Julie Edwards(IX)
- Camera and Electrical Department
A full time professional photographer based in West Sussex, UK, and her main focus is the Entertainment Industry, working with Film companies, theatre and musicians.
Having grown up North London, with her father working in the press she was used to seeing just about every newspaper every day and grew up being inspired by the photography in The Times and other supplements as well as Life Magazine and National Geographic. Her love is documentary photography: photography that tells a story.
Combining this first love with her passion for film and people led Julie to channel her work into the Entertainment industry covering Red Carpet events, becoming the official photographer for the London's Frightfest Horror Film Festival in 2010. This led to meeting and working with many of the UK's top indie film directors and producers and it was not long before she was asked to work on-set.
Her on-set time is spent producing stills for publicity purposes - either stills that mimic frames from the film or set-up images to bring out the characters and feel of the production. In addition her social media skills have meant her helping productions with early publicity running behind the scenes Instagram accounts and Twitter feeds.
In addition to being regularly featured in UK publications (magazines and newspapers), her photography often appears in the international press, books and on CD, DVD and Blu-Ray booklets and covers.
Having grown up North London, with her father working in the press she was used to seeing just about every newspaper every day and grew up being inspired by the photography in The Times and other supplements as well as Life Magazine and National Geographic. Her love is documentary photography: photography that tells a story.
Combining this first love with her passion for film and people led Julie to channel her work into the Entertainment industry covering Red Carpet events, becoming the official photographer for the London's Frightfest Horror Film Festival in 2010. This led to meeting and working with many of the UK's top indie film directors and producers and it was not long before she was asked to work on-set.
Her on-set time is spent producing stills for publicity purposes - either stills that mimic frames from the film or set-up images to bring out the characters and feel of the production. In addition her social media skills have meant her helping productions with early publicity running behind the scenes Instagram accounts and Twitter feeds.
In addition to being regularly featured in UK publications (magazines and newspapers), her photography often appears in the international press, books and on CD, DVD and Blu-Ray booklets and covers.
