Stars: Jessica O’Toole, David Cotter, Rita Siddiqui, Kate Lush, Andrew Hollingworth, Claire-Maria Fox, Mike Kelson, Kate Milner Evans, Heronimo Sehmi, Georgina Jane, Hattie Willow | Written by Suzy Spade | Directed by Rebecca Matthews
We’ve covered quite a few films from UK production outfit Proportion Productions, who have become almost factory-like in their film output in recent years, with films like the Unhinged remake, Fox Trap, House on Elm Lake, Darker Shade of Elise, Mother Krampus, Suicide Club, Curse of the Scarecrow and The Bad Nun to name a few… Pet Graveyard is the latest film in their ouevre and no, before you ask, this is Not a riff on Pet Sematary.
Going back to the title for a minute, it seems such a shame that the companies recent output has been lumbered with these “mockbuster”-like titles and marketing (I’m looking at you Mother Krampus and The Bad...
We’ve covered quite a few films from UK production outfit Proportion Productions, who have become almost factory-like in their film output in recent years, with films like the Unhinged remake, Fox Trap, House on Elm Lake, Darker Shade of Elise, Mother Krampus, Suicide Club, Curse of the Scarecrow and The Bad Nun to name a few… Pet Graveyard is the latest film in their ouevre and no, before you ask, this is Not a riff on Pet Sematary.
Going back to the title for a minute, it seems such a shame that the companies recent output has been lumbered with these “mockbuster”-like titles and marketing (I’m looking at you Mother Krampus and The Bad...
- 3/22/2019
- by Phil Wheat
- Nerdly
On Feb. 9, two weeks and a day before the Oscars, the Motion Picture Academy held its annual Scientific and Technical Achievement Awards — sometimes referred to as the nerd Academy Awards — honoring achievements in motion picture technology.
The ceremony included no surprise winners — Sci-Tech kudos are announced in advance, and the achievements need not have been introduced in 2018. Two of this year’s honorees were chosen because their accomplishments democratized the field of visual effects.
Before the mid-’90s, most VFX tools were too expensive, cumbersome and time-consuming to be used by anyone other than artists working on big-budget films. But then two groups of engineers began to develop the kind of nimble software that nearly anyone could learn to use. With the introduction of After Effects and Photoshop, now both owned by Adobe, anyone willing to spend a few thousand dollars on a speedy desktop machine can work with image...
The ceremony included no surprise winners — Sci-Tech kudos are announced in advance, and the achievements need not have been introduced in 2018. Two of this year’s honorees were chosen because their accomplishments democratized the field of visual effects.
Before the mid-’90s, most VFX tools were too expensive, cumbersome and time-consuming to be used by anyone other than artists working on big-budget films. But then two groups of engineers began to develop the kind of nimble software that nearly anyone could learn to use. With the introduction of After Effects and Photoshop, now both owned by Adobe, anyone willing to spend a few thousand dollars on a speedy desktop machine can work with image...
- 2/15/2019
- by Karen Idelson
- Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.