AVALIAÇÃO DA IMDb
7,1/10
555
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA maid working for a theatrical troupe gets small roles but craves a major part, determined to prove herself deserving of stardom amidst the company's productions.A maid working for a theatrical troupe gets small roles but craves a major part, determined to prove herself deserving of stardom amidst the company's productions.A maid working for a theatrical troupe gets small roles but craves a major part, determined to prove herself deserving of stardom amidst the company's productions.
D'Arcy Corrigan
- Macomber
- (não creditado)
Charles K. French
- Mr. Tichnor
- (não creditado)
Dwight Frye
- Balcony Heckler
- (não creditado)
William Gillespie
- Jack Hastings
- (não creditado)
Jimmy Humes
- Audience Member
- (não creditado)
Gus Leonard
- Audience Member
- (não creditado)
Andy MacLennan
- Stagehand
- (não creditado)
Kenneth McMillan
- Audience Member
- (não creditado)
Terence McMillan
- Audience Member
- (não creditado)
Carl Richards
- Dave
- (não creditado)
Enredo
Você sabia?
- CuriosidadesFeature film debut of Franklin Pangborn, who played Cecil Lovelace, one of the actors in the repertory troupe.
- Erros de gravaçãoAround 51 minutes, when Violet (Beatrice Lillie) is playing the villain part in the play, the string can be seen used to pull off the mustache as she sneezes.
- Citações
Title Card: VIOLET - - The drudge of the troupe... who also played parts, like "Nothing" in "Much Ado About Nothing".
- Versões alternativasIn 2004, Turner Entertainment Co. copyrighted a version with a new score by Linda Martinez, winner of the 4th Annual Young Composers Competition sponsored by Turner Classic Movies (TCM). It was premiered by TCM on 15 May 2005 and ran 77 minutes.
Avaliação em destaque
Beatrice Lillie was totally captivating.
I have just finished watching this movie for the first time on TCM. I loved it. The realistic depiction of life in a traveling troupe of actors is great. The filming was light years beyond my expectations for a 1926 film. The cast is really great. But what makes the movie is the performance of the fabulous Beatrice Lillie, unknown to me before now.
The plot is thin, but provides enough tension through a couple of subplots to maintain interest at a high level. However, Ms. Lillie glows with such beauty, charm and charisma that she could easily maintain your interest through a much lesser film. Her acting style will knock you out. Perhaps due to her stage training, her acting is so nuanced and subtle you might think that she was an actress from the last half of the 20th century instead of the first half. I roared with laughter, and yet I felt her character's yearning - both for the love of her life and for the elusive acting opportunity. When life hands her the great opportunity that the stage has denied, she seizes it with abandon. Here the slapstick is hilarious and never clichéd. Yet this film is much more than slapstick. Other humor and irony abound.
But the film is not just a comedy, either. Several scenes are not comical, but serve to advance what is a dramatic plot underlying the comedy. And Ms. Lillie shows a wide range of emotions. While the ending may not fulfill some viewer's wishes, it is also far from the pat ending that might be expected in a pure comedy. Even though it strikes a different emotional chord from the comic character of most of the film, clear ground work has been laid for the ending; so it is not really unpredictable or a great plot twist. I suspect audiences in 1926 would have preferred a pat ending, but modern movie-goers are more likely to embrace this one.
The greatest of clowns, such as Chaplin, give us characters that are not merely funny, but also are filled with pathos. Beatrice Lillie has this gift. She shows us the soul of her comic character so that we see her longings and disappointments - her angst. That is why we root for her poor troupe flunky, are delighted by this wonderful gem of a movie, and find ourselves feeling very ambivalent about the ending. I feel blessed for having finally been introduced to this incredible actress, and I regret that she did not leave a legacy of many more films for us to enjoy today.
I have just finished watching this movie for the first time on TCM. I loved it. The realistic depiction of life in a traveling troupe of actors is great. The filming was light years beyond my expectations for a 1926 film. The cast is really great. But what makes the movie is the performance of the fabulous Beatrice Lillie, unknown to me before now.
The plot is thin, but provides enough tension through a couple of subplots to maintain interest at a high level. However, Ms. Lillie glows with such beauty, charm and charisma that she could easily maintain your interest through a much lesser film. Her acting style will knock you out. Perhaps due to her stage training, her acting is so nuanced and subtle you might think that she was an actress from the last half of the 20th century instead of the first half. I roared with laughter, and yet I felt her character's yearning - both for the love of her life and for the elusive acting opportunity. When life hands her the great opportunity that the stage has denied, she seizes it with abandon. Here the slapstick is hilarious and never clichéd. Yet this film is much more than slapstick. Other humor and irony abound.
But the film is not just a comedy, either. Several scenes are not comical, but serve to advance what is a dramatic plot underlying the comedy. And Ms. Lillie shows a wide range of emotions. While the ending may not fulfill some viewer's wishes, it is also far from the pat ending that might be expected in a pure comedy. Even though it strikes a different emotional chord from the comic character of most of the film, clear ground work has been laid for the ending; so it is not really unpredictable or a great plot twist. I suspect audiences in 1926 would have preferred a pat ending, but modern movie-goers are more likely to embrace this one.
The greatest of clowns, such as Chaplin, give us characters that are not merely funny, but also are filled with pathos. Beatrice Lillie has this gift. She shows us the soul of her comic character so that we see her longings and disappointments - her angst. That is why we root for her poor troupe flunky, are delighted by this wonderful gem of a movie, and find ourselves feeling very ambivalent about the ending. I feel blessed for having finally been introduced to this incredible actress, and I regret that she did not leave a legacy of many more films for us to enjoy today.
- krdement
- 3 de jun. de 2007
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Exit Smiling
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 260.000 (estimativa)
- Tempo de duração1 hora 17 minutos
- Cor
- Mixagem de som
- Proporção
- 1.33 : 1
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By what name was Doce Amargura (1926) officially released in India in English?
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