Dida Ibsens Geschichte

Name: Dida Ibsens Geschichte
Genre: Drama
Released: 1918-12-12
Rating: 6.2
Cast: Anita Berber, Conrad Veidt, Werner Krauss

1918

AVALIAÇÃO DA IMDb

6,2/10

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Drama

Adicionar um enredo no seu idiomaDida Ibsen, daughter of impoverished farmers, has, according to her father's will, to marry the main creditor. But she refuses and decides to live with a married man as a mistress, till he g... Ler tudoDida Ibsen, daughter of impoverished farmers, has, according to her father's will, to marry the main creditor. But she refuses and decides to live with a married man as a mistress, till he gets his divorce. In the town she opens a restaurant with the money of her wealthy lover, f... Ler tudoDida Ibsen, daughter of impoverished farmers, has, according to her father's will, to marry the main creditor. But she refuses and decides to live with a married man as a mistress, till he gets his divorce. In the town she opens a restaurant with the money of her wealthy lover, from whom she soon gets pregnant, but their dreams of marriage fail, his wife refuses the d... Ler tudo

Direção
- Richard Oswald
Roteiristas
- Margarete Böhme
- Richard Oswald
Artistas

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

6,2/10

SUA AVALIAÇÃO

Direção
- Richard Oswald
Roteiristas
- Margarete Böhme
- Richard Oswald
Artistas

1Avaliação de usuário

Veja as informações de produção no IMDbPro

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Curiosidades
The only copy of the original print can be found at the George Eastman house.

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Avaliação em destaque

Dida Ibsens Geschichte

A print of this film can be found at George Eastman House. I viewed it in 1990, and found it to be rather undistinguished. Krauss keeps Berber a prisoner in his home, where she is guarded by an alligator (!). Veidt is ineffective as the hero. The film is indifferently acted and blandly photographed, both characteristics of Richard Oswald's early productions. Oswald was a very prolific producer/director/writer who owned not only his own company but his own theater in Berlin as well! Consequently, his low-budget productions were seem by hundreds of thousands, and he is regarded as one of the minor leaders in silent German cinema. Only a handful of his films survive today, of which ANDERS ALS DIE ANDERN, UNHEIMLICHE GESCHICHTEN, and LUKREZIA BORGIA are the most well-known. Jay Salsberg