Ishirô Honda(1911-1993)
- Direção
- Redação
- Diretor da Segunda Unidade ou Assistente de Direção
Ishirô Honda nasceu o 7 de maio de 1911 no Japão. Era diretor e autor e foi conhecido pelo seu trabalho em Godzilla (1954), Godzilla (1998) e Ran (1985). Foi casado com Kimi Honda. Morreu o 28 de fevereiro de 1993 em Tóquio, Japão.
Direção
- 2000
- 1995
- 1993
- Sonhos7,7
- Direção (segments "The Tunnel", "Mount Fuji in Red", prologue and epilogue of "The Weeping Demon", não creditado)
- 1990
- 1987
- 1986
- 1985
- 1984
- 1984
- 1977
- 1977
- 1975
- 1973
- 1973
- 1973
Redação
- 2023–2024
- 2023
- 2023
- 2021
- 2021
- 2018
- 2018
- 2017
- 2017
- Godzilla: The Terror of Doom
- based on the character created by
- 2016
- 2016
- 2014
- 2014
- 2007
- 2004
Assistente de Direção
- 1993
- 1991
- 1990
- 1985
- 1984
- 1980
- 1951
- 1950
- 1950
- Kaze no ko
- assistant director
- 1949
- 1949
- 1949
- Shin baka jidai: kôhen
- assistant director
- 1947
- 1947
- Chikagai nijuyojikan
- assistant director
- 1947
- Central de atendimento oficial
- Nomes alternativos
- Inoshiro Honda
- Altura
- 1,80 m
- Nascido(a) em
- Falecido(a) em
- 28 de fevereiro de 1993
- Tóquio, Japão(respiratory failure)
- Cônjuge
- Kimi Honda1937 - 28 de fevereiro de 1993 (sua morte, 2 crianças)
- Ofertas de publicidade
- CuriosidadesHe was best friends with fellow director Akira Kurosawa. Kurosawa considered Honda to be his equal as a director and in his later years, when his health was failing, would call upon Honda to assist him with his productions. Honda would be the one who delivered the congratulations on behalf of Toho when Kurosawa won his Academy Award. Throughout his career, Kurosawa spoke highly of Honda's contributions to film and, after Honda's death, would deliver the eulogy at his funeral.
- Citações[on Rodan] Monsters are tragic beings. They are born too tall, too strong, too heavy. They are not evil by choice. That is their tragedy. They do not attack people because they want to, but because of their size and strength, mankind has no other choice but to defend himself. After several stories such as this, people end up having a kind of affection for the monsters. They end up caring about them.
- Marcas registradasFrequently shows scenes of people being overwhelmed by an ambush of crowds, human or inhuman, based on a fear he had while stationed in China during World War II.
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