To watch Marco Bellocchio’s incendiary poliziottesco film Slap the Monster on Page One is to realize that the playbook of fascism has hardly changed over the past half-century. Exposing the thinly veiled collusion of right-wing politicians and reactionary media outlets, the demonization of leftist protesters, and the hypocritical piety that ran rampant during Italy’s “years of lead,” Bellocchio’s film probes the ways in which truth is undermined to shape public opinion and sway elections.
As the editor of Il Giornale, a fictional Italian newspaper, Giancarlo Bizanti (Gian Maria Volontè) certainly understands the power of seizing control of a narrative before one’s even been formed. Speaking to the lonely, embittered Rita (Laura Betti)—whom he manipulates into betraying her left-wing activist ex, Mario (Carrado Solari), ultimately falsely implicating the man in the murder of his current girlfriend, Maria (Silvia Kramar)—he says, “Let’s not try to lose our sense of reality.
As the editor of Il Giornale, a fictional Italian newspaper, Giancarlo Bizanti (Gian Maria Volontè) certainly understands the power of seizing control of a narrative before one’s even been formed. Speaking to the lonely, embittered Rita (Laura Betti)—whom he manipulates into betraying her left-wing activist ex, Mario (Carrado Solari), ultimately falsely implicating the man in the murder of his current girlfriend, Maria (Silvia Kramar)—he says, “Let’s not try to lose our sense of reality.
- 11/10/2024
- by Derek Smith
- Slant Magazine
In the delightfully mischievous short film Le Pupille, which earned Italian writer-director Alice Rohrwacher her first Oscar nomination, a rebellion is brewing within the confines of a Catholic girls’ school in Italy on a chilly Christmas Eve in the midst of World War II.
Young Serafina (Melissa Falasconi) attracts the ire of Sister Fioralba (Alba Rohrwacher, the director’s sister), the stern mother superior who rules her boarding school with an iron fist and steely gaze. As the schoolgirls prepare for the evening’s festivities — stoically re-creating the Nativity — they listen to a radio report that offers somber news from the battlefield. But when Serafina accidentally changes the station, inadvertently filling the hall with the sounds of a love song with a lyric like “kiss me on my little mouth,” the girls erupt into song and dance and, as punishment for their jubilant misbehavior, are rewarded with mouthfuls of soap...
Young Serafina (Melissa Falasconi) attracts the ire of Sister Fioralba (Alba Rohrwacher, the director’s sister), the stern mother superior who rules her boarding school with an iron fist and steely gaze. As the schoolgirls prepare for the evening’s festivities — stoically re-creating the Nativity — they listen to a radio report that offers somber news from the battlefield. But when Serafina accidentally changes the station, inadvertently filling the hall with the sounds of a love song with a lyric like “kiss me on my little mouth,” the girls erupt into song and dance and, as punishment for their jubilant misbehavior, are rewarded with mouthfuls of soap...
- 2/25/2023
- by Tyler Coates
- The Hollywood Reporter - Movie News
“I wanted to create a film that was out of time,” Italian filmmaker Alice Rohrwacher says about her Oscar-nominated live action short, Disney+ Original Films’ Le Pupille. “That was classic, but also hand-made.”
Rohrwacher and the film’s producer, Oscar winner Alfonso Curarón, joined Deadline’s Contenders Film: The Nominees event to discuss their 37-minute film.
Related Story Oscars 2023: Streamers Beat A Retreat, Netting Half Of Last Year’s Nomination Tally Related Story 'Women Talking's Sarah Polley On The Importance Of Casting In Her Movie: "We Couldn't Make Any Moves Until We Made All The Moves" – Contenders Film: The Nominees Related Story Contenders Film: The Nominees Underway With 12 Films Vying For Oscar Prize
Indeed, there’s a touching throwback quality to the short, which is set at an all-girls Catholic orphanage during wartime 1940s. The nuns led by Madre Superiora Fiorabla (played by the director’s sister and longtime...
Rohrwacher and the film’s producer, Oscar winner Alfonso Curarón, joined Deadline’s Contenders Film: The Nominees event to discuss their 37-minute film.
Related Story Oscars 2023: Streamers Beat A Retreat, Netting Half Of Last Year’s Nomination Tally Related Story 'Women Talking's Sarah Polley On The Importance Of Casting In Her Movie: "We Couldn't Make Any Moves Until We Made All The Moves" – Contenders Film: The Nominees Related Story Contenders Film: The Nominees Underway With 12 Films Vying For Oscar Prize
Indeed, there’s a touching throwback quality to the short, which is set at an all-girls Catholic orphanage during wartime 1940s. The nuns led by Madre Superiora Fiorabla (played by the director’s sister and longtime...
- 2/18/2023
- by Anthony D'Alessandro
- Deadline Film + TV
Exclusive: Italian director Mario Martone, who has been on the festival and awards circuit over the past year with Oscar submission and Cannes title Nostalgia, is at the Berlinale with his passion project Somebody Down There Likes Me.
The documentary pays tribute to late Italian actor and fellow Neapolitan Massimo Troisi who died tragically young at the age of 41 in 1994, just hours after filming wrapped on Michael Radford’s Il Postino (The Postman).
Selected for the Berlinale Specials sidebar, the documentary plays at a sold-out screening on Saturday, on the eve of what would have been the actor’s 70th birthday on February 19. Deadline can reveal a trailer.
Martone says he wants to shed light on the popular actor who he believes has never been properly celebrated.
“Massimo has always remained alive in the collective consciousness because he was a great actor and a great artist,” says the director.
Il Postino,...
The documentary pays tribute to late Italian actor and fellow Neapolitan Massimo Troisi who died tragically young at the age of 41 in 1994, just hours after filming wrapped on Michael Radford’s Il Postino (The Postman).
Selected for the Berlinale Specials sidebar, the documentary plays at a sold-out screening on Saturday, on the eve of what would have been the actor’s 70th birthday on February 19. Deadline can reveal a trailer.
Martone says he wants to shed light on the popular actor who he believes has never been properly celebrated.
“Massimo has always remained alive in the collective consciousness because he was a great actor and a great artist,” says the director.
Il Postino,...
- 2/18/2023
- by Melanie Goodfellow
- Deadline Film + TV
Italian film director celebrated for his insightful short films
The film director Vittorio De Seta, who has died aged 88, was best known for his short films. A selection of these, made in Sicily and Sardinia in the 1950s, was presented by Martin Scorsese at the 2005 Tribeca film festival in New York. Scorsese described De Seta's style as that of "an anthropologist who speaks with the voice of a poet". The film historian Goffredo Fofi has hailed De Seta as an Italian director "to be remembered alongside the Rossellinis and De Sicas, the Antonionis and the Fellinis"; he also deserves to be remembered alongside the great poetic documentary makers, such as Robert Flaherty, Humphrey Jennings and Basil Wright.
De Seta was born in Palermo, Sicily, to an aristocratic landowning family from Calabria. He enrolled in the navy during the second world war and, after the armistice in 1943, refused to sign allegiance...
The film director Vittorio De Seta, who has died aged 88, was best known for his short films. A selection of these, made in Sicily and Sardinia in the 1950s, was presented by Martin Scorsese at the 2005 Tribeca film festival in New York. Scorsese described De Seta's style as that of "an anthropologist who speaks with the voice of a poet". The film historian Goffredo Fofi has hailed De Seta as an Italian director "to be remembered alongside the Rossellinis and De Sicas, the Antonionis and the Fellinis"; he also deserves to be remembered alongside the great poetic documentary makers, such as Robert Flaherty, Humphrey Jennings and Basil Wright.
De Seta was born in Palermo, Sicily, to an aristocratic landowning family from Calabria. He enrolled in the navy during the second world war and, after the armistice in 1943, refused to sign allegiance...
- 12/12/2011
- by John Francis Lane
- The Guardian - Film News
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