What is it about serpents and seduction? Is it the psychic residue of Sunday school and Adam and Eve, or is it that the ‘s’ sound is just so sexy? Not being much into organized anything leads me to believe the latter, and The Snake Woman (1961) bears this out in a short, simple way with surprisingly little in the way of exploitation; regardless, it’s a film that should leave viewers charmed (insert Gene Shalit gif here).
Released by United Artists in late April, The Snake Woman was a second biller in the U.S., riding the bottom end below Dr. Blood’s Coffin, released the same year from the same filmmaking team (producer George Fowler and director Sidney J. Furie). Costing under $20,000, it made money but not many friends, with critics deriding its barebones plot and poverty row budget; all true, but it also is something that most critics...
Released by United Artists in late April, The Snake Woman was a second biller in the U.S., riding the bottom end below Dr. Blood’s Coffin, released the same year from the same filmmaking team (producer George Fowler and director Sidney J. Furie). Costing under $20,000, it made money but not many friends, with critics deriding its barebones plot and poverty row budget; all true, but it also is something that most critics...
- 1/18/2020
- by Scott Drebit
- DailyDead
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