A top horror title gets the Powerhouse Indicator treatment just in time for Halloween — it’s not a domestic release but it plays in our Region A players. You can shuffle the alternate versions like a deck of cards: one basic movie, but six separate encodings: by length, title sequence and aspect ratio. Plus fascinating extras and a killer versions comparison feature.
Night of the Demon / Curse of the Demon
Blu-ray
Powerhouse Indicator
1957 / B&W / 1:66 + 1:75 widescreen / 95 & 82 min. / Limited Edition / Street Date October 22, 2018 / available from Amazon UK / £47,42
Starring: Dana Andrews, Peggy Cummins, Niall MacGinnis, Maurice Denham,
Athene Seyler
Cinematography: Ted Scaife
Production Designer: Ken Adam
Special Effects: George Blackwell, S.D. Onions, Wally Veevers
Film Editor Michael Gordon
Original Music: Clifton Parker
Written by Charles Bennett and Hal E. Chester
from the story Casting the Runes by M. R. James
Produced by Frank Bevis, Hal E. Chester
Directed by Jacques Tourneur...
Night of the Demon / Curse of the Demon
Blu-ray
Powerhouse Indicator
1957 / B&W / 1:66 + 1:75 widescreen / 95 & 82 min. / Limited Edition / Street Date October 22, 2018 / available from Amazon UK / £47,42
Starring: Dana Andrews, Peggy Cummins, Niall MacGinnis, Maurice Denham,
Athene Seyler
Cinematography: Ted Scaife
Production Designer: Ken Adam
Special Effects: George Blackwell, S.D. Onions, Wally Veevers
Film Editor Michael Gordon
Original Music: Clifton Parker
Written by Charles Bennett and Hal E. Chester
from the story Casting the Runes by M. R. James
Produced by Frank Bevis, Hal E. Chester
Directed by Jacques Tourneur...
- 10/20/2018
- by Glenn Erickson
- Trailers from Hell
It’s a Brit sex comedy that addresses the basic facts about boy-girl petting — and not much else. A noted ‘adult’ role for Hayley Mills, it pairs her with an unlikable Oliver Reed, trying his damnedest to affect natural charm. Was Reed the reason Hayley chose as her next picture a story about a lady studying penguins?
Take a Girl Like You
Blu-ray
Twilight Time
1970 / Color / 1:85 widescreen / 98 min. / Street Date June 19, 2018 / Available from the Twilight Time Movies Store / 29.95
Starring: Hayley Mills, Oliver Reed, Noel Harrison, John Bird, Sheila Hancock, Ronald Lacey, Penelope Keith, Imogen Hassall, Pippa Steel, George Woodbridge.
Cinematography: Dick Bush
Film Editor: Jack Harris, Rex Pyke
Original Music: Stanley Myers
Written by George Melly
Produced by Hal E. Chester
Directed by Jonathan Miller
Wait a minute — when exactly did they finally stop calling young women, ‘birds?’
When the Hollywood studios all but collapsed at the end of the 1960s,...
Take a Girl Like You
Blu-ray
Twilight Time
1970 / Color / 1:85 widescreen / 98 min. / Street Date June 19, 2018 / Available from the Twilight Time Movies Store / 29.95
Starring: Hayley Mills, Oliver Reed, Noel Harrison, John Bird, Sheila Hancock, Ronald Lacey, Penelope Keith, Imogen Hassall, Pippa Steel, George Woodbridge.
Cinematography: Dick Bush
Film Editor: Jack Harris, Rex Pyke
Original Music: Stanley Myers
Written by George Melly
Produced by Hal E. Chester
Directed by Jonathan Miller
Wait a minute — when exactly did they finally stop calling young women, ‘birds?’
When the Hollywood studios all but collapsed at the end of the 1960s,...
- 6/30/2018
- by Glenn Erickson
- Trailers from Hell
This French disc release of the Jacques Tourneur classic gets everything right — including both versions in picture perfect transfers. Devil debunker Dana Andrews locks horns with Niall MacGinnis, a necromancer “who has decoded the Old Book” and can summon a fire & brimstone monster from Hell, no election fraud necessary. Even fans that hate ghost stories love this one — it’s a truly creepy, intelligent highlight of the horror genre.
Night of the Demon
Region A + B Blu-ray + Pal DVD
Wild Side (Fr)
1957 / B&W / 1:66 widescreen / 95 & 82 min. / Street Date November 27, 2013 / Curse of the Demon, Rendez-vous avec la peur / Available from Amazon UK or Foreign Exchange Blu-ray
Starring: Dana Andrews, Peggy Cummins, Niall MacGinnis, Maurice Denham,
Athene Seyler
Cinematography: Ted Scaife
Production Designer: Ken Adam
Special Effects: George Blackwell, S.D. Onions, Wally Veevers
Film Editor Michael Gordon
Original Music: Clifton Parker
Written by Charles Bennett and Hal E. Chester
from the...
Night of the Demon
Region A + B Blu-ray + Pal DVD
Wild Side (Fr)
1957 / B&W / 1:66 widescreen / 95 & 82 min. / Street Date November 27, 2013 / Curse of the Demon, Rendez-vous avec la peur / Available from Amazon UK or Foreign Exchange Blu-ray
Starring: Dana Andrews, Peggy Cummins, Niall MacGinnis, Maurice Denham,
Athene Seyler
Cinematography: Ted Scaife
Production Designer: Ken Adam
Special Effects: George Blackwell, S.D. Onions, Wally Veevers
Film Editor Michael Gordon
Original Music: Clifton Parker
Written by Charles Bennett and Hal E. Chester
from the...
- 5/20/2017
- by Glenn Erickson
- Trailers from Hell
My favorite thing about taking these weekly trips to the Drive-In is my own selfish thirst for discovery. I need to patch up the holes of missing films on my personal movie screen; there is still so much to see, and sometimes the holes are so big that they obscure the view. Every once in a while though, a film comes along that not only mends the tears in the fabric but strengthens the whole. Such is the case with Night of the Demon (1957), Jacques Tourneur’s masterpiece of shadowy menace and dread, and a new personal favorite.
Released in its native U.K. in December and then stateside in July of ’58 under the new title Curse of the Demon (where 13 minutes were trimmed from an already lean 95 minute running time), this Columbia Pictures production was fraught with anguish before it even appeared to audiences, most famously producer Hal E. Chester...
Released in its native U.K. in December and then stateside in July of ’58 under the new title Curse of the Demon (where 13 minutes were trimmed from an already lean 95 minute running time), this Columbia Pictures production was fraught with anguish before it even appeared to audiences, most famously producer Hal E. Chester...
- 4/15/2017
- by Scott Drebit
- DailyDead
Special Mention: Un chien andalou
Directed by Luis Buñuel
Written by Salvador Dalí and Luis Buñuel
France, 1929
Genre: Experimental Short
The dream – or nightmare – has been a staple of horror cinema for decades. In 1929, Luis Bunuel joined forces with Salvador Dali to create Un chien andalou, an experimental and unforgettable 17-minute surrealist masterpiece. Buñuel famously said that he and Dalí wrote the film by telling one another their dreams. The film went on to influence the horror genre immensely. After all, even as manipulative as the “dream” device is, it’s still a proven way to jolt an audience. Just ask Wes Craven, who understood this bit of cinematic psychology when he dreamt of the central force behind A Nightmare on Elm Street, a film intended to be an exploration of surreal horror. David Lynch is contemporary cinema’s most devoted student of Un chien andalou – the severed ear at...
Directed by Luis Buñuel
Written by Salvador Dalí and Luis Buñuel
France, 1929
Genre: Experimental Short
The dream – or nightmare – has been a staple of horror cinema for decades. In 1929, Luis Bunuel joined forces with Salvador Dali to create Un chien andalou, an experimental and unforgettable 17-minute surrealist masterpiece. Buñuel famously said that he and Dalí wrote the film by telling one another their dreams. The film went on to influence the horror genre immensely. After all, even as manipulative as the “dream” device is, it’s still a proven way to jolt an audience. Just ask Wes Craven, who understood this bit of cinematic psychology when he dreamt of the central force behind A Nightmare on Elm Street, a film intended to be an exploration of surreal horror. David Lynch is contemporary cinema’s most devoted student of Un chien andalou – the severed ear at...
- 10/28/2015
- by Ricky Fernandes
- SoundOnSight
I'll trade you two RKOs for two Warners', an even swap! This quartet of movie-magic wonderments offer a full course on old-school film effects wizardry at its best. Willis O'Brien passes the baton to disciple Ray Harryhausen, who dazzles us with his own effects magic for the first '50s giant monster epic. And the best monster thriller of the decade is offered at its original widescreen aspect ratio. It's all special enough to merit a mid-week review. Special Effects Collection Blu-ray The Son of Kong, Mighty Joe Young, The Beast from 20,000 Fathoms, Them! Warner Home Video 1933-1954 / B&W / 1:37 Academy - 1:85 widescreen / 335 min. / Street Date October 27, 2015 / 54.96 or 19.98 separately Starring Robert Armstrong, Helen Mack,, Frank Reicher, Victor Wong; Robert Armstrong, Terry Moore, Ben Johnson, Frank McHugh; Paul Christian, Paula Raymond, Cecil Kellaway, Kenneth Tobey, Donald Woods, Lee Van Cleef; James Whitmore, Edmund Gwenn, Joan Weldon, James Arness, Onslow Stevens,...
- 10/23/2015
- by Glenn Erickson
- Trailers from Hell
When I was a kid, I used to love a scary movie. I remember catching the original The Haunting (1963) one night on Channel 9’s Million Dollar Movie when I was home alone. Before it was over, I had every light in the house on. When my mother got home she was screaming she’d been able to see the house glowing from two blocks away. The only thing screaming louder than her was the electricity meter.
That was something of an accomplishment, scaring me like that. Oh, it’s not that I was hard to scare (I still don’t like going down into a dark cellar). But, in those days, the movies didn’t have much to scare you with. Back as far as the 50s, you might find your odd dismemberment and impaling, even an occasional decapitation, but, generally, the rule of the day was restraint. Even those rare dismemberments,...
That was something of an accomplishment, scaring me like that. Oh, it’s not that I was hard to scare (I still don’t like going down into a dark cellar). But, in those days, the movies didn’t have much to scare you with. Back as far as the 50s, you might find your odd dismemberment and impaling, even an occasional decapitation, but, generally, the rule of the day was restraint. Even those rare dismemberments,...
- 10/6/2015
- by Bill Mesce
- SoundOnSight
From title changes to the addition of rubber demons, here's a selection of some rather strange movie alterations from cinema history...
The course of film production seldom runs smooth, and even the greatest films can suffer from all sorts of behind-the-scenes problems. For a very recent example, just look at Fantastic Four, a film with which suffered the kind of difficult production that will no doubt inspire books on the subject in the near future.
At any rate, the movies on this list are all examples of strange (and sometimes last-minute) changes, often imposed by producers or executives. In some unfortunate cases, the changes haven't been particularly beneficial, but one alteration turned out to be a pioneering moment in cinema history.
In every instance, the changes are unusual, surprising, or sometimes downright baffling ...
The Cabinet Of Dr Caligari (1921)
A classic of German cinema, Robert Weine's silent horror film is widely...
The course of film production seldom runs smooth, and even the greatest films can suffer from all sorts of behind-the-scenes problems. For a very recent example, just look at Fantastic Four, a film with which suffered the kind of difficult production that will no doubt inspire books on the subject in the near future.
At any rate, the movies on this list are all examples of strange (and sometimes last-minute) changes, often imposed by producers or executives. In some unfortunate cases, the changes haven't been particularly beneficial, but one alteration turned out to be a pioneering moment in cinema history.
In every instance, the changes are unusual, surprising, or sometimes downright baffling ...
The Cabinet Of Dr Caligari (1921)
A classic of German cinema, Robert Weine's silent horror film is widely...
- 8/17/2015
- by ryanlambie
- Den of Geek
Shrewd film producer behind School for Scoundrels and Night of the Demon
Hal E Chester, who has died aged 91, was a juvenile actor, then a producer of low-budget movies in Hollywood, before he moved in 1955 to Britain, where he set up his own production company to take advantage of the lower costs of filming. Over the next 15 years he turned out a wide range of pictures, which often featured American stars such as Mickey Rooney, Dana Andrews, Yul Brynner and Paul Newman. For a period he specialised in British comedies. The first and best of these was School for Scoundrels (1960), loosely based on the popular Gamesmanship books of Stephen Potter. The impressive cast included Alastair Sim, Terry-Thomas and Dennis Price, with Ian Carmichael as the intrepid hero trying to impress Janette Scott.
Small, dynamic and fast-talking, Chester was perhaps a typical example of the shrewd and ambitious Hollywood producer. He...
Hal E Chester, who has died aged 91, was a juvenile actor, then a producer of low-budget movies in Hollywood, before he moved in 1955 to Britain, where he set up his own production company to take advantage of the lower costs of filming. Over the next 15 years he turned out a wide range of pictures, which often featured American stars such as Mickey Rooney, Dana Andrews, Yul Brynner and Paul Newman. For a period he specialised in British comedies. The first and best of these was School for Scoundrels (1960), loosely based on the popular Gamesmanship books of Stephen Potter. The impressive cast included Alastair Sim, Terry-Thomas and Dennis Price, with Ian Carmichael as the intrepid hero trying to impress Janette Scott.
Small, dynamic and fast-talking, Chester was perhaps a typical example of the shrewd and ambitious Hollywood producer. He...
- 4/16/2012
- by Joel Finler
- The Guardian - Film News
When I was a kid, I used to love a scary movie. I remember catching the original The Haunting (1963) one night on Channel 9’s Million Dollar Movie when I was home alone. Before it was over, I had every light in the house on. When my mother got home she was screaming she’d been able to see the house glowing from two blocks away. The only thing screaming louder than her was the electricity meter.
That was something of an accomplishment, scaring me like that. Oh, it’s not that I was hard to scare (I still don’t like going down into a dark cellar). But, in those days, the movies didn’t have much to scare you with. Back as far as the 50s, you might find your odd dismemberment and impaling, even an occasional decapitation, but, generally, the rule of the day was restraint. Even those rare dismemberments,...
That was something of an accomplishment, scaring me like that. Oh, it’s not that I was hard to scare (I still don’t like going down into a dark cellar). But, in those days, the movies didn’t have much to scare you with. Back as far as the 50s, you might find your odd dismemberment and impaling, even an occasional decapitation, but, generally, the rule of the day was restraint. Even those rare dismemberments,...
- 3/31/2012
- by Bill Mesce
- SoundOnSight
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