Netflix has started production on “Ares,” its first Dutch original series, the streaming giant announced Tuesday. Filming is taking place in Amsterdam, where Netflix’s European headquarters have been based since 2015. “Ares” will launch on the platform later this year.
An eight-part psychological horror, “Ares” stars Jade Olieberg, Tobias Kersloot, Lisa Smit, Robin Boissevain, and Frieda Barnhard. It is directed by Giancarlo Sanchez and Michiel ten Horn with script development run by Michael Leendertse for production company Pupkin.
Plans for a then-untitled first Dutch production from Pupkin were first announced in April 2018. Erik Barmack, Netflix’s vice president of international original series, said at the time that a Dutch original had been on Netflix’s “wish list” for some time.
Created by Pieter Kuijpers, the series enters the world of a secret student society in the heart of Amsterdam where best friends Rosa (Olieberg) and Jacob (Kersloot) surrender to a world of wealth and power.
An eight-part psychological horror, “Ares” stars Jade Olieberg, Tobias Kersloot, Lisa Smit, Robin Boissevain, and Frieda Barnhard. It is directed by Giancarlo Sanchez and Michiel ten Horn with script development run by Michael Leendertse for production company Pupkin.
Plans for a then-untitled first Dutch production from Pupkin were first announced in April 2018. Erik Barmack, Netflix’s vice president of international original series, said at the time that a Dutch original had been on Netflix’s “wish list” for some time.
Created by Pieter Kuijpers, the series enters the world of a secret student society in the heart of Amsterdam where best friends Rosa (Olieberg) and Jacob (Kersloot) surrender to a world of wealth and power.
- 2/12/2019
- by Robert Mitchell
- Variety Film + TV
Barbican, London
The audience become eavesdroppers in Ivo van Hove's gripping and inventive restaging of the Ingmar Bergman classic
Who's afraid of Ingmar Bergman? Obviously not Ivo van Hove and Toneelgroep Amsterdam, who have devised a radical restaging of Bergman's microscopic study of a marital breakdown, originally written for Swedish television in 1973. I find the work itself overblown but, until the last 30 minutes of this superbly acted, four-hour version, I was completely gripped.
Van Hove clearly believes in the rule of three: three sets of actors play Marianne and Johan, the audience is initially divided into three groups and we move, in the first half, through three different acting areas to watch the progressive decline of their relationship. In a touch Alan Ayckbourn might envy, even as we watch the young Marianne and Johan hosting a dinner party, we catch fleeting glimpses through a window of their mature selves.
The audience become eavesdroppers in Ivo van Hove's gripping and inventive restaging of the Ingmar Bergman classic
Who's afraid of Ingmar Bergman? Obviously not Ivo van Hove and Toneelgroep Amsterdam, who have devised a radical restaging of Bergman's microscopic study of a marital breakdown, originally written for Swedish television in 1973. I find the work itself overblown but, until the last 30 minutes of this superbly acted, four-hour version, I was completely gripped.
Van Hove clearly believes in the rule of three: three sets of actors play Marianne and Johan, the audience is initially divided into three groups and we move, in the first half, through three different acting areas to watch the progressive decline of their relationship. In a touch Alan Ayckbourn might envy, even as we watch the young Marianne and Johan hosting a dinner party, we catch fleeting glimpses through a window of their mature selves.
- 11/16/2013
- by Michael Billington
- The Guardian - Film News
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