AVALIAÇÃO DA IMDb
7,2/10
2,9 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA prostitute seeking a fresh start becomes the obsession of a religious extremist.A prostitute seeking a fresh start becomes the obsession of a religious extremist.A prostitute seeking a fresh start becomes the obsession of a religious extremist.
- Indicado a 2 Oscars
- 3 vitórias e 2 indicações no total
Charles Sullivan
- Marine
- (não creditado)
Enredo
Você sabia?
- CuriosidadesUnseen for many years because the last reel had decomposed, the final eight minutes have been reconstructed using production stills and title cards, allowing modern audiences to see an approximation of the complete film.
- Erros de gravaçãoAt the beginning of the film, Mr. and Mrs. Davidson each write a quotation in the ship's autograph book. Their handwriting appears identical, revealing that neither actor actually wrote what is shown on screen.
- Citações
Sadie Thompson: [screaming at Alfred Davidson] Was I doing you any harm? You bloodthirsty buzzard! Was I? Who gave you the right to pass judgement on me? You psalm-singing louse! You'd tear out your own mother's heart, if she didn't agree with you, and call it saving her soul!
- Versões alternativasOriginally released at 97 minutes. Out of circulation for decades because the final reel of the picture was destroyed due to film decay.
- ConexõesEdited into Spisok korabley (2008)
Avaliação em destaque
Gloria Swanson (as Sadie Thompson) is a prostitute bound for Pago Pago, "in the sultry South Seas, where there is no need for bed clothes" as "the rain comes down in sheets." Ms. Swanson is contemplating a change in lifestyle, but has her thinking derailed by hypocritical preacher Lionel Barrymore (as Alfred Davidson). The two are among those quarantined together, due to an outbreak of small-pox. Watch for Swanson's exclamation after being told she's quarantined! It isn't, "Oh, sugar!"
AND, that's only the beginning. Gloria Swanson is Sadie Thompson. This is one of her best performances, and it certainly surpasses the Sadies essayed by Joan Crawford and Rita Hayworth. Swanson creates a marvelous Sadie - clear, precise, and believable. Her eye-to-eye contact with Blanche Friderici (as Mrs. Davidson) is the first sign you have that a truly riveting characterization is in the works. Swanson uses her eyes magnificently throughout, but is also skillful chewing gum, wiping her hands, and striking a pose she inhabits the character.
Director Raoul Walsh does double duty by playing Swanson's "Handsome" love interest Tim O'Hara. The photography and sets are superior, though the film is damaged in some places. The symbolism is just right - watch how Swanson gets into a TIGHT black negligee and gets caught in a web. Subtle. Yet, the heavy-handed, rain drenched symbolism is easier to take in a "silent" rather than a "talking" picture. The characters to watch are Swanson and Barrymore, as the film progresses; they have a psychological war, which offers some dramatic surprises. Barrymore is, perhaps, less captivating than Walter Huston in the Crawford re-make, which was re-titled "Rain" (1932); it would have been nice to see a version with Swanson and Huston.
Sadly, the very end of "Sadie Thompson" is lost. There is a relatively well-done "reconstruction". Most of the missing footage is successfully imagined with stills; this might have been an interesting way to end the film, anyway. However, there is one lost scene, essential to the story, sorely missed; but, you will have no trouble figuring out what has happened.
********* Sadie Thompson (1/7/28) Raoul Walsh ~ Gloria Swanson, Lionel Barrymore, Raoul Walsh, Blanche Friderici
AND, that's only the beginning. Gloria Swanson is Sadie Thompson. This is one of her best performances, and it certainly surpasses the Sadies essayed by Joan Crawford and Rita Hayworth. Swanson creates a marvelous Sadie - clear, precise, and believable. Her eye-to-eye contact with Blanche Friderici (as Mrs. Davidson) is the first sign you have that a truly riveting characterization is in the works. Swanson uses her eyes magnificently throughout, but is also skillful chewing gum, wiping her hands, and striking a pose she inhabits the character.
Director Raoul Walsh does double duty by playing Swanson's "Handsome" love interest Tim O'Hara. The photography and sets are superior, though the film is damaged in some places. The symbolism is just right - watch how Swanson gets into a TIGHT black negligee and gets caught in a web. Subtle. Yet, the heavy-handed, rain drenched symbolism is easier to take in a "silent" rather than a "talking" picture. The characters to watch are Swanson and Barrymore, as the film progresses; they have a psychological war, which offers some dramatic surprises. Barrymore is, perhaps, less captivating than Walter Huston in the Crawford re-make, which was re-titled "Rain" (1932); it would have been nice to see a version with Swanson and Huston.
Sadly, the very end of "Sadie Thompson" is lost. There is a relatively well-done "reconstruction". Most of the missing footage is successfully imagined with stills; this might have been an interesting way to end the film, anyway. However, there is one lost scene, essential to the story, sorely missed; but, you will have no trouble figuring out what has happened.
********* Sadie Thompson (1/7/28) Raoul Walsh ~ Gloria Swanson, Lionel Barrymore, Raoul Walsh, Blanche Friderici
- wes-connors
- 29 de set. de 2007
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Sadie Thompson
- Locações de filme
- Two Harbors, Santa Catalina Island, Channel Islands, Califórnia, EUA(some Pago Pago exteriors)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 650.000 (estimativa)
- Tempo de duração1 hora 37 minutos
- Mixagem de som
- Proporção
- 1.33 : 1
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By what name was Sedução do Pecado (1928) officially released in Canada in English?
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