La película se proyectó en el Festival de Cine de San Sebastián y también lo hará en el Festival de Cine Europeo de Sevilla. © A Contracorriente Films
Ya se ha publicado el primer tráiler de Los últimos románticos, el segundo largometraje de David Pérez Sañudo (Ane), que tuvo su estreno mundial en el Festival Internacional de Cine de San Sebastián y se proyectará en el Festival de Cine Europeo de Sevilla antes de su estreno en salas.
Basada en la novela homónima de Txani Rodríguez, ganadora del Premio Euskadi de Literatura, Los últimos románticos /Azken erromantikoak sigue a Irune, una mujer insegura, solitaria y con tendencias hipocondríacas que trabaja en una fábrica de papel situada en las afueras de un pueblo industrial. Su vida se limita a un reducido círculo de conocidos: sus compañeros de trabajo, una vecina con la que comparte algo parecido a una amistad y un operador...
Ya se ha publicado el primer tráiler de Los últimos románticos, el segundo largometraje de David Pérez Sañudo (Ane), que tuvo su estreno mundial en el Festival Internacional de Cine de San Sebastián y se proyectará en el Festival de Cine Europeo de Sevilla antes de su estreno en salas.
Basada en la novela homónima de Txani Rodríguez, ganadora del Premio Euskadi de Literatura, Los últimos románticos /Azken erromantikoak sigue a Irune, una mujer insegura, solitaria y con tendencias hipocondríacas que trabaja en una fábrica de papel situada en las afueras de un pueblo industrial. Su vida se limita a un reducido círculo de conocidos: sus compañeros de trabajo, una vecina con la que comparte algo parecido a una amistad y un operador...
- 10/29/2024
- by Marta Medina
- mundoCine
San Sebastian — At this year’s San Sebastian Festival, Basque cinema brings arguably its strong slate ever, fruits from its fast growing scene.
Among the throng of titles is Andrea Jaurrieta’s “Nina” offering a contemporary, feminist twist on the classic Western, featuring Patricia López Arnaiz as a woman seeking revenge in her coastal hometown. David Pérez Sañudo’s “The Last Romantics” presents a tale of second chances, starring Miren Gaztañaga as a woman confronting her mortality.
The documentary lineup is equally compelling, with Raúl de la Fuente’s “Los Williams” exploring race and identity through Basque soccer stars Iñaki and Nico Williams, and Carmen Chaplin’s “Charlie Chaplin, A Man of the World” providing an unprecedented look at the legendary filmmaker’s Romani heritage.
Here’s the rundown:
Main Competition
“I’m Nevenka,”
Co-written with Isa Campo, Icíar Bollaín dramatizes the harrowing true story of Nevenka Fernández, the first...
Among the throng of titles is Andrea Jaurrieta’s “Nina” offering a contemporary, feminist twist on the classic Western, featuring Patricia López Arnaiz as a woman seeking revenge in her coastal hometown. David Pérez Sañudo’s “The Last Romantics” presents a tale of second chances, starring Miren Gaztañaga as a woman confronting her mortality.
The documentary lineup is equally compelling, with Raúl de la Fuente’s “Los Williams” exploring race and identity through Basque soccer stars Iñaki and Nico Williams, and Carmen Chaplin’s “Charlie Chaplin, A Man of the World” providing an unprecedented look at the legendary filmmaker’s Romani heritage.
Here’s the rundown:
Main Competition
“I’m Nevenka,”
Co-written with Isa Campo, Icíar Bollaín dramatizes the harrowing true story of Nevenka Fernández, the first...
- 9/23/2024
- by Callum McLennan
- Variety Film + TV
In a coup for the Madrid-based sales agency, Latido Films has cliched a two picture deal with David Pérez Sañudo whose debut feature, “Ane,” repped by Latido, swept three Spanish Academy Goya Awards in 2021.
Latido will take world sales rights on both titles. The move comes as Spanish sales companies battle to retain top-flight talent, increasingly in the crosshairs of international counterparts.
With Pérez Sañudo, Latido gets one of Spain’s most exciting young directors, particularly for a skill now held at high value in and outside the U.S.: His ability to channel genre and sub-genre, often in individual scenes, injecting them with a larger sense of narrative.
Latido handled world sales rights on movies on another director with that sensitivity to sub-genre, Rodrigo Sorogoyen, from May God Save Us” (2016) to “The Realm” (2018) and “The Beasts” (2022) which trounced multiple Cannes winners to win best foreign film at France’s Cesars last year.
Latido will take world sales rights on both titles. The move comes as Spanish sales companies battle to retain top-flight talent, increasingly in the crosshairs of international counterparts.
With Pérez Sañudo, Latido gets one of Spain’s most exciting young directors, particularly for a skill now held at high value in and outside the U.S.: His ability to channel genre and sub-genre, often in individual scenes, injecting them with a larger sense of narrative.
Latido handled world sales rights on movies on another director with that sensitivity to sub-genre, Rodrigo Sorogoyen, from May God Save Us” (2016) to “The Realm” (2018) and “The Beasts” (2022) which trounced multiple Cannes winners to win best foreign film at France’s Cesars last year.
- 2/20/2024
- by John Hopewell
- Variety Film + TV
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