- Born
- Died
- Birth nameYorgo Pan Cosmatos
- George P. Cosmatos was born on January 4, 1941 in Florence, Tuscany, Italy. He was a director and assistant director, known for Rambo: First Blood Part II (1985), Leviathan (1989) and Cobra (1986). He was married to Birgitta Ljungberg. He died on April 19, 2005 in Victoria, British Columbia, Canada.
- SpouseBirgitta Ljungberg(1960 - July 7, 1997) (her death, 1 child)
- Children
- [aerial] first scene in film filmed from the air
- Collected rare books, mostly 19th and 20th Century English literature.
- Spoke Greek fluently
- Greek director born in Italy who made international blockbusters. He had a well-known knack for complex action shoots and aerial photography and for saving troubled projects. A student of the London Film School, he began as an assistant to Otto Preminger on Exodus (1960).
- George P. Cosmatos met his future wife, Swedish Birgitta Ljungberg, already as teenagers in London in 1958. They married in 1960, and together they had a son, future director Panos Cosmatos, born in Rome 1 Feb. 1974. Birgitta Ljungberg Cosmatos (b. in Haverö, Ånge Municipality, Medelpad, d. 6 July 1997, and is buried where she was born) has been described as an avantgarde sculptor with an open and experimental mind that borders on the surreal. In interviews with Panos Cosmatos in connection with his film Beyond the Black Rainbow (2010), he talks about his mother; "My mother is a huge inspiration to me... She always encouraged me creatively. No matter what crazy music I played for her, she always listened attentively and commented thoughtfully on it. My mother and father are in every box in this movie.".
- My pictures appeal all round the world. I do slick American pictures with a European sensitivity.
- You know each actor had an idea which I like or I use, you know. The wink was Val's idea. He said "You know what do you think if I wink?", "He (Val Kilmer) worked very hard at the part. He works harder than most actors to make it look believable. He's in the ranks of the great actors in America, like Pacino, or DeNiro.
- [on directing Tombstone (1993): I saw the film as a great American saga of a family, the West and the people victimized by class and mobs with whom they were forced to do business. It was the first experience with organized crime in this country.
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