deep down, I think this is what moviegoers latently desire.”

Miyazaki has been working on “How Do You Live?” since 2016. All that is known about the project is that it is a loose adaptation of the...

The film industry can be a daunting, mysterious place, even to those who’ve worked within it for years. Nonetheless, for aspiring filmmakers, producers and screenwriters, knowing what works and doesn’t can often be half the battle. This makes access to good, reliable data absolutely essential. But in an industry where art means commerce and the success of certain films can often baffle the experts, can we rely on data 100%? The man to ask all of these questions and many more is Producer/Film Data Researcher Stephen Follows, whose Film Education and Data website is an essential source for both creatives and industry insiders – breaking down the numbers behind questions such as the nitty-gritty costs of making a film, the gender breakdown of different genres and how film festivals actually work. We talked to him about the tools for success in the industry, how data exposes systemic inequalities and...

That English-language cinema has no parallel for the Garrel family is equal testament to their legacy and our shallow, piddling culture. While Philippe Garrel’s decades-long filmmaking career––which began with political documentation and silent features, but now represents modern cinema’s best studies of romance and longing––just added to its corpus his excellent The Plough, starring progeny Louis Garrel, Esther Garrel, and Lena Garrel, Louis is about to see the U.S. debut of The Innocent, his fourth feature in writing-directing-starring capacities.

If it barely resembles his father’s films––still attuned to human behavior, but packaging observations inside madcap scenarios Garrel proudly calls “completely unbelievable”––that’s all the better: watching The Innocent suggests less an heir to Philippe Garrel than Dino Risi or Pierre Etaix.

Ahead of a release this Friday beginning at NYC’s IFC Center, I talked to Garrel about the difficulty of constructing an intricate comedy-thriller,...

Given the reportedly frequent use of puppets as aids to the therapeutic process, one might expect a family of third-generation puppeteers to be among the most well-adjusted people in the world. Or among the least, given the other connotation of puppetry, as a conduit for demonic, psychotic or otherwise malign energies. Sadly, neither is the case with the clan in Philippe Garrel’s “The Plough,” a featherweight folderol even by the director’s uneven recent standards, which seems mainly conceived as a cozy way for the veteran director to spend a little time reminding his real-life family how much they will miss him when he’s gone. It’s all about relationships but for anyone not surnamed Garrel, trying to find anything much to relate to in “The Plough” is a lonely furrow indeed.

Le Grand Chariot is the puppet theater run by Simon (Aurélien Recoing) alongside his aspiring actor...

Father Knows Best: Garrel’s Family Affair Flounders in Banality

Although co-credited to the late, great Jean-Claude Carrière and starring a whole gaggle of the Garrel clan, Le grand chariot (The Plough) might be Philippe Garrel’s greatest misfire, an imploding star in his own constellation of cinematic offerings (seeing as it’s title references the star pattern known in the US as The Big Dipper). Also scripted by his spouse, Caroline Deruas-Garrel, this three-generational saga about a group of old school puppeteers is a shoddily assembled affair detached from any real semblance of reality.

Painstakingly sluggish and littered with hollow characterizations strung together as chintzily as a popcorn garland on a trash heaped Christmas tree, Garrel ploughs through his own standard motifs regarding starving artists chasing their dreams while incestuously exchanging bedfellows.…...

Le Grande Chariot

Cinema for the Garrels has always been a family affair but Philippe Garrel‘s 28th features feel a tad more special. Starring Louis Garrel, Esther Garrel, Léna Garrel, Aurélien Recoing, Damien Mongin, Francine Bergé, Mathilde Weil, Asma Messaoudene and marionette artists, Le Grande Chariot (formerly known as “La lune crevée”) moved into production early in 2022. Written by the director alongside Jean-Claude Carrière, Arlette Langmann and Caroline Deruas, the story charts the fantastic yet tragic destiny of three puppet artist siblings.

Gist: Three siblings, a father and a grandmother who run a travelling puppet show. When the father dies during a performance, the remaining family members try to keep his legacy alive.…...

“Goya, Carrière and the Ghost of Buñuel” by Spain’s José Luis López Linares clinched the best film prize out of 15 entries in competition at the Arca Festival of Films on Art.

Lopez was bestowed the valuable Arca prize, a bronze sculpture designed and crafted by Uruguay’s preeminent artist Pablo Atchugarry whose foundation is the principal sponsor of the festival. The festival’s second edition ran Jan. 2–7.

Expressing his delight and appreciation for winning the prize, Lopez said in a video message: “The film begins with Goya and ends with Goya through the memories of Carrière who deeply loved Spain and everything Spanish. He had a fantastic collaboration and most of all, a deep friendship with Buñuel.”

In the docu, the late French screenwriter, author and playwright Jean-Claude Carrière, best known as the co-writer of Spain’s foremost surrealist filmmaker Luis Buñuel, reacts in a few deft but penetrating...

“Caravaggio’s Shadow,” “Charlotte” and “Goya, Carrière and the Ghost of Buñuel” feature in the 15-film lineup of 2023’s second edition of Arca Intl. Festival of Films on Arts, 2023, which opens Jan. 2 with the world premiere of “The Children of the Mountain,” a doc-feature portrait of Uruguayan sculptor Pablo Atchugarry from Mercedes Sader, director of Arca.

“Arts” is understood in the broadest sense. Framing two fiction movies and 14 doc features, the titles range, as programmer Sergio Fant points out, from takes on three of the greatest painters who ever lived – Caravaggio, Goya and Cezanne – to celebrated, unknown or forgotten figures of contemporary art, such as “Folon.” The movie is the first documentary on Belgian’s Jean-Michel Folon, despite his status as one of Europe’s most important painter-illustrator of the second half of the 20th century, producing and popularising a series of iconic images, such as the bird-man.

Titles, however,...

Ground-breaking France-based British theater director Peter Brook, who revolutionized 20th-century theater, has died at the age of 97-years-old in Paris.

The director, who pioneered taking theater outside of traditional theatre houses, mounting productions in unexpected venues such as gymnasiums, abandoned factories and old gas works, was renowned for his experimental and out-of-the box approach to staging classic and new works alike.

He was born in West London to parents of Lithuanian Jewish heritage on March 21, 1925. After attending Westminster School and Oxford, he put on his first production, Dr Faustus at the Torch Theatre in London in 1943.

By his early 20s, he had been appointed director of production at the Royal Opera House, where he distinguished himself with an experimental production of Richard Strauss’s Salome featuring sets by Spanish surrealist artist Salvador Dali.

In the 1950s, he started working with the Royal Shakespeare Company, directing Sir Lawrence Olivier in Titus...

Shirin Neshat with Matt Dillon and cinematographer Ghasem Ebrahimian on the set of Land Of Dreams, co-directed with Shoja Azari, screenplay by Jean-Claude Carrière and Azari Photo: Giulia Theodoli

In the second instalment with Shirin Neshat we discuss the Sam Shepard look for Matt Dillon as Alan, Sheila Vand’s compulsive obsessive traits for Simin, Isabella Rossellini’s love of animals and her peacock screeches as Jane. Anna Gunn’s Betty and Nancy, William Moseley’s Mark, Luis Buñuel films, and the Jean-Claude Carrière narrative of how and why they are collecting dreams also came up. When music producer and 99 Records founder Ed Bahlman joined us, he inquired about Land of Dreams composer Michael Brook, the story about Little Pedro, the paintings in the film, and remarked on a Site Santa Fe Patti Smith concert.

Shirin Neshat with Ed Bahlman and Anne-Katrin Titze: “When we were doing the costume for Matt Dillon,...

Land of Dreams Review — Land of Dreams (2021) Film Review from the 21st Annual Tribeca Film Festival, a movie directed by Shoja Azari and Shirin Neshat, written by Shoja Azari and Jean-Claude Carriere and starring Sheila Vand, Matt Dillon, William Moseley, Isabella Rossellini, Anna Gunn, Christopher McDonald, Robin Bartlett, Joaquim de Almeida, Gaius [...]

Continue reading: Film Review: Land Of Dreams: A Bold Film That Works Best as an Artistic Experiment [Tribeca 2022]...

Exclusive: Vertical Entertainment has acquired North American rights to the political satire Land of Dreams, directed by Shirin Neshat and Shoja Azari, which is making its North American premiere in the Spotlight Narrative section of the Tribeca Film Festival in June. The global indie distributor has slated the film for a day-and-date theatrical release in 10 of the top 20 markets—including in Los Angeles and New York—this fall. (Watch a new trailer unveiled today by the company above.)

Set in a near-future America which has closed its borders and become more insular than ever, the story follows Simin (Sheila Vand), an Iranian American woman on a journey to discover the core of what it means to be a free American. Simin works for the Census Bureau—the most important government agency of her time. In efforts to understand and control its populous, the government has begun a program to record the citizens’ dreams.

“I don’t know the lines,” utters a nervous and sweat-drenched diner in the new trailer for the 4K restoration of surrealist master Luis Buñuel’s 1972 “The Discreet Charm of the Bourgeoisie.” With a screenplay co-written by French novelist, screenwriter, and actor Jean-Claude Carrière, Buñuel’s film plays out like a blistering bad dream, featuring continuously interrupted dinners, interconnected dream sequences, and left-wing terrorists, and that’s not even the half of it.

Continue reading ‘The Discreet Charm of the Bourgeoisie’ Trailer: Luis Buñuel’s Absurdist Masterpiece Receives A 50th Anniversary 4K Restoration at The Playlist.

The documentary revolving around French screenwriter Jean-Claude Carrière world premiered at Cannes Classics

Paris-based documentary specialist Reservoir Docs has unveiled first deals on José Luis López Linares’s Cannes Classics title Goya, Carrière And The Ghost Of Buñuel.

The title has sold to France (Epicentre Films), Switzerland (Xenix) and Germany (Weltkino). Latin America and European arthouse focused distributor Epicentre Films is planning an October 5 release.

The documentary follows celebrated French screenwriter Jean-Claude Carrière, who was a long-time collaborator of Spanish director Luis Buñuel, taking co-writing credits on 1960s classics such as Diary Of A Chambermaid and Belle de Jour and...

“Goya, Carrière and the Ghost of Buñuel,” which plays Cannes Classics this Saturday, begins with French film great Jean-Claude Carrière in a train, singing an ancient song in Occitan, the language of Provence, where he came from.

Visiting Goya’s birthplace, he’ spies a cauldron and comments that there was one like that in his own family home.

Towards the end of the film, surveying “The Colossus,” Goya’s painting of a giant dominating tiny people in a valley below who flee in all directions, Carrière observes that the painting capture a sense of immigration. Unlike so many of his friends, and indeed his wife, Nahal Tajadod, Carrière notes, he will have the privilege of being buried in the same place where he was born.

Directed by José Luis López Linares, (“Bosch: The Garden of Dreams”), ”Goya, Carriére and the Ghost of Buñuel” pictures Carrière coming to Spain to revisit...

“El agua,” (Elena López Riera)

A Directors’ Fortnight title, the feature debut of Locarno winning López Riera (“Los Que Desean”), a fantasy-laced village-set critique of gender violence. S.A. Elle Driver

“Alcarràs,” (Carla Simón)

The 2022 Berlin Golden Bear winner, Simón’s follow-up to “Summer 1993” and the flagship title for Catalonia and Spain’s newest filmmaking generation. S.A. MK2 Films

“Amazing Elisa,” (Sádrac González-Perellón)

The next from 2017 BiFan Grand Jury Prize winner González-Perellón (“Black Hollow Cage”), once more mixing fantasy and family dynamics as Elisa, 12, plans revenge after her mother’s tragic death. S.A. Filmax

“The Beasts,” (Rodrigo Sorogoyen)

One of 2022’s most awaited Spanish titles, playing Cannes Premiere, a Galicia-set thriller from Oscar-nominee Sorogoyen (“Mother”), produced by Arcadia, Caballo Films and Le Pacte. S.A. Latido Films

“The Communion Girl,” (Víctor García)

A revenge thriller involving an urban legend about a girl in a communion dress. S.

The prolific French screenwriter died last year.

Screen can exclusively reveal the first trailer for Jean-Claude Carrière’s final film Goya, Carriere And The Ghost Of Buñuel that will premiere in the Cannes Classics selection.

Directed by José Luis López Linares, the documentary follows the late Carrière, who also wrote the script, as he returns to Spain to explore the life and works of painter Francisco de Goya.

The French screenwriter, who collaborated with Jacques Tati, Luis Buñuel, Milos Forman and Louis Malle during his 60-year career, died last year at the age of 89.

France-based company Reservoir Docs has acquired...

The Cannes Film Festival has set its lineup for this year’s Cannes Classics program, which shines a spotlight on restorations of classic movies and features contemporary documentaries about film. Kicking off the sidebar is Jean Eustache’s controversial film The Mother and the Whore, the 1973 Cannes Grand Prize winner which incited riots at the time. Also included in the program are films by Vittorio de Sica (Sciuscià), Satyajit Ray (The Adversary), Orson Welles (The Trial) and Martin Scorsese (The Last Waltz), as well as a new 4K master of Singin’ in the Rain to mark the movie’s 70th anniversary.

Among the documentaries is Ethan Hawke’s study of Paul Newman and Joanne Woodward, The Last Movie Stars. Executive produced by Scorsese, it features Karen Allen, George Clooney, Oscar Isaac, Latanya Richardson Jackson, Zoe Kazan, Laura Linney and Sam Rockwell among others in an exploration of the iconic couple and American cinema.

José Luis López Linares’ “Goya, Carrière and the Ghost of Buñuel,” a portrait of French film great Jean-Claude Carrière, captured breaking down the paintings and personality of painter Francisco de Goya, has been acquired for international sales by Reservoir Docs.

In its earliest sales, the doc feature has closed the two biggest markets in Europe with reputed distributors, licensing France to Epicentre and Germany and Austria to Weltkino. Syldavia Cinema will distribute in Spain, Version Digital in Italy and Outsider Films in Portugal.

Launched in 2020 by Anais Clanet, Reservoir Docs will bring the documentary feature onto the market at next month’s Cannes Festival.

“Reservoir Docs has always been a key sales agent for theatrical art & culture docs and Jose Luis’ work fits perfectly,” said Clanet. “To me, Goya painted European conflicts in the late 18th and early 19th centuries but he didn’t only chronicle his times: Somehow, he was a visionary,...

As of late the work of prolific French director Philippe Garrel has gone a bit unappreciated here in the States, the perceived notion being that he keeps recycling the same themes with little invention. For those who don’t prescribe to that theory (e.g. this writer) the announcement of a new project still carries much anticipation.

Such is the case for his next film La lune crevée (roughly translated to The Burst Moon), which was first reported on late last year but we’re getting wind of thanks to new funding from Cnc (via Cineuropa). Set to once again be a family affair, the director’s 28th film stars his three children as well as Aurélien Recoing, Damien Mongin, Francine Bergé, Mathilde Weil, and Asma Messaoudene.

Co-written by Garrel, Jean-Claude Carrière (Rip), Arlette Langmann, and Caroline Deruas, the plot will tell “the romantic and tragic destiny of a family of puppeteer artists,...

Having isolated a film enthusiast on a North Sea lighthouse island in 2021, this year’s Göteborg Film Festival, Scandinavia’s biggest movie-tv event, looks set to stage another bold metaphor for film consumption, subjecting audiences at three different movie screenings to mass hypnosis.

Dubbed The Hypnotic Cinema, the strand’s titles chosen for the singular experiment are Apichatpong Weerasethakul’s 2021 Cannes Jury Prize winner “Memoria,” starring Tilda Swinton; “Land of Dreams,” from Iran’s Venice Silver Lion winners Shirin Neshat and Shoja Azari (“Women Without Men”) starring Sheila Vand, Matt Dillon and Isabella Rossellini; and Danish director Christian Tafdrup’s “Speak No Evil,” slated to world premiere at this month’s Sundance Festival.

Before each film, a hypnotist will perform a mass hypnosis from the main stage at the Stora Teatern in Göteborg, the festival announced Tuesday. Transforming the audience’s state of mind in accordance with the mood and theme of the film,...

New films from Oscar laureate Vanessa Ragone (“The Secret in Their Eyes”) and Camera d’Or winners Edher Campos (“Leap Year”) and Juan Pablo Miller (“Las Acacias”) are among attractions at this year’s Ventana Sur’s Primer Corte and Copia Final, the pix-in-post industry centerpieces at Latin America’s biggest film-tv market.

Ragone co-produces “The Face of the Jellyfish,” from Argentina’s Rotterdam-prized Melisa Liebenthal. Campos unveils “Journey to the Land of the Tarahumara,” Mexican Federico Cecchetti’s follow-up to the multi-prized “Mara’akame’s Dream.”

Miller introduces “Sublime,” one of the section’s buzz titles, along with “Diogenes,” from Peru’s Leonardo Barbuy, and two titles from Brazil: Gregorio Graziosi’s “Tinnitus” and Gabriel Martin’s “Mars One,” winner of Ventana Sur’s prestigious Paradiso Wip Award.

Titles brim with talent, observes Eva Morsch-Kihn, curator of Primer Corte and Copia Final along with Mercedes Abarca and Maria Nuñez.

Land of Dreams directors Shoja Azari and Shirin Neshat with Isabella Rossellini and cinematographer Ghasem Ebrahimian Photo: Giulia Theodoli

Shirin Neshat and Shoja Azari’s highly imaginative Land Of Dreams, based on a story by Shirin Neshat, screenplay by Jean-Claude Carrière and Shoja Azari, shot by Ghasem Ebrahimian, stars Sheila Vand, Matt Dillon, and William Moseley with Isabella Rossellini, Christopher McDonald, Anna Gunn, Joaquim de Almeida, Gaius Charles, Robin Bartlett, James Cady, Nicole Ansari-Cox, Luce Rains, and Rebecca Comerford.

Shirin Neshat with Anne-Katrin Titze on Land of Dreams: “We started with Jean-Claude Carrière and it was a very complex, unusual script.”

Land Of Dreams is dedicated to Jean-Claude Carrière. It is his last feature film screenplay credit. Jean-Claude Carrière has three Screenplay Oscar nominations. Carrière also co-wrote Volker Schlöndorff’s Oscar winner The Tin Drum and in 2015, received an honorary Oscar. Jean-Claude Carrière died on February 8, 2021 at the...

Variety has been given exclusive access to the trailer for Shirin Neshat and Shoja Azari’s satirical, surrealistic film “Land of Dreams,” which opens the Horizons Extra section of the Venice Film Festival. The filmmakers won the Silver Lion Award at the Venice Film Festival for their first feature film, “Women Without Men.”

“Land of Dreams” stars Sheila Vand, Matt Dillon, William Moseley and Isabella Rossellini. Beta Cinema has sales rights worldwide, except for the U.S., which is being handled by UTA.

The screenplay is by the late Jean-Claude Carrière and Azari. Carrière, who died earlier this year, was Luis Buñuel’s screenwriting partner on six of Buñuel’s films. Carrière won an Oscar for the short film “The Anniversary,” and was Oscar nominated for Buñuel’s “The Discreet Charm of the Bourgeoisie” and “That Obscure Object of Desire,” as well as Philip Kaufman’s “The Unbearable Lightness of Being.

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.

The Hottest August (Brett Story)

Where better than New York City to make a structuralist film? Cities are iterative, their street grids diagrams of theme and variation, and New York most of all—with its streets and avenues named for numbers and letters and states and cities and presidents and Revolutionary War generals spanning an archipelago, intersecting at a million little data points at which to measure class, race, culture, history, architecture and infrastructure. And time, too—from this human density emerge daily and seasonal rituals, a set of biorhythms, reliable as the earth’s, against which to mark gradual shifts and momentary fashions. Summer is for lounging on fire escapes, always, and, today, for Mister Softee. Yesterday it was shaved ice.

The Cannes Film Festival has added seven films addressing environmental concerns to its 2021 line-up.

“La Croisade” by actor-director Louis Garrel, stars himself, Laetitia Casta and Joseph Engel. It was co-written by legendary screenwriter Jean-Claude Carrière who died last year. The festival describes the film as: “A fiction in which the children take the reins to protect the planet. A tale of anticipation equally urgent, funny and charming. A story about the alienation of adults from the concerns of children who want to save themselves.”

In “Marcher sur l’eau”, filmed in a village in Niger, director Aïssa Maïga follows a little girl who, while waiting for a well to be built, must travel several kilometres for water every day. The film also explores the question of whether access to water co-relates with access to education for girls in Sub-Saharan African countries.

From India, Rahul Jain, director of Sundance-winning documentary “Machines” (2016), returns with “Invisible Demons,...

Six documentaries also selected for the festival’s inaugural environmental strand.

The Cannes Film Festival has revealed the seven titles selected for its first ‘cinema for the climate’ section – part of a new focus by the festival to address environmental issues.

Comprised of one scripted film and six documentaries, the selection is led by comedy The Crusade, by French actor and filmmaker Louis Garrel.

The film revisits the family unit of his 2018 feature A Faithful Man and sees Garrel star opposite Laetitia Casta as a couple who discover their teenage son has been secretly selling the family possessions to fund an ecological project in Africa.

We can think of no finer way to kick off the summer than hanging in the sun with Alain Delon and Romy Schneider. The new restoration of director Jacques Deray and screenwriter Jean-Claude Carrière’s 1969 feature La Piscine was recently announced as Criterion release this July, but first it’ll roll out in theaters via Rialto Pictures beginning this month.

Ahead of the theatrical debut, a new trailer has arrived, backed by the tunes of composer Michel Legrand. Marking a reunion between Delon and Schneider, who had broken up about a decade prior to making this film, the story follows a summer holiday on the Côte d’Azur simmering with sexual tension.

See the new trailer below, along with the new theatrical poster by Laurent Durieux and the Criterion cover by Michael Boland.

La Piscine opens on May 14 at Film Forum.

The post Alain Delon and Romy Schneider Heat Up...

Summer is coming, and what better way to languish away in the hot heat than poolside with Alain Delon and Romy Schneider? They star together with Maurice Ronet and Jane Birkin in Jacques Deray’s 1969 thriller “La Piscine,” a volley of sexual jealousies and resentments between four people vacationing in the Côte d’Azur, which provides the perfect backdrop to simmering psychosexual tensions. One of the biggest box office successes in France of all time, “La Piscine” is getting a re-release from Rialto Pictures this summer, kicking off with a two-week exclusive run at Film Forum in New York beginning May 14. Then, the restoration will begin a national rollout.

In “La Piscine,” Jean-Paul and Marianne (Delon and Schneider) are spending an idyllic holiday together at a luxurious villa near St. Tropez, loaned to them by a friend. Their sensual solitude is interrupted by the impromptu arrival of their mutual friend Harry,...

Volker Schlöndorff on Jean-Claude Carrière: “Early Sixties, Brigitte Bardot, Jeanne Moreau, Catherine Deneuve, Delphine Seyrig, those were the stars in our sky, when we first met, about 55 years ago, Jean-Claude 30, me 23, not working together but working on the same picture: Viva Maria!” Photo: Anne-Katrin Titze

Jean-Claude Carrière, who died on February 8 at the age of 89, had three films in the works that he co-wrote, Shirin Neshat and Shoja Azari’s Land Of Dreams, Louis Garrel’s The Crusade, and José Luis López-Linares’ documentary Le Mystère Goya. In 2018, at the New York Film Festival press conference for Julian Schnabel’s At Eternity's Gate, starring Willem Dafoe as Vincent van Gogh, Carrière said: “There is a love story between painting and movies, because the painting is still and doesn't move. And movies move. It's a love story that goes back to the prehistoric caves when the first painters tried to give the illusion of movement.

Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Luis Buñuel (left) and Jean-Claude Carrière (right).The great Jean-Claude Carrière has died. The prolific screenwriter worked across genres and penned scripts from Philip Kaufman's The Unbearable Lightness of Being to Luis Buñuel's The Discreet Charm of the Bourgeoisie, and more recently, Philippe Garrel's The Salt of Tears. Revisit Notebook contributor Lawrence Garcia's overview of Carrière's wide-ranging career here. Actor Christopher Plummer, one of the last links between Classic Hollywood and today, has also died. Throughout his long and illustrious career, Plummer worked with filmmakers like Nicholas Ray, Sidney Lumet, Anthony Mann, Robert Mulligan, Anatole Litvak, Michael Mann, Spike Lee, Terrence Malick, and Pete Docter.The International Film Festival Rotterdam has come to an end, and the winners of this year's awards can be found here. The Berlinale is continuing...

Jean-Claude Carrière, who died Monday at 89 at his home in Paris of natural causes, had a prolific, six-decade career. The French screenwriter and novelist penned dozens of scripts, including “The Unbearable Lightness of Being” and “The Discreet Charm of the Bourgeoisie.”

Among his more late-in-life projects was co-writing with Jonathan Glazer and Milo Addica the 2004 drama “Birth.” Glazer, who also directed the film, shared with IndieWire a remembrance of Carrière, in which he reflected on how the pair developed the idea:

Ten years after the sudden death of her husband, a woman gets a visit from a ten year old boy claiming to be his reincarnation. That’s pretty much all I had. My producer at the time sent it to Jean-Claude and he invited me to his house in Paris. I was very nervous. He said he liked the idea very much. Within a few minutes, I watched him...

Legendary screenwriter collaborated with scores of filmmakers including Jacques Tati, Luis Buñuel, Milos Foreman and Louis Malle.

French screenwriter Jean-Claude Carrière, whose 60-year career spanned more than 150 writer credits and collaborations with Jacques Tati, Luis Buñuel, Milos Foreman and Louis Malle, has died in Paris aged 89.

Born into a family of winegrowers in south-western France, Carrière moved to the outskirts of Paris at the age of 14 when his parents took over the running of a bar.

After obtaining a degree in history and literature, he embarked on a writing career, publishing debut novel Lezard in 1957. Set against the backdrop of a restaurant in the suburbs,...

One of Jean-Claude Carrière’s most celebrated adaptations - Cyrano de Bergerac, directed by Jean-Paul Rappeneau and starring Gérard Depardieu. Photo: UniFrance One of France’s most celebrated and internationally renowned screenwriters Jean-Claude Carrière has died at the age of 89 after a career which saw his named attached to more than 80 films and some 30 novels and theatre productions.

Among his most famous collaborations was working with director Jean-Paul Rappeneau on the adaptation of Edmond Rostand’s Cyrano de Bergerac with Gérard Depardieu; with Luis Buñuel on the adaptation of Octave Mirabeau’s 1900 novel Diary Of A Chambermaid with Jeanne Moreau, and with Philip Kaufman on Czech writer Milan Kundera’s The Unbearable Lightness Of Being. His partnership with Buñuel lasted almost two decades until the director’s death in 1983 and memorably embraced Belle De Jour with Catherine Deneuve and The Discreet Charm Of The Bourgeosie for which he and Buñuel won an Oscar in 1972.

Carrière,...

Hailed as France’s finest screenwriter, Carrière won many awards in a six-decade movie career – and for the stage penned a memorable Mahabharata for Peter Brook

Celebrated French screenwriter Jean-Claude Carrière, who penned some of the most memorable movies of the past half-century, including The Tin Drum and Cyrano de Bergerac, has died at the age of 89. Carrière, best known for his work with Luis Buñuel and Miloš Forman, died in his sleep late Monday at his home in Paris, his daughter, Kiara Carrière, told Afp.

Related: Jean-Claude Carrière: 'If you want fame, don't be a screenwriter'...

French screenwriter Jean-Claude Carrière, who has penned the scripts for films including The Unbearable Lightness of Being and That Obscure Object of Desire, has died. His daughter Kiara Carrière told Afp that the screenwriter died on Monday of natural causes at his Paris home. He was 89.

Throughout his decades-long career as a writer, actor and director, Carriere received a number of awards and recognitions for his work. Carrière shared his first Academy Award with Pierre Etaix, winning best short subject for Heureux anniversaire. In 1969, The Nail Clippers (La pince à ongles) took home the Cannes grand jury prize for best short film. In addition to BAFTA and César wins throughout the years, Carrière received an Honorary Oscar of his body of work as a screenwriter in 2014.

Born in 1931, Carrière was born in a small village in the south of France and trained as a historian. After publishing his first novel...

Jean-Claude Carrière, the prolific French screenwriter who collaborated with some of the greatest art house auteurs of his time, has died. He was 89.

Carrière died Monday evening of natural causes at his home in Paris, his daughter Kiara Carrière told the news service Afp.

Carrière won a competitive Oscar in 1963 for his work with countryman Pierre Étaix on a live-action short film, then received an honorary Academy Award at the Governors Awards in 2014.

He also was Oscar-nominated for his screenplays for The Discreet Charm of the Bourgeoisie (1972) and That Obscure Object of Desire (1977), both directed and co-written by Spaniard Luis ...

Jean-Claude Carrière, the prolific French screenwriter who collaborated with some of the greatest art house auteurs of his time, has died. He was 89.

Carrière died Monday evening of natural causes at his home in Paris, his daughter Kiara Carrière told the news service Afp.

Carrière won a competitive Oscar in 1963 for his work with countryman Pierre Étaix on a live-action short film, then received an honorary Academy Award at the Governors Awards in 2014.

He also was Oscar-nominated for his screenplays for The Discreet Charm of the Bourgeoisie (1972) and That Obscure Object of Desire (1977), both directed and co-written by Spaniard Luis ...

Bárbara Paz, director of Babenco: Tell Me When I Die on Héctor Babenco and Ingmar Bergman: “They are both somehow like an orchestra conductor. They meet somewhere in that sense.”

In Babenco: Tell Me When I Die (winner of the 2019 Venezia Classici Award for Best Documentary on Cinema), Bárbara Paz’ outstanding tribute to her late husband Héctor Babenco, she inventively connects personal footage with clips from his films to create a seamless cinematic celebration that is thought-provoking and poetic. His adaptation of Manuel Puig's Kiss Of The Spider Woman, screenplay Leonard Schrader, starring Raúl Juliá, William Hurt and Sônia Braga (with clothes made by her mother), received four Oscar nominations - Best Picture, Best Director, Best Adapted Screenplay with Hurt winning Best Actor.

William Hurt won an Oscar, BAFTA, and in Cannes for his performance in Héctor Babenco’s Kiss Of The Spider Woman

Tom Waits was in two of Babenco's films,...