Viena, seus palácios imperiais, seu Danúbio Azul e sua comunidade francesa microscópica. Jovem casal à vista, Eve e Henri, pais do pequeno Malo, tem tudo para serem felizes.Viena, seus palácios imperiais, seu Danúbio Azul e sua comunidade francesa microscópica. Jovem casal à vista, Eve e Henri, pais do pequeno Malo, tem tudo para serem felizes.Viena, seus palácios imperiais, seu Danúbio Azul e sua comunidade francesa microscópica. Jovem casal à vista, Eve e Henri, pais do pequeno Malo, tem tudo para serem felizes.
- Prêmios
- 1 indicação no total
Raphaëlle Lubansu
- Servane
- (as Raphaëlle Bruneau)
Edmund Jäger
- Komissar Koch
- (as Edi Jäger)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- ConexõesFeatures Pele de Asno (1970)
Avaliação em destaque
In the French psychological thriller ,Claude Chabrol makes more and more his influence felt .Add some Henri -Georges Clouzot's "le corbeau "( 1943)snatches (the letters replaced by email) ; with such directors ,who lent credibility to the French film noir, how could a director fail?
And how could he fail when one of the best contemporary French actresses (and in my book,the best ) ,whose hairdo recalls Stephane Audran's heyday, is at hand ?Karine Viard is stunning , she savors her vengeance with an almost sadistic pleasure : the scene in the classroom where the PTA is gathered ,climaxes the film :she plays cat and mouse with her husband in front of his self-conscious lover ,the schoolteacher who finds a shrewd loophole though .Viard displays false compassion ,false understanding and false smile with gusto ; the male actors almost pale into insignificance ,compared to her.
Like in the best Chabrol works of the late sixties/early seventies ,the detective side and the murder take a back seat to the depiction of a selfish despising bourgeoisie : the heroine 's mom ,a crude woman who is certainly from the working-class is considered an outcast by the husband ,not because she's an intrusive mother-in-law ,but because she 's not educated ,she does not fit in the elite the couple entertains (the dinners are revealing); :one may deplore the way those people go unpunished ,but like in "juste avant la nuit"(1971) , agonies of remorse come back to haunt them...
In Clouzot's times , there were writers of poison-pen letters ;in the computer age,not only you can find secrets on a mobile ,but you can also send intimate messages to as many people as you wish ,and find on internet informations about your enemy .....
Like Chabrol and Clouzot , the screenwriters can create secondary characters you will remember: the exasperating woman , a French literature buff ,who intervenes at the most awkward moment .
I'd tone a bit my praises for the young German one-night lover , who's not on a par with his co-star .
It's a relatively minor point ,and considered at a longer view ,an almost irrelevant one; few directors are able to make theirs their predecessors' qualities with absolute consistency.
And how could he fail when one of the best contemporary French actresses (and in my book,the best ) ,whose hairdo recalls Stephane Audran's heyday, is at hand ?Karine Viard is stunning , she savors her vengeance with an almost sadistic pleasure : the scene in the classroom where the PTA is gathered ,climaxes the film :she plays cat and mouse with her husband in front of his self-conscious lover ,the schoolteacher who finds a shrewd loophole though .Viard displays false compassion ,false understanding and false smile with gusto ; the male actors almost pale into insignificance ,compared to her.
Like in the best Chabrol works of the late sixties/early seventies ,the detective side and the murder take a back seat to the depiction of a selfish despising bourgeoisie : the heroine 's mom ,a crude woman who is certainly from the working-class is considered an outcast by the husband ,not because she's an intrusive mother-in-law ,but because she 's not educated ,she does not fit in the elite the couple entertains (the dinners are revealing); :one may deplore the way those people go unpunished ,but like in "juste avant la nuit"(1971) , agonies of remorse come back to haunt them...
In Clouzot's times , there were writers of poison-pen letters ;in the computer age,not only you can find secrets on a mobile ,but you can also send intimate messages to as many people as you wish ,and find on internet informations about your enemy .....
Like Chabrol and Clouzot , the screenwriters can create secondary characters you will remember: the exasperating woman , a French literature buff ,who intervenes at the most awkward moment .
I'd tone a bit my praises for the young German one-night lover , who's not on a par with his co-star .
It's a relatively minor point ,and considered at a longer view ,an almost irrelevant one; few directors are able to make theirs their predecessors' qualities with absolute consistency.
- ulicknormanowen
- 2 de jun. de 2021
- Link permanente
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- How long is Appearances?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 3.047.468
- Tempo de duração1 hora 48 minutos
- Cor
- Proporção
- 2.39 : 1
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