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Before They Were Famous: Actors' Early Roles

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Feodor Chaliapin Sr. was born on February 13, 1873, in Omet Tawi, near Kazan, Russia. His childhood was full of suffering, hunger, and humiliation. From the age of 10-16, he was working jobs at river ports, restaurants, and tried acting on stage with various Russian provincial troupes. In 1890, Chaliapin was hired to sing in a choir at the Semenov-Samarsky private theatre in Ufa. There he began singing solo parts. In 1891, he toured Russia with the Dergach Opera. In 1892, he settled in Tiflis (Tbilisi), because he found a good teacher, Usatov, who gave Chaliapin free professional opera training for one year. He also sang at the St. Aleksandr Nevsky Cathedral in Tbilisi during the years 1892-1893.

In 1893, Chaliapin began his career at the Tbilisi Opera. On February 4, 1894, he had his final 'Benefith' night. It was a triumphal performance attended by the elite of the city of Tbilisi, where Chaliapin gave a total of 72 Opera performances. In 1894, he moved to Moscow upon recommendation of his teacher Usatov. While working at the Mamontov Opera and the Bolshoi Theatre in Moscow, Chaliapin also had regular repertoire performances at the Imperial Mariinsky Opera in St. Petersburg. In 1901 he made his debut at La Scala in the role of Mefistofele in Faust by Jules Massenet under the baton of Arturo Toscanini. His most famous roles were Boris Godunov in the eponymous opera by Modest Mussorgsky, and Ivan the Terrible in the Maid of Pskov by Nikolai Rimsky-Korsakov.

In 1896, Mamontov introduced Chaliapin to a young Italian ballerina Iola Tornagi, who came to Moscow for a stage career. She quit dancing and devoted herself to family life with Chaliapin. He was very happy in this marriage. They settled in Moscow and had six children. Their first boy died at the age of 4, causing Chaliapin a nervous breakdown. His son Boris Chaliapin became a famous painter. His son Feodor Chaliapin Jr. became a famous film actor. Their mother Iola Tornagi was living in Soviet Russia until 1959, when Nikita Khrushchev brought the "Thaw". Iola Tornagi was allowed to leave and reunited with her son 'Feodor Chaliapin Jr,' in Rome, Italy.

In 1906, Chaliapin started a civil union with Maria Valentinovna Petzhold in St. Petersburg, Russia. She had three daughters with Chaliapin in addition to 2 other children from her previous family. He could not legalize his second family, because his first wife would not give him a divorce. Chaliapin even applied to the Emperor Tsar Nicholas II with a request of registering his 3 daughters under his last name. His request was not satisfied. Chaliapin was torn between his two families for many years, living with one in Moscow, and with another in St. Petersburg. Finally with Maria Petzhold and their 3 daughters he left Russia for good.

Emigration from Russia in 1922, was painful. Soviet government stripped Chaliapin of all his titles and honors. He settled in Paris, France. There he performed at the Paris Opera, as well as at numerous private concerts for Sergei Diaghilev. His acting and singing was sensational. He made many sound recordings between the 1900 and 1938, of which the 1913 recordings of the Russian folk songs 'Vdol po Piterskoi' and 'The Song of the Volga Boatmen' are best known. The only sound film which shows his acting style is 'Don Quixote' (1933). Chaliapin worked for impresario Sol Hurok and sang for 8 seasons at the Metropolitan Opera in New York, where he had an immense success.

Chaliapin collaborated with Maxim Gorky, who wrote and edited his memoirs, which he published in 1933. Chaliapin revolutionized opera by bringing serious acting in combination with great singing. Chaliapin Sr. was the undisputed best basso in the first half of the 20th century. In the late 1930's he suffered from leukemia and kidney ailment. Feodor Chaliapin Sr. died on April 12, 1938, in Paris, France. He was laid to rest is the Novodevichy Monastery Cemetery in Moscow.

Feodor Chaliapin Sr. in Don Quixote (1933)

Father of <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0149923/?ref_=nmtrv_trv">Feodor Chaliapin Jr.</a>

The first opera singer to seriously concern himself with giving a
believably acted performance, in addition to a well-sung one. When he
became dissatisfied with his performances, he began to attend straight
dramatic plays to learn the art of acting. His approach revolutionized
acting in opera, and even today, although his style may appear
artficial to modern audiences, he is regarded as perhaps the greatest
operatic actor that has ever lived.

The only sound film which demonstrates his acting style is his
<a class="ipc-md-link ipc-md-link--entity" href="/title/tt0023956/?ref_=nmtrv_trv">Don Quixote (1933)</a>(aka <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0204285/?ref_=nmtrv_trv">Don Quichotte (1933)</a> <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0406716/?ref_=nmtrv_trv">Don Quichotte (1933)</a>). Chaliapin also starred onstage as the
knight in Massenet&#39;s 1910 opera, &quot;Don Quichotte&quot;, but the 1933 films do
not use Massenet&#39;s music, and are more faithful to Cervantes&#39; novel
than Massenet&#39;s opera.

He was awarded a Star on the Hollywood Walk of Fame for Recording at 6770 Hollywood Boulevard in Hollywood, California.

Trivia

Feodor Chaliapin Sr.

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