News

Welcome to the exciting, hesitant, guilt-laden and provocative world of Eric Rohmer, and his varied voyages of slightly intimidated romantic discovery. There are six Moral Tales (and some short subjects) and each finds a main character stymied by indecision: should he hew to the narrow moral path, or stop being so conflicted and let relationships happen as they may? Some are moral debates and others are just ruminations on the foolishness of males that overthink their love lives — or are these self-directed men simply trying to be considerate and fair while navigating their amorous possibilities?

Eric Rohmer’s Six Moral Tales

The Bakery Girl of Monceau, Suzanne’s Career, My Night at Maud’s, La collectionneuse, Claire’s Knee, Love in the Afteroon

Blu-ray

The Criterion Collection 342

1963-1972 / B&w + Color / 1:37 flat Academy / available through The Criterion Collection / Street Date May 5, 2020 / 99.95

Produced by Barbet Schroeder

Written and Directed by Eric...

Finally out on Blu-ray in Region A, Luis Buñuel’s beautiful color adventure is a worthy jungle tale shot through with his signature negativity — it could be titled “The Bad, The Greedy and the Faithless.” The Spanish surrealist’s filmic obsessions steered toward the anarchistic, the anti-clerical and anti-bourgeois; all of his films are political, but three features in the 1950s cast a harsh eye on the subject of revolution itself, with surprising results. With the presence of movie stars Simone Signoret, Georges Marchal, Charles Vanel, Michel Piccoli, this may also be the director’s most commercial feature.

Death in the Garden

Blu-ray

Kino Classics

1956 / Color / 1:37 / 104 min. / Street Date July 23, 2019 / La mort en ce jardin / Available through Kino Lorber / 29.95

Starring: Simone Signoret, Georges Marchal, Charles Vanel, Michel Piccoli, Tito Junco, Mich.le Girardon, Jorge Martínez de Hoyos, Francisco Reiguera, José Chávez.

Cinematography: Jorge Stahl, Jr.

Film Editors: Denise Charvein,...

Finally out on Blu-ray in Region A, Luis Buñuel’s beautiful color adventure is a worthy jungle tale shot through with his signature negativity — it could be titled “The Bad, The Greedy and the Faithless.” The Spanish surrealist’s filmic obsessions steered toward the anarchistic, the anti-clerical and anti-bourgeois; all of his films are political, but three features in the 1950s cast a harsh eye on the subject of revolution itself, with surprising results. With the presence of movie stars Simone Signoret, Georges Marchal, Charles Vanel, Michel Piccoli, this may also be the director’s most commercial feature.

Death in the Garden

Blu-ray

Kl Studio Classics

1956 / Color / 1:66 widescreen / 104 min. / Street Date July 23, 2019 / La mort en ce jardin / Available through Kino Lorber / 29.95

Starring: Simone Signoret, Georges Marchal, Charles Vanel, Michel Piccoli, Tito Junco, Mich.le Girardon, Jorge Martínez de Hoyos, Francisco Reiguera, José Chávez.

Cinematography: Jorge Stahl, Jr.

Film Editors: Denise Charvein,...

Luis Buñuel’s filmic obsessions steered toward the anarchistic, the anti-clerical and anti-bourgeois, with a surreal spin. All of his films are political, but three features in the 1950s cast a harsh eye on the subject of revolution itself, with surprising results. This beautiful color show is a worthy jungle adventure tale shot through with Buñuel’s signature negativity — it could be titled “The Bad, The Greedy and the Faithless.”

Death in the Garden

Region B Blu-ray + DVD

Eureka Entertainment / Masters of Cinema

1956 / Color / 1:66 widescreen / 104 min. / Street Date June 19, 2017 / La mort en ce jardin / Available from Amazon UK / £ 11.65

Starring: Simone Signoret, Georges Marchal, Charles Vanel, Michel Piccoli, Tito Junco, Michèle Girardon, Jorge Martínez de Hoyos, Francisco Reiguera, José Chávez.

Cinematography: Jorge Stahl, Jr.

Film Editors: Denise Charvein, Marguerite Renoir

Original Music: Paul Misraki

Written by Luis Alcoriza, Luis Buñuel, Raymond Queneau, Gabriel Arout from a novel by José-André Lacour.

Hatari!

Written by Leigh Brackett

Directed by Howard Hawks

USA, 1962

Hatari! is essentially about a group of men with a job to do, which makes it a perfect vehicle for John Wayne and Howard Hawks. Hawks reveled in stories about professional people who take their job seriously, and more often than not, Wayne played a character who was the best man for the job. As in their other collaborations — two Westerns before and two after — this film highlights what these two can best bring to the cinematic table. While Hatari! mostly falls into the action/adventure category (though throughout its 157-minute runtime, relatively little is concentrated on extensive action), it ends up being an entertaining and amusing character study, something perhaps more in line with Hawks than Wayne.

This was Leigh Brackett’s third screenplay for Hawks (with two more to follow) and as usual, she expertly captures the banter...

La mort en ce jardin / Death in the Garden (1956) Direction: Luis Buñuel Screenplay: Luis Buñuel, Luis Alcoriza, and Raymond Queneau; dialogue by Queneau and Gabriel Arout; from a novel by José-André Lacour Cast: Georges Marchal, Simone Signoret, Charles Vanel, Michel Piccoli, Tito Junco, Michèle Girardon, Raul Ramirez Simone Signoret, Georges Marchal Death in the Garden I hadn’t even heard of Death in the Garden before its recent DVD release on the Microcinema label. It ranks as among the least-known of Luis Buñuel’s films, probably because it’s the least obviously Buñuelian. Aside from some fairly incidental bits of surrealist imagery – a freshly killed snake devoured by ants; Simone Signoret dressed in an evening gown and diamonds in the [...]...

Of the forgotten nonpareils to have been found by DVDing in the neglected, semi-seen recesses of Luis Buñuel's world-class filmography, none may seem odder than "Death in the Garden" (1956). A semi-Marxist workers' rebellion drama that segues into a lost-in-the-wilderness survival adventure? Shot in Mexico with a famous French cast (Simone Signoret, Michel Piccoli, Charles Vanel) right in the middle of the filmmaker's "Mexican period," during which the world had supposedly forgotten about him? In color? Except it's not so freakish when you remember he shot a version of "Robinson Crusoe" two years earlier, in color, and that his Mexican films were making it to the Venice and Cannes fests, even before the earthquake of "Viridiana" in 1961.

Thumbnailing a filmography of almost 50 years is never easy or effective, but more to the point is the startling realization of how much Buñuel there is still to see. I count over a...