O Gato e o Canário

I'm a fan of both horror films and silent films, but I didn't have a chance to get around to this one until now--and I was surprised by how much I enjoyed it. Other reviewers have already indicated how well-directed it is, and some have pointed out that the "overacting" is intentional in what was always understood by 1927 audiences as a spoof of the "Old Dark House" genre that was popular on Broadway for much of the decade and spilled onto the movie screen. Once you understand that everyone KNEW these were cliches, you realize there's no reason to take a patronizing attitude. I have to say this is the most satisfying "ODH" film I've seen (not considering actual haunted house films like the first version of "The Haunting"). It has a light touch and almost every shot makes some delightful choice--moving camera, jarring close-up, dutch angle, etc. Director Leni succeeds in making this stage play seem cinematic. One shot has a frightened character speeding through the corridor, apparently on an unseen bicycle! The shot of the body falling down out of a closet onto the camera has been much imitated, both seriously (as in "Public Enemy") and as parody (Warner Bros. cartoons). For a quick comparison, check Roland West's early talkie "The Bat Whispers." Although nothing in "Cat" reaches quite the level of West's most astonishing shots, the film as a whole is more satisfying and less stagey.