You can’t beat pre-Code Barbara Stanwyck, who glows as a knockout thieves’ accomplice, tough prison convict and deceitful lover of an incorruptible revivalist preacher-politician. She’s matched by the sassy, naughty Lillian Roth. In this Warner crime-tale-duel between piety and sin, darned if Stanwyck and Roth don’t make the crooked path seem cozy. There’s a girl-girl punch-out and an ill-fated prison break, but just watching Barbara ooze attitude as she saunters through the prison is worth the price of admission. Even more eye-opening is a positively lewd cartoon extra, also from the pre-Code halls of joyful infamy.
Ladies They Talk About
Blu-ray
Warner Archive Collection
1933 / B&w / 1:37 Academy / 69 min. / Available at Amazon.com / Street Date , 2021 / 21.99
Starring: Barbara Stanwyck, Preston Foster, Lyle Talbot, Dorothy Burgess, Lillian Roth, Maude Eburne, Ruth Donnelly, Harold Huber, Mary Gordon, Madame Sul-Te-Wan, Robert Warwick, Etta Moten, Helen Ware.
Cinematography: John F. Seitz
Production Designer:...
Ladies They Talk About
Blu-ray
Warner Archive Collection
1933 / B&w / 1:37 Academy / 69 min. / Available at Amazon.com / Street Date , 2021 / 21.99
Starring: Barbara Stanwyck, Preston Foster, Lyle Talbot, Dorothy Burgess, Lillian Roth, Maude Eburne, Ruth Donnelly, Harold Huber, Mary Gordon, Madame Sul-Te-Wan, Robert Warwick, Etta Moten, Helen Ware.
Cinematography: John F. Seitz
Production Designer:...
- 12/27/2021
- by Glenn Erickson
- Trailers from Hell
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“Goin’ To Town” (1935; Directed by Alexander Hall)
“Klondike Annie” (1936; Directed by Raoul Walsh)
“Go West, Young Man” (1936; Directed by Henry Hathaway)
“Every Day’S A Holiday” (1937; Directed by A. Edward Sutherland)
“My Little Chickadee” (1940; Directed by Edward F. Cline)
(Kino Lorber)
“Goodness Had Nothing To Do With It—The Mae West Films, Part Two”
By Raymond Benson
This is the continuation of reviews of the classic 1930s (and 1940) films of Mae West, which began here.
Kino Lorber has just released in gorgeously restored, high-definition presentations every Mae West film made between 1932-1940—the Paramount years, plus one with Universal. This review will cover the last five of nine titles.
What is not commonly appreciated among Hollywood enthusiasts is that Mae West held a unique position in the history of cinema. Until the modern era, she had the extraordinary fortune—for her time—of...
“Goin’ To Town” (1935; Directed by Alexander Hall)
“Klondike Annie” (1936; Directed by Raoul Walsh)
“Go West, Young Man” (1936; Directed by Henry Hathaway)
“Every Day’S A Holiday” (1937; Directed by A. Edward Sutherland)
“My Little Chickadee” (1940; Directed by Edward F. Cline)
(Kino Lorber)
“Goodness Had Nothing To Do With It—The Mae West Films, Part Two”
By Raymond Benson
This is the continuation of reviews of the classic 1930s (and 1940) films of Mae West, which began here.
Kino Lorber has just released in gorgeously restored, high-definition presentations every Mae West film made between 1932-1940—the Paramount years, plus one with Universal. This review will cover the last five of nine titles.
What is not commonly appreciated among Hollywood enthusiasts is that Mae West held a unique position in the history of cinema. Until the modern era, she had the extraordinary fortune—for her time—of...
- 7/5/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
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“Melodrama, Music, And Mayhem”
By Raymond Benson
The 1936 Hollywood extravaganza, San Francisco, is a near-epic that attempts to place a melodramatic love triangle (or is it four-sided?—it seems to want to be that) in the context of the catastrophic 1906 earthquake that devastated San Francisco; thus, making the film a melodrama-disaster movie. Oh, but it has singing and dancing, too!—the flick spawned the title number that became one of the city’s official songs.
Helmed by the even-handed W. S. Van Dyke, one of the Golden Age’s most dependable directors, San Francisco reaches to be too many things. Granted, it is a motion picture that has its fans, especially a devoted following in its titular town. It was indeed nominated for the Best Picture Academy Award of its year; Van Dyke was also up for Best Director, and Spencer Tracy was...
“Melodrama, Music, And Mayhem”
By Raymond Benson
The 1936 Hollywood extravaganza, San Francisco, is a near-epic that attempts to place a melodramatic love triangle (or is it four-sided?—it seems to want to be that) in the context of the catastrophic 1906 earthquake that devastated San Francisco; thus, making the film a melodrama-disaster movie. Oh, but it has singing and dancing, too!—the flick spawned the title number that became one of the city’s official songs.
Helmed by the even-handed W. S. Van Dyke, one of the Golden Age’s most dependable directors, San Francisco reaches to be too many things. Granted, it is a motion picture that has its fans, especially a devoted following in its titular town. It was indeed nominated for the Best Picture Academy Award of its year; Van Dyke was also up for Best Director, and Spencer Tracy was...
- 2/12/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Susan Hayward. Susan Hayward movies: TCM Star of the Month Fiery redhead Susan Hayward it Turner Classic Movies' Star of the Month in Sept. 2015. The five-time Best Actress Oscar nominee – like Ida Lupino, a would-be Bette Davis that only sporadically landed roles to match the verve of her thespian prowess – was initially a minor Warner Bros. contract player who went on to become a Paramount second lead in the early '40s, a Universal leading lady in the late '40s, and a 20th Century Fox star in the early '50s. TCM will be presenting only three Susan Hayward premieres, all from her Fox era. Unfortunately, her Paramount and Universal work – e.g., Among the Living, Sis Hopkins, And Now Tomorrow, The Saxon Charm – which remains mostly unavailable (in quality prints), will remain unavailable this month. Highlights of the evening include: Adam Had Four Sons (1941), a sentimental but surprisingly...
- 9/4/2015
- by Andre Soares
- Alt Film Guide
Bette Davis movies: TCM schedule on August 14 (photo: Bette Davis in ‘Dangerous,’ with Franchot Tone) See previous post: “Bette Davis Eyes: They’re Watching You Tonight.” 3:00 Am Parachute Jumper (1933). Director: Alfred E. Green. Cast: Douglas Fairbanks Jr., Bette Davis, Frank McHugh, Claire Dodd, Harold Huber, Leo Carrillo, Thomas E. Jackson, Lyle Talbot, Leon Ames, Stanley Blystone, Reginald Barlow, George Chandler, Walter Brennan, Pat O’Malley, Paul Panzer, Nat Pendleton, Dewey Robinson, Tom Wilson, Sheila Terry. Bw-72 mins. 4:30 Am The Girl From 10th Avenue (1935). Director: Alfred E. Green. Cast: Bette Davis, Ian Hunter, Colin Clive, Alison Skipworth, John Eldredge, Phillip Reed, Katharine Alexander, Helen Jerome Eddy, Bill Elliott, Edward McWade, André Cheron, Wedgwood Nowell, John Quillan, Mary Treen. Bw-69 mins. 6:00 Am Dangerous (1935). Director: Alfred E. Green. Cast: Bette Davis, Franchot Tone, Margaret Lindsay, Alison Skipworth, John Eldredge, Dick Foran, Walter Walker, Richard Carle, George Irving, Pierre Watkin, Douglas Wood,...
- 8/15/2013
- by Andre Soares
- Alt Film Guide
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