The theatrical market across the Nordics recovered in 2022 without reaching pre-pandemic levels, driven predominantly by U.S. fare, such as “Top Gun: Maverick,” the biggest hit in Denmark, Finland and Sweden, “Minions: The Rise of Gru” No 1 in Iceland, and “Spider-Man: No Way Home” No 1 in Norway.
As always Danish movies secured the biggest national market share (30), followed by Finland (27), Norway (23) Sweden (19.3), and Iceland (10). Revenues were often more equally split across a larger number of titles, reaching record levels in several territories, as a result of Covid, that created a bottleneck of new releases.
Denmark
After a quiet start of the year with theaters locked down for the first two weeks due to Covid, ticket sales kickstarted again and ended up at 10.23 million, which is 49 up over 2021, but 20 down on pre-pandemic levels.
Revenue-wise, the Danish market hit Dkk 994.67 million (144.3 million), up 52 from the 2021 annus horribilis for cinemas, but just 16 down on the 2019 trawl,...
As always Danish movies secured the biggest national market share (30), followed by Finland (27), Norway (23) Sweden (19.3), and Iceland (10). Revenues were often more equally split across a larger number of titles, reaching record levels in several territories, as a result of Covid, that created a bottleneck of new releases.
Denmark
After a quiet start of the year with theaters locked down for the first two weeks due to Covid, ticket sales kickstarted again and ended up at 10.23 million, which is 49 up over 2021, but 20 down on pre-pandemic levels.
Revenue-wise, the Danish market hit Dkk 994.67 million (144.3 million), up 52 from the 2021 annus horribilis for cinemas, but just 16 down on the 2019 trawl,...
- 2/3/2023
- by Annika Pham
- Variety Film + TV
Danish director Thomas Vinterberg’s Oscar-nominated The Hunt (Jagten) won seven awards at the Danish Academy Awards - where Gravity picked up Best Us Feature.Scroll down for full list of winners
The Hunt, which has made the shortlist for the Best Foreign-Language Film at this year’s Oscars, was nominated in 14 categories at the Roberts - the annual awards of the Danish Film Academy.
Last night’s ceremony marked the 30th time the Danish national film prize was awarded at a gala in Copenhagen’s Tivoli Hotel & Congress Centre.
Having already collected 18 international prizes, including three at Cannes and a European Film Award, The Hunt won for Best Film and Best Original Screenplay (Vinterberg, Tobias Lindholm), and Mads Mikkelsen was named Best Actor for his portrayal of a 40-year-old man in a small provincial town, wrongly suspected of child abuse.
Taking to the stage with his team, Vinterbeg said: ”We have basked in success, and it has...
The Hunt, which has made the shortlist for the Best Foreign-Language Film at this year’s Oscars, was nominated in 14 categories at the Roberts - the annual awards of the Danish Film Academy.
Last night’s ceremony marked the 30th time the Danish national film prize was awarded at a gala in Copenhagen’s Tivoli Hotel & Congress Centre.
Having already collected 18 international prizes, including three at Cannes and a European Film Award, The Hunt won for Best Film and Best Original Screenplay (Vinterberg, Tobias Lindholm), and Mads Mikkelsen was named Best Actor for his portrayal of a 40-year-old man in a small provincial town, wrongly suspected of child abuse.
Taking to the stage with his team, Vinterbeg said: ”We have basked in success, and it has...
- 1/27/2014
- by jornrossing@aol.com (Jorn Rossing Jensen)
- ScreenDaily
Danish film is known for a lot of things. It’s precision. A willingness to challenge. Lately, a healthy string of high end thrillers. But what it’s not really known for is comedy. Particularly not slapstick comedy. But if Rasmus Heide has his way that will soon change with The Christmas Party (Julefrokosten). One of the most hotly anticipated films of the year in Denmark this year, The Christmas PArty features some of Denmark’s biggest stars - among them the leads from Pusher, Just Another Love Story and Flame And Citron getting goofy.
When salesman Anders begins his new job, he is given a special task: to infiltrate one the company’s competitors and during the annual Christmas event steal their confidential customer file. As Anders romps through the commotion and antics of the celebration, he realises that life is an ongoing process of learning and that he is only a beginner.
When salesman Anders begins his new job, he is given a special task: to infiltrate one the company’s competitors and during the annual Christmas event steal their confidential customer file. As Anders romps through the commotion and antics of the celebration, he realises that life is an ongoing process of learning and that he is only a beginner.
- 8/17/2009
- by Todd Brown
- Screen Anarchy
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