Rodrigo Grota

I wanted to make a film about jazz, about the way of life that jazz is: the travelling, the roaming life, the self-destruction, simultaneity, fragmentation. All of these elements should direct the film's approach, from the shooting method to the editing. Therefore the film is not realistic: it's filled with digressions, fragments, uncompleted emotions, intertwined stories (nothing really clear, a little dispersed, but independent elements that acquire certain unity in the final ensemble).