Die Prime-Video-Serie ist heute Abend beim Blauer Panther – TV & Streaming Award als beste Serie ausgezeichnet worden. Ebenfalls einen Blauen Panther erhielt Headwriterin Daphne Ferraro.
„Maxton Hall“-Headwriterin Daphne Ferraro mit dem Blauen Panther (Credit: MedienBayern/Jens Hartmann)
In der BMW Welt in München ist heute zum dritten Mal der Blauer Panther – TV & Streaming Award vergeben worden.
In der Kategorie Fiktion zweifach ausgezeichnet wurde die von UFA Fiction produzierte Prime-Video-Serie „Maxton Hall – Die Welt zwischen uns“, die den Blauen Panther als beste Serie gewann. Darüber hinaus wurde Headwriterin Daphne Ferraro ausgezeichnet.
Über die Serie sagt die Jury: „Einerseits eine klassische ‚Enemies to Lovers‘- Geschichte, andererseits mit so viel Liebe zum Detail und unverstellter Spielfreude umgesetzt, dass es der Serie gelingt, den Nerv der Zeit zu treffen.“ Gleichzeitig würdigte die Jury Ferraros Konzept zur Serie: „Daphne Ferraros Konzept, Lachen und Weinen, Hoffen und Leiden im Handlungsverlauf ganz dicht aneinander zu rücken,...
„Maxton Hall“-Headwriterin Daphne Ferraro mit dem Blauen Panther (Credit: MedienBayern/Jens Hartmann)
In der BMW Welt in München ist heute zum dritten Mal der Blauer Panther – TV & Streaming Award vergeben worden.
In der Kategorie Fiktion zweifach ausgezeichnet wurde die von UFA Fiction produzierte Prime-Video-Serie „Maxton Hall – Die Welt zwischen uns“, die den Blauen Panther als beste Serie gewann. Darüber hinaus wurde Headwriterin Daphne Ferraro ausgezeichnet.
Über die Serie sagt die Jury: „Einerseits eine klassische ‚Enemies to Lovers‘- Geschichte, andererseits mit so viel Liebe zum Detail und unverstellter Spielfreude umgesetzt, dass es der Serie gelingt, den Nerv der Zeit zu treffen.“ Gleichzeitig würdigte die Jury Ferraros Konzept zur Serie: „Daphne Ferraros Konzept, Lachen und Weinen, Hoffen und Leiden im Handlungsverlauf ganz dicht aneinander zu rücken,...
- 10/23/2024
- by Jochen Müller
- Spot - Media & Film
Which should be exciting news for those unaware we even had an annual Italian Film Festival here in St. Louis. We do, and it’s been going on for ten years now. It’s not well-promoted in general but it must be in the local Italian community because I’ve attended on the past and they always draw huge crowds (the free admission probably doesn’t hurt).
St. Louisans can enjoy the local premiere of eleven recent Italian films at this year’s Italian Film Festival USA of St. Louis. The films are shown in their original language with English subtitles at 3 venues on the campus of Washington University: Lab Sciences 300, Brown Hall and Steinberg Auditorium.
For more details such as directions, times, sponsors, and a complete schedule go to the Italian Film Festival USA site Here
http://www.italianfilmfestivalstlouis.com/index.html
Highlights of this year’s fest include The Best Offer,...
St. Louisans can enjoy the local premiere of eleven recent Italian films at this year’s Italian Film Festival USA of St. Louis. The films are shown in their original language with English subtitles at 3 venues on the campus of Washington University: Lab Sciences 300, Brown Hall and Steinberg Auditorium.
For more details such as directions, times, sponsors, and a complete schedule go to the Italian Film Festival USA site Here
http://www.italianfilmfestivalstlouis.com/index.html
Highlights of this year’s fest include The Best Offer,...
- 4/2/2014
- by Tom Stockman
- WeAreMovieGeeks.com
International co-production and co-production markets around the globe will not be the same now following the news that the internationally respected German producer-distributor Karl Baumgartner has died at the age of 65.
Known affectionately by friends and colleagues alike as ¨Baumi¨, Baumgartner hailed from the South Tyrol, but was ¨ at home¨ in different countries and cultures, working with film-makers on projects located in some of the seemingly most inaccessible or logistically nightmarish parts of the planet.
Hearing him recount the making of Bakhtiar Khudojnazarov’s Luna Papa at one of the countless co-production panels with his tales of the shooting being stopped by floods washing the set away, the outbreak of civil war and being evacuated by the Red Cross floods, one often wondered whether he purposely looked for such challenges.
Not to speak of the challenge of putting such delicate and time-consuming co-production structures together involving tried-and-tested production partners, public funders and broadcasters from across Europe and beyond...
Known affectionately by friends and colleagues alike as ¨Baumi¨, Baumgartner hailed from the South Tyrol, but was ¨ at home¨ in different countries and cultures, working with film-makers on projects located in some of the seemingly most inaccessible or logistically nightmarish parts of the planet.
Hearing him recount the making of Bakhtiar Khudojnazarov’s Luna Papa at one of the countless co-production panels with his tales of the shooting being stopped by floods washing the set away, the outbreak of civil war and being evacuated by the Red Cross floods, one often wondered whether he purposely looked for such challenges.
Not to speak of the challenge of putting such delicate and time-consuming co-production structures together involving tried-and-tested production partners, public funders and broadcasters from across Europe and beyond...
- 3/19/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
In more Berlinale news, two new episodes of House of Cards to be shown on festival closing day.
The award will be presented to Baumgartner after laudatory speeches by Berlinale festival director Dieter Kosslick and Aki Kaurismäki on Feb 8 before a screening of Kaurismäki’s 1991 film La Vie de Bohème.
In 1982, Baumgartner and Reinhard Brundig founded the distrubution company Pandora Filmverleih in Frankfurt, which became one of the leading players in the world of interational arthouse cinema, discovering such talents as Jim Jarmusch, Aki Kaurimäki, Sally Potter, Andrei Tarkovsky and Kim Ki Duk.
Pandora’s move into production has seen the company backing films by Emir Kusturica (Underground), Sam Garbarski (Irina Palm), Aki Kaurismäki (Le Havre), Sergey Dvorstevoy (Tulpan), Jim Jarmusch (Only Lovers Left Alive), Claire Denis (Bastards), and, most recently, Fatih Akin (The Cut), to mention just a handful.
Apart from Cologne-based Pandora Filmproduktion, Baumgartner is also a partner with Thanassis Karathanos in Pallas Film, which...
The award will be presented to Baumgartner after laudatory speeches by Berlinale festival director Dieter Kosslick and Aki Kaurismäki on Feb 8 before a screening of Kaurismäki’s 1991 film La Vie de Bohème.
In 1982, Baumgartner and Reinhard Brundig founded the distrubution company Pandora Filmverleih in Frankfurt, which became one of the leading players in the world of interational arthouse cinema, discovering such talents as Jim Jarmusch, Aki Kaurimäki, Sally Potter, Andrei Tarkovsky and Kim Ki Duk.
Pandora’s move into production has seen the company backing films by Emir Kusturica (Underground), Sam Garbarski (Irina Palm), Aki Kaurismäki (Le Havre), Sergey Dvorstevoy (Tulpan), Jim Jarmusch (Only Lovers Left Alive), Claire Denis (Bastards), and, most recently, Fatih Akin (The Cut), to mention just a handful.
Apart from Cologne-based Pandora Filmproduktion, Baumgartner is also a partner with Thanassis Karathanos in Pallas Film, which...
- 1/28/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
In more Berlinale news, two new episodes of House of Cards to be shown on festival closing day.
The award will be presented to Baumgartner after laudatory speeches by Berlinale festival director Dieter Kosslick and Aki Kaurismäki on Feb 8 before a screening of Kaurismäki’s 1991 film La Vie de Bohème.
In 1982, Baumgartner and Reinhard Brundig founded the distrubution company Pandora Filmverleih in Frankfurt, which became one of the leading players in the world of interational arthouse cinema, discovering such talents as Jim Jarmusch, Aki Kaurimäki, Sally Potter, Andrei Tarkovsky and Kim Ki Duk.
Pandora’s move into production has seen the company backing films by Emir Kusturica (Underground), Sam Garbarski (Irina Palm), Aki Kaurismäki (Le Havre), Sergey Dvorstevoy (Tulpan), Jim Jarmusch (Only Lovers Left Alive), Claire Denis (Bastards), and, most recently, Fatih Akin (The Cut), to mention just a handful.
Apart from Cologne-based Pandora Filmproduktion, Baumgartner is also a partner with Thanassis Karathanos in Pallas Film, which...
The award will be presented to Baumgartner after laudatory speeches by Berlinale festival director Dieter Kosslick and Aki Kaurismäki on Feb 8 before a screening of Kaurismäki’s 1991 film La Vie de Bohème.
In 1982, Baumgartner and Reinhard Brundig founded the distrubution company Pandora Filmverleih in Frankfurt, which became one of the leading players in the world of interational arthouse cinema, discovering such talents as Jim Jarmusch, Aki Kaurimäki, Sally Potter, Andrei Tarkovsky and Kim Ki Duk.
Pandora’s move into production has seen the company backing films by Emir Kusturica (Underground), Sam Garbarski (Irina Palm), Aki Kaurismäki (Le Havre), Sergey Dvorstevoy (Tulpan), Jim Jarmusch (Only Lovers Left Alive), Claire Denis (Bastards), and, most recently, Fatih Akin (The Cut), to mention just a handful.
Apart from Cologne-based Pandora Filmproduktion, Baumgartner is also a partner with Thanassis Karathanos in Pallas Film, which...
- 1/28/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
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