AVALIAÇÃO DA IMDb
7,0/10
8,7 mil
SUA AVALIAÇÃO
Um jovem é atraído por uma garçonete fria e insensível que pode acabar por destruí-los aos dois.Um jovem é atraído por uma garçonete fria e insensível que pode acabar por destruí-los aos dois.Um jovem é atraído por uma garçonete fria e insensível que pode acabar por destruí-los aos dois.
- Indicado a 1 Oscar
- 3 vitórias e 1 indicação no total
Frank Mills
- Chimneysweep
- (cenas deletadas)
Harry Allen
- Cabbie at End
- (não creditado)
Ray Atchley
- J. Murphy
- (não creditado)
Frank Baker
- Policeman Removing Mildred
- (não creditado)
Evelyn Beresford
- Coughing Lady
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesIn later years, Bette Davis said that she found Leslie Howard very frosty and this actually helped her performance, particularly for the scenes requiring her to be horrible to him.
- Erros de gravaçãoAthelny's mustache and beard are almost coming unstuck when he is eating dinner.
- Citações
Mildred Rogers: You cad, you dirty swine! I never cared for you, not once! I was always makin' a fool of ya! Ya bored me stiff; I hated ya! It made me sick when I had to let ya kiss me. I only did it because ya begged me, ya hounded me and drove me crazy! And after ya kissed me, I always used to wipe my mouth! Wipe my mouth!
- ConexõesEdited into Liquid Television: Episode #2.10 (1992)
- Trilhas sonorasHesitation Blues
(1915) (uncredited)
Written by Billy Smythe, Scott Middleton and Art Gillham
Played when Mildred is tearing up the apartment
Avaliação em destaque
I just saw "Of Human Bondage" for the first time a few days ago and WOW! What a mysterious and almost spooky film. I loved how the music went with the pace of each step of Philip's feet. It gave me the chills for some reason...
One of the greatest aspects of this film is that you get to see Bette Davis coming into herself right before your eyes. She's great, not necessarily because this is her best work, but because it was so out of the ordinary to be so vicious, gritty, and unflinching as an actress in 1934... Bette was a risk taker, always wanting to be different and this is right about when she started to realize that she could be as nasty and daring as she wanted and people would love her for it. If you're a true lover of film, it's amazing to see...
She just had a way of delivering a line that made the part, and the film for that matter, belong to her. Like "A mass of music and fire. That's me...an old kazoo and some sparklers" or "But you are Blanche, you are in that chair!" or "WITH ALL MY HEART, I STILL LOVE THE MAN I KILLED!!"... Those are from a few of her films, but you get my drift. She was just so brave, sassy, and exotic looking with those beautiful big eyes. After seeing this, I can't believe it was remade twice...
Leslie Howard was gorgeous...so calm and persistent, needing to be loved. I thought he was adorable and couldn't understand how everyone wasn't falling for him, but then again, everyone was...except Mildred. He did a great job...
The only thing that I didn't like was something that was common with the writing in the early films. They'd make a character so hateful that it's almost unbelievable that someone would actually fall for them in the first place. The performances were great, but in real life, Philip would have never been interested in Mildred. That's just the simple truth... See it!!
One of the greatest aspects of this film is that you get to see Bette Davis coming into herself right before your eyes. She's great, not necessarily because this is her best work, but because it was so out of the ordinary to be so vicious, gritty, and unflinching as an actress in 1934... Bette was a risk taker, always wanting to be different and this is right about when she started to realize that she could be as nasty and daring as she wanted and people would love her for it. If you're a true lover of film, it's amazing to see...
She just had a way of delivering a line that made the part, and the film for that matter, belong to her. Like "A mass of music and fire. That's me...an old kazoo and some sparklers" or "But you are Blanche, you are in that chair!" or "WITH ALL MY HEART, I STILL LOVE THE MAN I KILLED!!"... Those are from a few of her films, but you get my drift. She was just so brave, sassy, and exotic looking with those beautiful big eyes. After seeing this, I can't believe it was remade twice...
Leslie Howard was gorgeous...so calm and persistent, needing to be loved. I thought he was adorable and couldn't understand how everyone wasn't falling for him, but then again, everyone was...except Mildred. He did a great job...
The only thing that I didn't like was something that was common with the writing in the early films. They'd make a character so hateful that it's almost unbelievable that someone would actually fall for them in the first place. The performances were great, but in real life, Philip would have never been interested in Mildred. That's just the simple truth... See it!!
- donta49001
- 10 de abr. de 2006
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Servidão Humana
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 403.000 (estimativa)
- Tempo de duração1 hora 23 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was Escravos do Desejo (1934) officially released in India in English?
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