Rowland V. Lee(1891-1975)
- Direção
- Redação
- Produção
Rowland V. Lee nasceu o 6 de setembro de 1891 em Ohio, EUA. Era diretor e autor e foi conhecido pelo seu trabalho em O Conde de Monte Cristo (1934), Aves Sem Rumo (1938) e O Filho de Frankenstein (1939). Foi casado com Eleanor Worthington. Morreu o 21 de dezembro de 1975 em Palm Desert, Califórnia, EUA.
- Prêmios
- 1 vitória e 1 indicação no total
Direção
Redação
- 1959
- 1935
- 1934
- 1933
- 1933
- Monte Carlo Madness
- dialogues
- 1932
- 1931
- 1931
- Rachel
- writer
- 1928
- Hora Secreta
- writer
- 1928
- 1927
- 1923
- A Self-Made Man
- scenario
- 1922
- What Ho, the Cook
- Redação
- 1921
Produção
- 1959
- 1944
- 1940
- 1939
- 1939
- 1939
- 1938
- 1930
- 1930
- 1929
- 1928
- Morta para o Mundo
- producer
- 1928
- 1928
- 1927
- Como Homem Algum Jamais Amou
- producer
- 1925
- Nomes alternativos
- Roland V. Lee
- Nascido(a) em
- Falecido(a) em
- 21 de dezembro de 1975
- Palm Desert, Califórnia, EUA(ataque cardíaco)
- Cônjuge
- Eleanor Worthington6 de novembro de 1924 - 21 de dezembro de 1975 (sua morte, 1 criança)
- ParentesRobert N. Lee(Sibling)
- Outros trabalhosStage: "Seven Chances". Written by Roi Cooper Megrue. George M. Cohan's Theatre (moved to the Belasco Theatre on 23 Oct 1916 to close): 8 Aug 1916- Dec 1916 (closing date unknown/151 performances). Cast: Marion Abbott, Charles Brokate, Emily Callaway, Alice Carroll, Frank Craven, Florence Deshon, Hayward Ginn, Otto Kruger, Rowland V. Lee [credited as Rowland Lee], Harry Leighton. Helen MacKellar, Carroll McComas, Anne Meredith, Lillian Spencer, Allen Thomas, Beverly West. Produced by David Belasco. NOTE: Filmed as Sete Oportunidades (1925).
- Ofertas de publicidade
- CuriosidadesHe had his own 214-acre movie ranch, located in the San Fernando Valley in California. He purchased the property in 1935 and called it Farm Lake Ranch, but the film industry always knew it as the Rowland V. Lee Ranch, with its pale brown hills of barley chaff and olive and eucalyptus trees and two scenic lakes, but for some reason it wasn't used much for westerns. For Sempre Te Amei (1946), Republic Pictures built an extensive farmhouse and barn set. It also constructed a stone and wood bridge over one of the lakes, which would usually be photographed as a river. The farmhouse set would be adapted and modified over the years. RKO used it as a period French farmhouse for its modest swashbuckler Os Filhos dos Mosqueteiros (1952). Its most famous use was as an Indiana Quaker family farm during the Civil War in Allied Artists' Sublime Tentação (1956). To give it that "Indiana look", director William Wyler had cornfields planted, sycamore trees brought in and huge areas covered with green grass. The wooden farmhouse was also given a fake stone facade. You'll also see the ranch used to great effect in Alfred Hitchcock's Pacto Sinistro (1951) and in Charles Laughton's O Mensageiro do Diabo (1955). After Lee died in 1975, the ranch was developed into an expensive gated community called Hidden Lake Estates.
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