Adicionar um enredo no seu idiomaElizabeth Barrett's tyrannical father has forbidden any of his family to marry. Nevertheless, Elizabeth falls in love with the poet Robert Browning.Elizabeth Barrett's tyrannical father has forbidden any of his family to marry. Nevertheless, Elizabeth falls in love with the poet Robert Browning.Elizabeth Barrett's tyrannical father has forbidden any of his family to marry. Nevertheless, Elizabeth falls in love with the poet Robert Browning.
- Indicado a 2 Oscars
- 1 vitória e 2 indicações no total
- Bella Hedley
- (as Marion Clayton)
- Dr. Ford-Waterlow
- (as Leo Carroll)
Enredo
Você sabia?
- CuriosidadesConcerned about the public's reaction, the disturbing subplot about Father Barrett's incestuous designs on his daughter was toned down by the studio. However, Charles Laughton famously remarked that they couldn't censor the "gleam" in his eye.
- Erros de gravaçãoThe beginning of the film is set in 1845, but in the first scene Henrietta is shown singing 'Little Brown Jug', which wasn't written until 1869.
- Citações
Elizabeth Barrett: What's another disaster to one who has known little but disaster all her life? But you're a fighter. You were born for victory and triumph. Oh, and if disaster ever came to you through me...
Robert Browning: Yes, a fighter. But I'm sick of fighting alone. I need a comrade in arms to fight beside me.
Elizabeth Barrett: But not one already wounded in battle.
Robert Browning: Wounded but undaunted, unbeaten, unbroken. What finer comrade could a man ask for?
- ConexõesFeatured in E o Oscar Vai Para ... (2014)
- Trilhas sonorasWilt Thou Have My Hand
(1934) (uncredited)
Music by Herbert Stothart
Words by Elizabeth Barrett Browning
Performed by Norma Shearer (piano and vocal)
Reprised by her, Maureen O'Sullivan, Katharine Alexander, Vernon Downing,
Neville Clark, Matthew Smith, Robert Carleton, Allan Conrad and Peter Hobbes
Laughton is somewhat hammy, playing Mr. Barrett as a slightly toned down Dr. Moreau. But I defy anyone to look away; and towards the end of the film he does give a fine impression of a man in torment. But it is Shearer who really carries the film; absolutely lovely performance, restrained and wisely underplaying with Laughton. Observe their final confrontation and note how Shearer's performance rises in intensity as Laughton's grows more subdued. This is a high class of ensemble acting.
Only Fredric March lets the film down by being far too energetic as Robert Browning; meant to be cockily eccentric, he succeeds in putting your teeth on edge. Still, Norma loves him convincingly enough.
A highly recommended film for a rainy afternoon.
- Jamie-58
- 25 de mai. de 1999
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- Tempo de duração1 hora 49 minutos
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- 1.37 : 1