Adicionar um enredo no seu idiomaSomeone is viciously murdering people, people with criminal pasts. It appears that the murders may be linked to the disappearance of a young girl 15 years previously.Someone is viciously murdering people, people with criminal pasts. It appears that the murders may be linked to the disappearance of a young girl 15 years previously.Someone is viciously murdering people, people with criminal pasts. It appears that the murders may be linked to the disappearance of a young girl 15 years previously.
- Prêmios
- 1 vitória e 1 indicação no total
Luis Emilio Rodríguez
- Ispettore Bruno Moretti
- (as Luis Emilio Rodriguez)
Gustavo Dalessanro
- Detective Benito Succo
- (as Gustavo D'Alessandro)
Nicolás Onetti
- Detective
- (as Nicolas Onetti)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- ConexõesReferenced in De Kijk van Koolhoven: Eurohorror (2018)
- Trilhas sonorasFrancesca da Rimini
Written by Pyotr Ilyich Tchaikovsky
Performed by Karen Kornienko
Avaliação em destaque
"Francesca" was my first acquaintance with the works of the Onetti brothers; - Luciano and Nicolás. As a major fan of the Italian Giallo, I instantly fell in love with the DVD-cover, bought it, and then put it safely away in my honoree-closet for more than three years because I waited for a special occasion. During these three years, however, I saw two newer and truly disappointing films of the Onetti brothers that gradually made me wary. "What the Waters Left Behind" is a dreadfully uninspired "Texas Chainsaw Massacre" clone, while also their other giallo-homage "Abrakadabra" was a serious misfire. Maybe, just maybe, it was best to lower my expectations for "Francesca" as well.
Happy to say that "Francesca" is definitely the best, or at least my personal favorite, of the Onetti tribute thus far! Still, the giallo is such a periodically and culturally specific 70s sub-genre that it simply doesn't this current post-Millennial era. Even though I admire the Onetti brothers' goodwill and enthusiasm to pay tribute to these unique films, "Francesca" just didn't evoke any feelings of nostalgia or excitement. Exceptions aside, the true Gialli came from Italy and were released between 1969 and 1975. They are wonderfully deranged movies with convoluted plots, absurd twists, graphic violence, gratuitous sex and experimental stylistic aspects. The Onettis most certainly did their homework in terms of look & feel, as "Francesca" features chaotic color patterns, a psychedelic atmosphere, perverted characters, theatrical death sequences, and bloody bizarre imagery. For some reason, however, they also assumed that an incoherent plot and a horribly slow pacing were also mandatory trademarks. That's not the case, or at least I never felt so! I honestly don't understand why a film with such a solid basic plot (a series of grisly murders leads back to the disappearance of a young girl 15 years ago) must suffer from so many needless pacing-interruptions and premature plot revelations. There are some really great aspects, like the soundtrack and certain murder sequences, but overall "Francesca" is not as awesome as that cool film-poster suggests.
Happy to say that "Francesca" is definitely the best, or at least my personal favorite, of the Onetti tribute thus far! Still, the giallo is such a periodically and culturally specific 70s sub-genre that it simply doesn't this current post-Millennial era. Even though I admire the Onetti brothers' goodwill and enthusiasm to pay tribute to these unique films, "Francesca" just didn't evoke any feelings of nostalgia or excitement. Exceptions aside, the true Gialli came from Italy and were released between 1969 and 1975. They are wonderfully deranged movies with convoluted plots, absurd twists, graphic violence, gratuitous sex and experimental stylistic aspects. The Onettis most certainly did their homework in terms of look & feel, as "Francesca" features chaotic color patterns, a psychedelic atmosphere, perverted characters, theatrical death sequences, and bloody bizarre imagery. For some reason, however, they also assumed that an incoherent plot and a horribly slow pacing were also mandatory trademarks. That's not the case, or at least I never felt so! I honestly don't understand why a film with such a solid basic plot (a series of grisly murders leads back to the disappearance of a young girl 15 years ago) must suffer from so many needless pacing-interruptions and premature plot revelations. There are some really great aspects, like the soundtrack and certain murder sequences, but overall "Francesca" is not as awesome as that cool film-poster suggests.
- Coventry
- 22 de abr. de 2020
- Link permanente
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Франческа
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 2.008
- Tempo de duração1 hora 20 minutos
- Cor
- Proporção
- 2.35 : 1
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