Branimir Rakic
- Actor
Branimir Rakic is a Croatian actor and theater director based in Split, renowned for his extensive contributions to the city's theater scene. His career spans significant roles and directorial endeavors across several esteemed institutions, including the Croatian National Theater Split (HNK Split), the City Youth Theater Split (Gradsko kazaliste mladih Split), and the Split City Puppet Theater (Gradsko kazaliste lutaka Split). Branimir Rakic has been an active member of the Split City Puppet Theater (Gradsko kazaliste lutaka Split), contributing as a director and actor in various productions.
Theatrical Contributions: HNK Split: In the mid-1990s, Rakic showcased his versatility with notable performances in productions such as Hugo von Hofmannsthal's "Svatkovic" (1994), John Webster's "Vojvotkinja Malfeska" ("The Duchess of Malfi") in 1995, and Euripides' "Alkestida" ("Alcestis") in 2003. Gradsko kazaliste mladih Split: In 1999, he took on a significant role in "Mario," a melodrama adapted from Marcel Pagnol's work, under the direction of Vanca Kljakovic. He also participated in the theater's rendition of Oscar Wilde's "Vazno je zvat se Ernesto" ("The Importance of Being Earnest"). Split City Puppet Theater: As a director, Rakic led productions like "Zlatna ribica" ("The Golden Fish") and "How Ljiljo and Kosjenka Overcame the Evil Discord," the latter selected for the SLUK 2023 festival. As an actor, he has performed in numerous plays, including: William Shakespeare's "The Taming of the Shrew", William Shakespeare's "The Tempest", Jasen Boko's "Mate from the Other World", Luko Paljetak's "Mice and Cats Upside Down", Hans Christian Andersen's "The Snow Queen", Jasen Boko's "The Fan of Youth" and others.
Accolades: Rakic's excellence in theater has been recognized with prestigious awards, notably the Nagrada hrvatskog glumista (Croatian Theater Award) for Best Male Performance in a Puppet Show or a Play for Children and Youth in 2005.
Filmography: Beyond the stage, Rakic has contributed to Croatian cinema with roles in films such as "Posljednja volja" (2001), "Oprosti za kung fu" (2004), and "Safe Place" (2022), showcasing his versatility across different media.
Throughout his career, Branimir Rakic has remained a pivotal figure in Split's cultural landscape, continually enriching the artistic community with his diverse talents as both an actor and director.
Theatrical Contributions: HNK Split: In the mid-1990s, Rakic showcased his versatility with notable performances in productions such as Hugo von Hofmannsthal's "Svatkovic" (1994), John Webster's "Vojvotkinja Malfeska" ("The Duchess of Malfi") in 1995, and Euripides' "Alkestida" ("Alcestis") in 2003. Gradsko kazaliste mladih Split: In 1999, he took on a significant role in "Mario," a melodrama adapted from Marcel Pagnol's work, under the direction of Vanca Kljakovic. He also participated in the theater's rendition of Oscar Wilde's "Vazno je zvat se Ernesto" ("The Importance of Being Earnest"). Split City Puppet Theater: As a director, Rakic led productions like "Zlatna ribica" ("The Golden Fish") and "How Ljiljo and Kosjenka Overcame the Evil Discord," the latter selected for the SLUK 2023 festival. As an actor, he has performed in numerous plays, including: William Shakespeare's "The Taming of the Shrew", William Shakespeare's "The Tempest", Jasen Boko's "Mate from the Other World", Luko Paljetak's "Mice and Cats Upside Down", Hans Christian Andersen's "The Snow Queen", Jasen Boko's "The Fan of Youth" and others.
Accolades: Rakic's excellence in theater has been recognized with prestigious awards, notably the Nagrada hrvatskog glumista (Croatian Theater Award) for Best Male Performance in a Puppet Show or a Play for Children and Youth in 2005.
Filmography: Beyond the stage, Rakic has contributed to Croatian cinema with roles in films such as "Posljednja volja" (2001), "Oprosti za kung fu" (2004), and "Safe Place" (2022), showcasing his versatility across different media.
Throughout his career, Branimir Rakic has remained a pivotal figure in Split's cultural landscape, continually enriching the artistic community with his diverse talents as both an actor and director.
