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Slender, strikingly beautiful strawberry blonde Anne Gwynne arrived in Hollywood a typical starry-eyed model looking to for top stardom. Not quite achieving her goal, she did become one of Universal Studio's favorite and revered cover girls while earning notoriety as one of cinema's finest screamers in 40's "B" horror films. She was able to extend her talents to include adventure stories, westerns, film noir and musical comedies before retiring in 1959.

The hazel-eyed beauty was born Marguerite Gwynne Trice in Waco, Texas, on December 18, 1918, the daughter of Pearl (née Guinn) and Jefferson Benjamin Trice, a clothing manufacturer. The family moved to St. Louis, Missouri when she was still a child. Following high school graduation, she studied drama at Stephens College. Accompanying her father to Los Angeles, she stayed and found work in a number of local community productions. She also supplemented her income as a swimsuit model for Catalina. A Universal studio talent agent happened to catch her in one of her theatre endeavors and the 20-year-old was tested and signed up in 1939.

Appearing in a few starlet bit parts as chorus girls or nurse types, Anne quickly earned her first female lead that same year with the western Oklahoma Frontier (1939) opposite cowboy star Johnny Mack Brown and continued on as a gorgeous co-star/second lead for such handsome leading men as Richard Arlen in Man from Montreal (1939); Robert Stack in Men of Texas (1942); she is best remembered, however, as a decorative lure for the monstrous antics of Boris Karloff, Bela Lugosi, and Lon Chaney Jr., among others, in such movie chillers as Black Friday (1940), The Black Cat (1941), The Strange Case of Doctor Rx (1942), Weird Woman (1944), House of Frankenstein (1944) and Murder in the Blue Room (1944).

Anne certainly had the looks and talent but not the luck, seldom rising above second-string film fare. She nevertheless proved quite popular with the servicemen as a WWII wall pin-up and, as with many other lovely actresses, found TV and commercials to be viable mediums for her as her film career waned. She, in fact, co-starred in TV's first filmed series, the noirish crime series Public Prosecutor (1947) as D.A. John Howard's legal secretary and guested on such action-filled 50's programs as "Ramar of the Jungle," "Death Valley Days" and "Northwest Passage."

Later sporadic appearances on film included The Blazing Sun (1950), Call of the Klondike (1950) and Breakdown (1952), the last-mentioned effort executive produced by her husband Max M. Gilford. She returned to the horror film fold once more as the star of the quickly dismissed, "poverty row" cult programmer Teenage Monster (1957). Here Anne plays a caring mother whose home is hit by a meteor. This results in the death of her husband and the monstrous mutation of her son. She tries to shield her boy from outside forces to save him. After a decade of retirement, Anne returned to make a brief, matronly appearance in the film Adam at Six A.M. (1970).

Married to Gilford in 1945, the pair had two children. Daughter/actress Gwynne Gilford is married to actor Robert Pine. Her grandson is actor Chris Pine. Anne's health began to deteriorate in the '90s; a widow by this time, she was moved to the Motion Picture Country Home in Woodland Hills, California, where she died of complications from a stroke on March 31, 2003.

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