Milan Records today releases Ammonite (Original Motion Picture Soundtrack) with music by Dustin O’Halloran and Volker Bertelmann. Available everywhere now, the album features music written by the duo for director Francis Lee’s critically-acclaimed film starring Kate Winslet and Saoirse Ronan. Continuing a fruitful creative partnership, the nine-track album features music co-composed by O’Halloran and Bertelmann, who previously teamed on the Academy® Award, BAFTA, and Golden Globe® Award-nominated score for 2016’s Lion, A Christmas Carol and more.
Following its world premiere at the 2020 Toronto International Film Festival (TIFF), Neon opened the film in select theaters on November 13.
Please watch the film safely in theatres, but don’t worry if not, it comes out digitally in the US December 4th. I hope you and your loved ones are well pic.twitter.com/ewWAVAuoNx
— Francis Lee (@strawhousefilms) November 13, 2020
Of the soundtrack, composers O’Halloran and Bertelmann say,
“Writing music for Ammonite...
Following its world premiere at the 2020 Toronto International Film Festival (TIFF), Neon opened the film in select theaters on November 13.
Please watch the film safely in theatres, but don’t worry if not, it comes out digitally in the US December 4th. I hope you and your loved ones are well pic.twitter.com/ewWAVAuoNx
— Francis Lee (@strawhousefilms) November 13, 2020
Of the soundtrack, composers O’Halloran and Bertelmann say,
“Writing music for Ammonite...
- 11/14/2020
- by Michelle Hannett
- WeAreMovieGeeks.com
The more emotion-driven a TV series or movie, the more important the soundtrack. And boy is Normal People, the Hulu adaptation of Sally Rooney’s wildly popular novel of the same name, driven by the emotion of its characters and world.
Normal People follows Marianne and Connell’s complicated relationship as they move from being teenagers at a small town in western Ireland into young adulthood at Dublin’s Trinity College, and showrunner Ed Guiney, directors Lenny Abrahamson and Hettie Macdonald, music supervisors Juliet Martin and Maggie Phillips, and editor Nathan Nugent have done an impressive job crafting the music landscape for this world.
“We were trying all sorts of tracks ourselves,” said Abrahamson, who mentioned Martin, Phillips, Nugent, and himself as the chief collaborators in the process. “So, as well as the work that Stephen Rennicks, the composer, was doing, it was just, again, a very organic kind of collaboration.
Normal People follows Marianne and Connell’s complicated relationship as they move from being teenagers at a small town in western Ireland into young adulthood at Dublin’s Trinity College, and showrunner Ed Guiney, directors Lenny Abrahamson and Hettie Macdonald, music supervisors Juliet Martin and Maggie Phillips, and editor Nathan Nugent have done an impressive job crafting the music landscape for this world.
“We were trying all sorts of tracks ourselves,” said Abrahamson, who mentioned Martin, Phillips, Nugent, and himself as the chief collaborators in the process. “So, as well as the work that Stephen Rennicks, the composer, was doing, it was just, again, a very organic kind of collaboration.
- 4/29/2020
- by Kayti Burt
- Den of Geek
Hudson PR
To celebrate the release of Now That’s What I Call Music 91! we are giving you the chance to win one of 3 copies of the Now CD, due for release on 24th July 2015.
Now That’s What I Call Music is back with the 91st edition of the iconic numbered series. Stuffed to the brim with the biggest chart hits around, Now 91 features million selling hits Ellie Goulding ‘Love Me Like You Do’, Wiz Khalifa feat. Sam Puth ‘See You Again’ & Omi ‘Cheerleader’ amongst 44 hits and an incredible 7 number 1’s. You won’t find a bigger collection of smash hits on one album – if you’re a fan of pop hits this won’t be one to miss!
CD1
Ellie Goulding – Love Me Like You Do (from ‘Fifty Shades Of Grey’) Wiz Khalifa feat Charlie Puth – See You Again Omi – Cheerleader (Felix Jaehn Remix Radio Edit) Jason Derulo...
To celebrate the release of Now That’s What I Call Music 91! we are giving you the chance to win one of 3 copies of the Now CD, due for release on 24th July 2015.
Now That’s What I Call Music is back with the 91st edition of the iconic numbered series. Stuffed to the brim with the biggest chart hits around, Now 91 features million selling hits Ellie Goulding ‘Love Me Like You Do’, Wiz Khalifa feat. Sam Puth ‘See You Again’ & Omi ‘Cheerleader’ amongst 44 hits and an incredible 7 number 1’s. You won’t find a bigger collection of smash hits on one album – if you’re a fan of pop hits this won’t be one to miss!
CD1
Ellie Goulding – Love Me Like You Do (from ‘Fifty Shades Of Grey’) Wiz Khalifa feat Charlie Puth – See You Again Omi – Cheerleader (Felix Jaehn Remix Radio Edit) Jason Derulo...
- 7/28/2015
- by Laura Holmes
- Obsessed with Film
Yes, "If I Stay" is yet another teen romance based on a young adult book. I will disclose that I read and loved Gayle Forman's best-selling book about a brilliant young cellist faced with the ultimate life-and-death decision after her entire family is involved in a devastating car accident. Mia Hall (Chloe Moretz in her first romantic lead role) is an invisible spirit watching over her unconscious body in an intensive care unit. As she ponders what the future holds for her (is she headed for Juilliard, as she once hoped, or should she just give in to the lure of letting go), Mia spends most of her time remembering what she loved most about her pre-crash life: her family, her best friend, and her rather amazing boyfriend Adam (Jamie Blackley).
Director R.J. Cutler's take on the supernatural teen romance changes a few things up while remaining faithful...
Director R.J. Cutler's take on the supernatural teen romance changes a few things up while remaining faithful...
- 8/22/2014
- by Sandie Angulo Chen
- Moviefone
The commercials that aired during Sunday's Super Bowl to a large degree were already pre-broadcast. The big campaigns not only streamed online, but also preceded themselves with "teaser" versions.
As a result, their official arrivals tended to feel like a smallish baby dropped by a drooping stork. Then they were instantly viewed, discussed, graded up or down and made to run the gauntlet of social media.
In the future, everyone will be Carrie Underwood in The Sound of Music Live! for 15 minutes. It won't be pretty.
This year's Super Bowl ads didn’t send out any real ripples – nothing like...
As a result, their official arrivals tended to feel like a smallish baby dropped by a drooping stork. Then they were instantly viewed, discussed, graded up or down and made to run the gauntlet of social media.
In the future, everyone will be Carrie Underwood in The Sound of Music Live! for 15 minutes. It won't be pretty.
This year's Super Bowl ads didn’t send out any real ripples – nothing like...
- 2/3/2014
- by PEOPLE TV Critic Tom Gliatto
- People.com - TV Watch
The commercials that aired during Sunday's Super Bowl to a large degree were already pre-broadcast. The big campaigns not only streamed online, but also preceded themselves with "teaser" versions. As a result, their official arrivals tended to feel like a smallish baby dropped by a drooping stork. Then they were instantly viewed, discussed, graded up or down and made to run the gauntlet of social media. In the future, everyone will be Carrie Underwood in The Sound of Music Live! for 15 minutes. It won't be pretty. This year's Super Bowl ads didn’t send out any real ripples - nothing...
- 2/3/2014
- by PEOPLE TV Critic Tom Gliatto
- PEOPLE.com
Norwegian-born pop songstress Ane Brun has been known for her ability to rework other people’s songs with several popular covers, but fans anticipating her forthcoming compilation Songs 2003-2013 are in for a particular treat as Brun takes some of her own content back into the studio. “I love trying to remake and remix my own songs, it makes them stay interesting and alive to me,” said Brun. In anticipation of the album, Brun has released a video for “This Voice 2013.” “This new version of ‘This Voice,’ originally released 2005, is how I’ve performed it live in the last 2-3...
- 6/10/2013
- Pastemagazine.com
I first encountered Norwegian singer-songwriter Ane Brun on art-rock master Peter Gabriel's orchestral New Blood tour. While I was slightly put off by her contributions to Gabriel's massive tunes (Brun's quivery, operatic voice felt odd replacing the subtly ethereal Kate Bush vocal on duet "Don't Give Up"), I was intrigued by her opening slot—a brief yet sultry tease in which Brun wowed a jaw-dropped Chicago stadium, beating out time on an acoustic guitar, her singular voice soaring to the rafters.
- 5/2/2012
- Pastemagazine.com
Peter Gabriel has revealed that Kate Bush only sang on his 1986 single 'Don't Give Up' when Dolly Parton turned it down. The ex-Genesis man has re-recorded the track with singer Ane Brun for his upcoming album New Blood, which is released on October 10. Gabriel told The Quietus: "There's an interesting story about this song. Because there was this reference point of American roots music in it when I first wrote it, it was suggested that Dolly Parton sing on it. "But Dolly turned it down... and I'm glad she did because what Kate did on it is... brilliant." He added: "Obviously a lot of the power of the song came (more)...
- 9/19/2011
- by By Mayer Nissim
- Digital Spy
Love is a battlefield
Love is a supremely destructive force in Ane Brun’s songs, which document the devastation that ineluctably follows romance. It’s a fitting subject for the Scandinavian singer/songwriter, whose voice can be as tender as a bruise or as sharp as blame. On Changing of the Seasons, her quietly intense fifth album (but only her second to get a U.S. release), she and producer Valgeir Sigurðsson keep the music minimal—usually with only piano or guitar accompaniment—to highlight her expressive vocals and create a lonely, late-night mood. “Ten Seconds” and “Armour” add ominous strings and backing vocals to suggest some unspeakable emotional violence, and opener “The Treehouse Song”—perhaps the perkiest song here—uses its skipping-stone hook to recount grave disappointments. At times, Seasons threatens to collapse under the weight of so much pathos, but thanks to her singular voice and eccentric songwriting,...
Love is a supremely destructive force in Ane Brun’s songs, which document the devastation that ineluctably follows romance. It’s a fitting subject for the Scandinavian singer/songwriter, whose voice can be as tender as a bruise or as sharp as blame. On Changing of the Seasons, her quietly intense fifth album (but only her second to get a U.S. release), she and producer Valgeir Sigurðsson keep the music minimal—usually with only piano or guitar accompaniment—to highlight her expressive vocals and create a lonely, late-night mood. “Ten Seconds” and “Armour” add ominous strings and backing vocals to suggest some unspeakable emotional violence, and opener “The Treehouse Song”—perhaps the perkiest song here—uses its skipping-stone hook to recount grave disappointments. At times, Seasons threatens to collapse under the weight of so much pathos, but thanks to her singular voice and eccentric songwriting,...
- 10/14/2008
- Pastemagazine.com
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