Num mundo onde os adultos temem a qualquer que tenha menos de dezoito anos, um grupo de adolescentes forma uma resistença para lutar e sobreviver no futuro.Num mundo onde os adultos temem a qualquer que tenha menos de dezoito anos, um grupo de adolescentes forma uma resistença para lutar e sobreviver no futuro.Num mundo onde os adultos temem a qualquer que tenha menos de dezoito anos, um grupo de adolescentes forma uma resistença para lutar e sobreviver no futuro.
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- CuriosidadesAlexandra Bracken: The author of the book series plays a nurse.
- Erros de gravaçãoIt's explained that all adults moved to the big cities. And really, the places the kids go are so deserted they can roam about freely in broadest daylight without keeping guard (which is why they're surprised by a bounty hunter - twice). Yet Ruby's parents still live in the same house.
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Written by Dillon Pace and Mandi Perkins
Performed by Of Verona
Courtesy of De Novo Music Group
Under license from Sony/ATV Music Publishing
Avaliação em destaque
The Darkest Minds is the latest teen sci-fi franchise alike Hunger Games, Divergent, Twilight, The Host etc etc etc and alike the majority of them will never be a fully told story.
It tells the tale of a world where 90% of kids die leaving the remaining ones with a selection of super powers (For some unexplained reason). The government rounds them up and incarcerates them out of fear killing off the more powerful ones.
It follows the tale of one girl who is smuggled out and goes on the run. But who can she trust?
Personally I loved the concept, such potential! Under the circumstances a television series would have made a tremendous amount more sense as I think this is all we're ever going to see from the Darkest Minds universe.
Our leading lady is fantastic, truly stellar performance and it wasn't until late in the film I realised it was Rue from the Hunger Games (2012) all grown up. Alongside her we have the excellent Bradley Whitford, Wade Williams, Mandy Moore and Game of Thrones star Gwendoline Christie (Though all of them are rather brief).
One thing that struck me was the leading man Harris Dickinson, he just wasn't up to the job in any respect and felt like a weak link throughout. I can't imagine how he got the job and question castings logic with that one.
The main issue with the movie is that it's the same as the rest. What I mean by that is these teen sci-fi types take a concept and then surround it by the usual tropes that are so blatant and so excessive it damages them beyond repair. This made the film cliched beyond words and criminally predictible.
All things considered it could be worse but all the teen sci-fi tropes, the fact this is all we'll get and thus leaving us with an incomplete story and a weak leading man stopped any potential it had dead in its tracks.
Great for what it is and I see the appeal, but this is to the movie industry what pop is to the music industry.
The Good:
Amandla Stenberg
Decent supporting cast
Some very good ideas
Hearts in the right place
The Bad:
Too many tropes
Very cliched
Harris Dickinson
Things I Learnt From This Movie:
Hollywood needs to go back to the drawing board on this genre
A world without kids sounds like my kind of place
It tells the tale of a world where 90% of kids die leaving the remaining ones with a selection of super powers (For some unexplained reason). The government rounds them up and incarcerates them out of fear killing off the more powerful ones.
It follows the tale of one girl who is smuggled out and goes on the run. But who can she trust?
Personally I loved the concept, such potential! Under the circumstances a television series would have made a tremendous amount more sense as I think this is all we're ever going to see from the Darkest Minds universe.
Our leading lady is fantastic, truly stellar performance and it wasn't until late in the film I realised it was Rue from the Hunger Games (2012) all grown up. Alongside her we have the excellent Bradley Whitford, Wade Williams, Mandy Moore and Game of Thrones star Gwendoline Christie (Though all of them are rather brief).
One thing that struck me was the leading man Harris Dickinson, he just wasn't up to the job in any respect and felt like a weak link throughout. I can't imagine how he got the job and question castings logic with that one.
The main issue with the movie is that it's the same as the rest. What I mean by that is these teen sci-fi types take a concept and then surround it by the usual tropes that are so blatant and so excessive it damages them beyond repair. This made the film cliched beyond words and criminally predictible.
All things considered it could be worse but all the teen sci-fi tropes, the fact this is all we'll get and thus leaving us with an incomplete story and a weak leading man stopped any potential it had dead in its tracks.
Great for what it is and I see the appeal, but this is to the movie industry what pop is to the music industry.
The Good:
Amandla Stenberg
Decent supporting cast
Some very good ideas
Hearts in the right place
The Bad:
Too many tropes
Very cliched
Harris Dickinson
Things I Learnt From This Movie:
Hollywood needs to go back to the drawing board on this genre
A world without kids sounds like my kind of place
- Platypuschow
- 17 de nov. de 2018
- Link permanente
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Detalhes
Bilheteria
- Orçamento
- US$ 34.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 12.695.691
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.842.609
- 5 de ago. de 2018
- Faturamento bruto mundial
- US$ 41.142.379
- Tempo de duração1 hora 44 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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