Adicionar um enredo no seu idiomaAlison Drake, the tough-minded executive of an automobile factory, succeeds in the man's world of business until she meets an independent design engineer.Alison Drake, the tough-minded executive of an automobile factory, succeeds in the man's world of business until she meets an independent design engineer.Alison Drake, the tough-minded executive of an automobile factory, succeeds in the man's world of business until she meets an independent design engineer.
- George Mumford
- (as Douglas Dumbrille)
- Gas Station Attendant
- (não creditado)
- Board Member
- (não creditado)
- Alison's Secretary
- (não creditado)
- Board Member
- (não creditado)
- James - Alison's Second Butler
- (não creditado)
- Draftsman
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesThe exterior of Alison Drake's house was shot on location in the Hollywood Hills at the famous Ennis-Wright House, designed by Frank Lloyd Wright, later featured famously in William Castle's A Casa dos Maus Espíritos (1959).
- Erros de gravaçãoWhen Alison is talking with Harriet about four minutes in, the placement of the crane and the puffs of dark smoke outside the window change abruptly; it is obvious that the filming was not done in a continuous take.
- Citações
Pettigrew: You don't appreciate her. She's the only honest woman I've ever met. There's nothing of the hypocrite about Miss D. That's more than you can say about the men she comes in contact with. Look at them. A pack of spineless "Yes"-men. All after her for her money. She sees through them. That's why she tosses them aside. Just as Napoleon would have dismissed a ballet girl. Why, she's never met a man yet that's worthy of her. And she never will.
- ConexõesFeatured in Complicated Women (2003)
- Trilhas sonorasShanghai Lil
(1933) (uncredited)
Music by Harry Warren
Played on a phonograph at Alison's apartment
Also played on the organ during the first swimming pool scene
This movie is a riot. Ruth Chatterton, looking very pretty, plays the a tough businesswoman who runs a tight ship. She tells a friend of hers she has no time for men, no interest in marriage, she's all business.
Whenever there's an attractive man in the office who approaches her about some business thing, she says she can't discuss it right at that moment. Come to her house for dinner that night so they can discuss it.
When they get there, she's feminine and flirty, and eventually the night leads to its inevitable precode conclusion, so we assume. The next day she rebuffs them and it's back to work. One guy gets sent to Hawaii instead of her apartment.
When she meets George Brent, the tables turned, and suddenly she can't live without a man.
Women in the '30s, in films, were sexually liberated and very feminine. In the '40s, they were tailored businesswomen who were miserable without a man. Boy, Ruth got the best of both worlds.
The deco sets were huge and stunning.
Very enjoyable. I love Ruth Chatterton anyway.
- blanche-2
- 28 de jun. de 2015
- Link permanente
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Detalhes
Bilheteria
- Orçamento
- US$ 286.000 (estimativa)
- Tempo de duração1 hora
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1