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Shaggy Manhattan auteur Onur Tukel’s latest film isn’t entirely new: Originally conceived as an ongoing TV series, “Black Magic for White Boys” premiered at Tribeca a couple of years ago as several preliminary episodes. But when prospects didn’t pan out in that format, he shot additional footage to create the current feature. Perhaps unsurprisingly, the result still has a loose, episodic feel, with a somewhat casual attitude toward the concept of “narrative arc” — qualities not at all at odds with Tukel’s prior output.

This ensemble comedy with a silly supernatural angle, centered on a decrepit Off Off Broadway theater, won’t be its maker’s belated breakthrough. But for those who grok his amiably misanthropic, offhand brand of humor, it will comprise another satisfyingly idiosyncratic chapter in a singular career that carries forward a trail previously blazed by the likes of Woody Allen, Henry Jaglom and...

In a world where white Americans start feeling unjustly marginalized as the stranglehold of power they’ve possessed in this country since its inception begins to show cracks in a bid for true equality that they continue fighting tooth and nail against, they’ll steal whatever advantage they can to retain the status quo. They must since their success arrives from exploitation of labor from the lower class. They accrue a nest egg of profit, keep employees under thumb with the threat of firing them, and sit on their laurels buying property and investments in ways that optimize loopholes in the tax system. And anyone who gets in the way is simply removed from the equation via corruption, political clout, and for-profit healthcare. They wield their privilege with a magic wand.

So how does writer/director Onur Tukel help their quest to maintain world domination? He gives them real magic.